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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2EADDF it is the complementary color #D15220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2EADDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2EADDF: #33ADDA, #44BFED, #55D1FF, #66E3FF and #77F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2EADDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2EADDF: #2EADDF, #1D9BCC, #0C89B9, #0077A6 and #006593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

Complementary color

CMYK 0 / 61 / 85 / 18

HEX #D15220

RGB 209 82 32

HSL 16.95, 0.73%, 0.47%

LAB 51.49, 47.9, 52.12

 

CMYK 77 / 21 / 0 / 15

HEX #33ADDA

RGB 51 173 218

HSL 196.17, 0.69%, 0.53%

LAB 66.25, -18.08, -32.17

 

CMYK 71 / 19 / 0 / 7

HEX #44BFED

RGB 68 191 237

HSL 196.33, 0.82%, 0.6%

LAB 72.63, -19.26, -32.65

 

CMYK 67 / 18 / 0 / 0

HEX #55D1FF

RGB 85 209 255

HSL 196.24, 1%, 0.67%

LAB 78.9, -20.51, -32.6

 

CMYK 60 / 11 / 0 / 0

HEX #66E3FF

RGB 102 227 255

HSL 190.98, 1%, 0.7%

LAB 84.47, -26.79, -24.02

 

CMYK 53 / 4 / 0 / 0

HEX #77F5FF

RGB 119 245 255

HSL 184.41, 1%, 0.73%

LAB 90.07, -32.33, -15.53

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 86 / 24 / 0 / 20

HEX #1D9BCC

RGB 29 155 204

HSL 196.8, 0.75%, 0.46%

LAB 59.95, -15.2, -34.22

 

CMYK 94 / 26 / 0 / 27

HEX #0C89B9

RGB 12 137 185

HSL 196.65, 0.88%, 0.39%

LAB 53.46, -13.05, -33.61

 

CMYK 100 / 28 / 0 / 35

HEX #0077A6

RGB 0 119 166

HSL 196.99, 1%, 0.33%

LAB 46.9, -10.39, -32.9

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 79 / 34 / 0 / 13

HEX #2F92DE

RGB 47 146 222

HSL 206.06, 0.73%, 0.53%

LAB 58.45, -2.1, -46.61

 

CMYK 79 / 47 / 0 / 13

HEX #2F75DE

RGB 47 117 222

HSL 216, 0.73%, 0.53%

LAB 50.22, 15.5, -59.76

 

CMYK 79 / 60 / 0 / 13

HEX #2F58DE

RGB 47 88 222

HSL 225.94, 0.73%, 0.53%

LAB 42.55, 33.95, -72.2

 

CMYK 79 / 73 / 0 / 13

HEX #2F3BDE

RGB 47 59 222

HSL 235.89, 0.73%, 0.53%

LAB 36, 51.5, -82.97

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 79 / 21 / 0 / 93

HEX #040F13

RGB 4 15 19

HSL 196, 0.65%, 0.05%

LAB 3.74, -2.27, -3.25

 

CMYK 80 / 23 / 0 / 73

HEX #0E3646

RGB 14 54 70

HSL 197.14, 0.67%, 0.16%

LAB 20.73, -7.54, -13.91

 

CMYK 79 / 22 / 0 / 53

HEX #195E79

RGB 25 94 121

HSL 196.88, 0.66%, 0.29%

LAB 37.1, -11.09, -21.23

 

CMYK 80 / 23 / 0 / 33

HEX #2385AC

RGB 35 133 172

HSL 197.08, 0.66%, 0.41%

LAB 51.96, -13.87, -28.46

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 10 / 79 / 13

HEX #DEC72F

RGB 222 199 47

HSL 52.11, 0.73%, 0.53%

LAB 79.94, -7.09, 72.5

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 0 / 79 / 21 / 13

HEX #DE2FAF

RGB 222 47 175

HSL 316.11, 0.73%, 0.53%

LAB 52.57, 75.59, -27.93

 

CMYK 21 / 0 / 79 / 13

HEX #AFDE2F

RGB 175 222 47

HSL 76.11, 0.73%, 0.53%

LAB 82.68, -37.64, 73.62

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 42 / 79 / 0 / 13

HEX #812FDE

RGB 129 47 222

HSL 268.11, 0.73%, 0.53%

LAB 41.17, 66.28, -74.19

 

CMYK 0 / 58 / 79 / 13

HEX #DE5E2F

RGB 222 94 47

HSL 16.11, 0.73%, 0.53%

LAB 55.83, 47.55, 50.15

 

CMYK 37 / 0 / 79 / 13

HEX #8CDE2F

RGB 140 222 47

HSL 88.11, 0.73%, 0.53%

LAB 80.75, -50.48, 71.15

 

CMYK 79 / 22 / 0 / 13

HEX #2EADDF

RGB 46 173 223

HSL 196.95, 0.73%, 0.53%

LAB 66.36, -16.91, -34.76

 

CMYK 18 / 79 / 0 / 13

HEX #B52FDE

RGB 181 47 222

HSL 285.94, 0.73%, 0.53%

LAB 48.42, 74.64, -62.08

 

CMYK 0 / 58 / 79 / 13

HEX #DE5E2F

RGB 222 94 47

HSL 16.11, 0.73%, 0.53%

LAB 55.83, 47.55, 50.15

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

Description

Color code: HEX #2EADDF | qconv.com Color code: HEX #2EADDF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 173 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 173 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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NCS® to HKS®

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