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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0F82EA it is the complementary color #F07D15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0F82EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0F82EA shade: #1482E5, #2594F8, #36A6FF, #47B8FF and #58CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0F82EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0F82EA shade: #0F82EA, #0070D7, #005EC4, #004CB1 and #003A9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0F82EA shade: #0F82EB, #0F47EB, #120FEB, #4D0FEB and #890FEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0F82EA shade: #0F82EB, #0F47EB and #0F0FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0F82EA shade matches the following richer shades: #0F82EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0F82EA shade: #0F82EB, #2381D7, #3780C2, #4C7FAE and #607E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0F82EA shade: #0FEBDC, #0FBFEB, #0F84EB, #0F4AEB and #0F0FEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0F82EA shade: #0A579D, #0D6DC4, #0F82EB, #3196F2 and #58AAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0F82EA shade: #0F82EA, #A20FEB and #DCEB0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0F82EA shade: #0F82EA, #EB0F84 and #84EB0F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0F82EA shade: #0F82EA, #A20FEB, #EB760F and #58EB0F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0F82EA shade: #0F82EA, #E40FEB, #EB760F and #16EB0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

Complementary color

CMYK 0 / 48 / 91 / 6

HEX #F07D15

RGB 240 125 21

HSL 28.49, 0.88%, 0.51%

LAB 64.36, 38.66, 67.71

 

CMYK 91 / 43 / 0 / 10

HEX #1482E5

RGB 20 130 229

HSL 208.42, 0.84%, 0.49%

LAB 53.78, 8.12, -57.99

 

CMYK 85 / 40 / 0 / 3

HEX #2594F8

RGB 37 148 248

HSL 208.44, 0.94%, 0.56%

LAB 60.2, 5.4, -58.23

 

CMYK 79 / 35 / 0 / 0

HEX #36A6FF

RGB 54 166 255

HSL 206.57, 1%, 0.61%

LAB 65.96, -1.13, -52.87

 

CMYK 72 / 28 / 0 / 0

HEX #47B8FF

RGB 71 184 255

HSL 203.15, 1%, 0.64%

LAB 71.45, -9.27, -44.21

 

CMYK 65 / 21 / 0 / 0

HEX #58CAFF

RGB 88 202 255

HSL 199.04, 1%, 0.67%

LAB 77, -16.46, -35.52

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 100 / 48 / 0 / 16

HEX #0070D7

RGB 0 112 215

HSL 208.74, 1%, 0.42%

LAB 47.62, 13.24, -60.02

 

CMYK 100 / 52 / 0 / 23

HEX #005EC4

RGB 0 94 196

HSL 211.22, 1%, 0.38%

LAB 41.2, 17.29, -59.49

 

CMYK 100 / 57 / 0 / 31

HEX #004CB1

RGB 0 76 177

HSL 214.24, 1%, 0.35%

LAB 34.69, 21.59, -58.94

 

CMYK 100 / 63 / 0 / 38

HEX #003A9E

RGB 0 58 158

HSL 217.97, 1%, 0.31%

LAB 28.1, 26.12, -58.31

 

CMYK 94 / 45 / 0 / 8

HEX #0F82EB

RGB 15 130 235

HSL 208.64, 0.88%, 0.49%

LAB 54.1, 10.23, -60.84

 

CMYK 94 / 70 / 0 / 8

HEX #0F47EB

RGB 15 71 235

HSL 224.73, 0.88%, 0.49%

LAB 38.91, 47.48, -85.59

 

CMYK 92 / 94 / 0 / 8

HEX #120FEB

RGB 18 15 235

HSL 240.82, 0.88%, 0.49%

LAB 30.56, 71.96, -99.46

 

CMYK 67 / 94 / 0 / 8

HEX #4D0FEB

RGB 77 15 235

HSL 256.91, 0.88%, 0.49%

LAB 33.81, 73.63, -93.96

 

CMYK 42 / 94 / 0 / 8

HEX #890FEB

RGB 137 15 235

HSL 273.27, 0.88%, 0.49%

LAB 40.67, 78.15, -82.39

 

CMYK 94 / 45 / 0 / 8

HEX #0F82EB

RGB 15 130 235

HSL 208.64, 0.88%, 0.49%

LAB 54.1, 10.23, -60.84

 

CMYK 94 / 70 / 0 / 8

HEX #0F47EB

RGB 15 71 235

HSL 224.73, 0.88%, 0.49%

LAB 38.91, 47.48, -85.59

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

CMYK 94 / 45 / 0 / 8

HEX #0F82EB

RGB 15 130 235

HSL 208.64, 0.88%, 0.49%

LAB 54.1, 10.23, -60.84

 

CMYK 94 / 45 / 0 / 8

HEX #0F82EB

RGB 15 130 235

HSL 208.64, 0.88%, 0.49%

LAB 54.1, 10.23, -60.84

 

CMYK 84 / 40 / 0 / 16

HEX #2381D7

RGB 35 129 215

HSL 208.67, 0.72%, 0.49%

LAB 52.91, 4.33, -51.5

 

CMYK 72 / 34 / 0 / 24

HEX #3780C2

RGB 55 128 194

HSL 208.49, 0.56%, 0.49%

LAB 52, -0.59, -40.99

 

CMYK 56 / 27 / 0 / 32

HEX #4C7FAE

RGB 76 127 174

HSL 208.78, 0.39%, 0.49%

LAB 51.58, -3.04, -30.11

 

CMYK 38 / 18 / 0 / 40

HEX #607E9A

RGB 96 126 154

HSL 208.97, 0.23%, 0.49%

LAB 51.54, -3.38, -18.47

 

CMYK 94 / 0 / 6 / 8

HEX #0FEBDC

RGB 15 235 220

HSL 175.91, 0.88%, 0.49%

LAB 84.32, -49.11, -5.94

 

CMYK 94 / 19 / 0 / 8

HEX #0FBFEB

RGB 15 191 235

HSL 192, 0.88%, 0.49%

LAB 71.8, -24.13, -32.91

 

CMYK 94 / 44 / 0 / 8

HEX #0F84EB

RGB 15 132 235

HSL 208.09, 0.88%, 0.49%

LAB 54.66, 9, -59.93

 

CMYK 94 / 69 / 0 / 8

HEX #0F4AEB

RGB 15 74 235

HSL 223.91, 0.88%, 0.49%

LAB 39.58, 45.66, -84.49

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

CMYK 94 / 45 / 0 / 38

HEX #0A579D

RGB 10 87 157

HSL 208.57, 0.88%, 0.33%

LAB 36.58, 6.35, -43.94

 

CMYK 93 / 44 / 0 / 23

HEX #0D6DC4

RGB 13 109 196

HSL 208.52, 0.88%, 0.41%

LAB 45.65, 8.03, -52.32

 

CMYK 94 / 45 / 0 / 8

HEX #0F82EB

RGB 15 130 235

HSL 208.64, 0.88%, 0.49%

LAB 54.1, 10.23, -60.84

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 64 / 30 / 0 / 4

HEX #58AAF4

RGB 88 170 244

HSL 208.46, 0.88%, 0.65%

LAB 67.54, -2.65, -44.33

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 31 / 94 / 0 / 8

HEX #A20FEB

RGB 162 15 235

HSL 280.09, 0.88%, 0.49%

LAB 44.26, 80.93, -76.36

 

CMYK 6 / 0 / 94 / 8

HEX #DCEB0F

RGB 220 235 15

HSL 64.09, 0.88%, 0.49%

LAB 89.24, -26.34, 86.26

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 0 / 94 / 44 / 8

HEX #EB0F84

RGB 235 15 132

HSL 328.09, 0.88%, 0.49%

LAB 51.46, 79.48, -3.81

 

CMYK 44 / 0 / 94 / 8

HEX #84EB0F

RGB 132 235 15

HSL 88.09, 0.88%, 0.49%

LAB 84.15, -59.16, 80.09

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 31 / 94 / 0 / 8

HEX #A20FEB

RGB 162 15 235

HSL 280.09, 0.88%, 0.49%

LAB 44.26, 80.93, -76.36

 

CMYK 0 / 50 / 94 / 8

HEX #EB760F

RGB 235 118 15

HSL 28.09, 0.88%, 0.49%

LAB 62.21, 40.13, 67.19

 

CMYK 63 / 0 / 94 / 8

HEX #58EB0F

RGB 88 235 15

HSL 100.09, 0.88%, 0.49%

LAB 82.66, -70.96, 78.26

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 3 / 94 / 0 / 8

HEX #E40FEB

RGB 228 15 235

HSL 298.09, 0.88%, 0.49%

LAB 54.9, 90.23, -58.62

 

CMYK 0 / 50 / 94 / 8

HEX #EB760F

RGB 235 118 15

HSL 28.09, 0.88%, 0.49%

LAB 62.21, 40.13, 67.19

 

CMYK 91 / 0 / 94 / 8

HEX #16EB0F

RGB 22 235 15

HSL 118.09, 0.88%, 0.49%

LAB 81.63, -79.92, 76.99

 

Description

Color code: HEX #0F82EA | qconv.com Color code: HEX #0F82EA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 130 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 130 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 44 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 44% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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