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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8A8A it is the complementary color #D17575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8A8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2E8A8A: #338A85, #449C98, #55AEAB, #66C0BE and #77D2D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8A8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2E8A8A: #2E8A8A, #1D7877, #0C6664, #005451 and #00423E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

Complementary color

CMYK 0 / 44 / 44 / 18

HEX #D17575

RGB 209 117 117

HSL 0, 0.5%, 0.64%

LAB 59.49, 35.92, 15.98

 

CMYK 63 / 0 / 4 / 46

HEX #338A85

RGB 51 138 133

HSL 176.55, 0.46%, 0.37%

LAB 52.48, -26.86, -5.03

 

CMYK 56 / 0 / 3 / 39

HEX #449C98

RGB 68 156 152

HSL 177.27, 0.39%, 0.44%

LAB 59.23, -27.15, -5.88

 

CMYK 51 / 0 / 2 / 32

HEX #55AEAB

RGB 85 174 171

HSL 177.98, 0.35%, 0.51%

LAB 65.86, -27.3, -6.65

 

CMYK 47 / 0 / 1 / 25

HEX #66C0BE

RGB 102 192 190

HSL 178.67, 0.42%, 0.58%

LAB 72.39, -27.37, -7.35

 

CMYK 43 / 0 / 0 / 18

HEX #77D2D1

RGB 119 210 209

HSL 179.34, 0.5%, 0.65%

LAB 78.82, -27.38, -8.01

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 76 / 0 / 1 / 53

HEX #1D7877

RGB 29 120 119

HSL 179.34, 0.61%, 0.29%

LAB 45.67, -25.5, -6.98

 

CMYK 88 / 0 / 2 / 60

HEX #0C6664

RGB 12 102 100

HSL 178.67, 0.79%, 0.22%

LAB 38.73, -24.3, -5.87

 

CMYK 100 / 0 / 4 / 67

HEX #005451

RGB 0 84 81

HSL 177.86, 1%, 0.16%

LAB 31.66, -22.48, -4.56

 

CMYK 100 / 0 / 6 / 74

HEX #00423E

RGB 0 66 62

HSL 176.36, 1%, 0.13%

LAB 24.46, -19.66, -2.93

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 67 / 11 / 0 / 46

HEX #2D7A89

RGB 45 122 137

HSL 189.78, 0.51%, 0.36%

LAB 47.34, -18.38, -15.1

 

CMYK 67 / 22 / 0 / 46

HEX #2D6B89

RGB 45 107 137

HSL 199.57, 0.51%, 0.36%

LAB 42.58, -9.92, -22.41

 

CMYK 67 / 34 / 0 / 46

HEX #2D5B89

RGB 45 91 137

HSL 210, 0.51%, 0.36%

LAB 37.56, -0.16, -30.24

 

CMYK 67 / 45 / 0 / 46

HEX #2D4C89

RGB 45 76 137

HSL 219.78, 0.51%, 0.36%

LAB 32.99, 9.61, -37.49

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 67 / 0 / 0 / 26

HEX #3FBDBD

RGB 63 189 189

HSL 180, 0.5%, 0.49%

LAB 70.26, -33.55, -10.1

 

CMYK 67 / 0 / 0 / 6

HEX #50F0F0

RGB 80 240 240

HSL 180, 0.84%, 0.63%

LAB 87.15, -40.47, -12.16

 

CMYK 67 / 0 / 0 / 86

HEX #0C2424

RGB 12 36 36

HSL 180, 0.5%, 0.09%

LAB 12.4, -9.28, -2.86

 

CMYK 67 / 0 / 0 / 66

HEX #1D5757

RGB 29 87 87

HSL 180, 0.5%, 0.23%

LAB 33.49, -18.35, -5.56

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 53 / 67 / 0 / 46

HEX #402D89

RGB 64 45 137

HSL 252.39, 0.51%, 0.36%

LAB 26.08, 33.74, -48.58

 

CMYK 0 / 27 / 67 / 46

HEX #89642D

RGB 137 100 45

HSL 35.87, 0.51%, 0.36%

LAB 45.11, 8.86, 36.24

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 0 / 67 / 0 / 46

HEX #892D89

RGB 137 45 137

HSL 300, 0.51%, 0.36%

LAB 35.99, 50.67, -32.13

 

CMYK 0 / 0 / 67 / 46

HEX #89892D

RGB 137 137 45

HSL 60, 0.51%, 0.36%

LAB 55.48, -12.03, 47.31

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 53 / 67 / 0 / 46

HEX #402D89

RGB 64 45 137

HSL 252.39, 0.51%, 0.36%

LAB 26.08, 33.74, -48.58

 

CMYK 0 / 67 / 67 / 46

HEX #892D2D

RGB 137 45 45

HSL 0, 0.51%, 0.36%

LAB 32.67, 39.16, 21.62

 

CMYK 13 / 0 / 67 / 46

HEX #77892D

RGB 119 137 45

HSL 71.74, 0.51%, 0.36%

LAB 54.03, -19.99, 45.35

 

CMYK 67 / 0 / 0 / 46

HEX #2E8A8A

RGB 46 138 138

HSL 180, 0.5%, 0.36%

LAB 52.5, -26.25, -7.92

 

CMYK 34 / 67 / 0 / 46

HEX #5B2D89

RGB 91 45 137

HSL 270, 0.51%, 0.36%

LAB 29.18, 39.48, -43.41

 

CMYK 0 / 67 / 67 / 46

HEX #892D2D

RGB 137 45 45

HSL 0, 0.51%, 0.36%

LAB 32.67, 39.16, 21.62

 

CMYK 34 / 0 / 67 / 46

HEX #5B892D

RGB 91 137 45

HSL 90, 0.51%, 0.36%

LAB 52.18, -31.51, 42.83

 

Description

Color code: HEX #2E8A8A | qconv.com Color code: HEX #2E8A8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 138 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 138 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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