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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F1863 it is the complementary color #D0E79C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F1863. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2F1863: #34185E, #452A71, #563C84, #674E97 and #7860AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F1863. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2F1863: #2F1863, #1E0650, #0D003D, #00002A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

Complementary color

CMYK 10 / 0 / 32 / 9

HEX #D0E79C

RGB 208 231 156

HSL 78.4, 0.61%, 0.76%

LAB 88.43, -19.81, 34.07

 

CMYK 45 / 74 / 0 / 63

HEX #34185E

RGB 52 24 94

HSL 264, 0.59%, 0.23%

LAB 16.46, 30.49, -36.65

 

CMYK 39 / 63 / 0 / 56

HEX #452A71

RGB 69 42 113

HSL 262.82, 0.46%, 0.3%

LAB 24.04, 29.35, -36.69

 

CMYK 35 / 55 / 0 / 48

HEX #563C84

RGB 86 60 132

HSL 261.67, 0.38%, 0.38%

LAB 31.52, 28.16, -36.57

 

CMYK 32 / 48 / 0 / 41

HEX #674E97

RGB 103 78 151

HSL 260.55, 0.32%, 0.45%

LAB 38.84, 27.07, -36.43

 

CMYK 29 / 44 / 0 / 33

HEX #7860AA

RGB 120 96 170

HSL 259.46, 0.3%, 0.52%

LAB 45.99, 26.1, -36.32

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 63 / 93 / 0 / 69

HEX #1E0650

RGB 30 6 80

HSL 259.46, 0.86%, 0.17%

LAB 8.87, 31.95, -39.73

 

CMYK 79 / 100 / 0 / 76

HEX #0D003D

RGB 13 0 61

HSL 252.79, 1%, 0.12%

LAB 3.82, 24.45, -34.69

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 41 / 77 / 0 / 62

HEX #3A1762

RGB 58 23 98

HSL 268, 0.62%, 0.24%

LAB 17.43, 33.44, -37.69

 

CMYK 28 / 77 / 0 / 62

HEX #471762

RGB 71 23 98

HSL 278.4, 0.62%, 0.24%

LAB 19.37, 36.26, -34.46

 

CMYK 15 / 77 / 0 / 62

HEX #531762

RGB 83 23 98

HSL 288, 0.62%, 0.24%

LAB 21.33, 39.03, -31.2

 

CMYK 2 / 77 / 0 / 62

HEX #601762

RGB 96 23 98

HSL 298.4, 0.62%, 0.24%

LAB 23.61, 42.14, -27.43

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 53 / 76 / 0 / 41

HEX #472496

RGB 71 36 150

HSL 258.42, 0.61%, 0.36%

LAB 26.17, 43.88, -56.45

 

CMYK 53 / 76 / 0 / 21

HEX #5F31C9

RGB 95 49 201

HSL 258.16, 0.61%, 0.49%

LAB 35.69, 55.34, -71.22

 

CMYK 52 / 76 / 0 / 1

HEX #783DFC

RGB 120 61 252

HSL 258.53, 0.97%, 0.61%

LAB 44.74, 66.8, -85.33

 

CMYK 52 / 75 / 0 / 81

HEX #170C30

RGB 23 12 48

HSL 258.33, 0.6%, 0.12%

LAB 5.95, 15.62, -21.68

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 0 / 77 / 38 / 62

HEX #62173D

RGB 98 23 61

HSL 329.6, 0.62%, 0.24%

LAB 22.11, 36.85, -4.81

 

CMYK 68 / 0 / 77 / 62

HEX #1F6217

RGB 31 98 23

HSL 113.6, 0.62%, 0.24%

LAB 36.15, -36.37, 34.66

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 0 / 53 / 77 / 62

HEX #622E17

RGB 98 46 23

HSL 18.4, 0.62%, 0.24%

LAB 25.6, 21.62, 25.14

 

CMYK 77 / 0 / 53 / 62

HEX #17622E

RGB 23 98 46

HSL 138.4, 0.62%, 0.24%

LAB 36.2, -35.03, 23.14

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 0 / 77 / 38 / 62

HEX #62173D

RGB 98 23 61

HSL 329.6, 0.62%, 0.24%

LAB 22.11, 36.85, -4.81

 

CMYK 22 / 0 / 77 / 62

HEX #4C6217

RGB 76 98 23

HSL 77.6, 0.62%, 0.24%

LAB 38.43, -20.15, 37.7

 

CMYK 77 / 0 / 38 / 62

HEX #17623D

RGB 23 98 61

HSL 150.4, 0.62%, 0.24%

LAB 36.47, -32.03, 14.75

 

CMYK 53 / 76 / 0 / 61

HEX #2F1863

RGB 47 24 99

HSL 258.4, 0.61%, 0.24%

LAB 16.3, 31.02, -40.27

 

CMYK 0 / 77 / 61 / 62

HEX #621726

RGB 98 23 38

HSL 348, 0.62%, 0.24%

LAB 21.39, 34.46, 10.16

 

CMYK 22 / 0 / 77 / 62

HEX #4C6217

RGB 76 98 23

HSL 77.6, 0.62%, 0.24%

LAB 38.43, -20.15, 37.7

 

CMYK 77 / 0 / 15 / 62

HEX #176253

RGB 23 98 83

HSL 168, 0.62%, 0.24%

LAB 37.01, -26.32, 2.09

 

Description

Color code: HEX #2F1863 | qconv.com Color code: HEX #2F1863 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 24 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 24 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 76 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 76% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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