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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E7DD9 it is the complementary color #D18226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E7DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2E7DD9: #337DD4, #448FE7, #55A1FA, #66B3FF and #77C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E7DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2E7DD9: #2E7DD9, #1D6BC6, #0C59B3, #0047A0 and #00358D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

Complementary color

CMYK 0 / 38 / 82 / 18

HEX #D18226

RGB 209 130 38

HSL 32.28, 0.69%, 0.48%

LAB 61.36, 23.66, 58.42

 

CMYK 76 / 41 / 0 / 17

HEX #337DD4

RGB 51 125 212

HSL 212.42, 0.65%, 0.52%

LAB 51.98, 7.25, -51.27

 

CMYK 71 / 38 / 0 / 9

HEX #448FE7

RGB 68 143 231

HSL 212.39, 0.77%, 0.59%

LAB 58.64, 5.44, -51.28

 

CMYK 66 / 36 / 0 / 2

HEX #55A1FA

RGB 85 161 250

HSL 212.36, 0.94%, 0.66%

LAB 65.22, 3.97, -51.27

 

CMYK 60 / 30 / 0 / 0

HEX #66B3FF

RGB 102 179 255

HSL 209.8, 1%, 0.7%

LAB 71.07, -1.69, -44.73

 

CMYK 53 / 23 / 0 / 0

HEX #77C5FF

RGB 119 197 255

HSL 205.59, 1%, 0.73%

LAB 76.72, -8.18, -35.86

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 85 / 46 / 0 / 22

HEX #1D6BC6

RGB 29 107 198

HSL 212.31, 0.74%, 0.45%

LAB 45.43, 11.03, -53.8

 

CMYK 93 / 50 / 0 / 30

HEX #0C59B3

RGB 12 89 179

HSL 212.34, 0.87%, 0.37%

LAB 38.69, 14.14, -53.63

 

CMYK 100 / 56 / 0 / 37

HEX #0047A0

RGB 0 71 160

HSL 213.38, 1%, 0.31%

LAB 31.91, 17.95, -53.3

 

CMYK 100 / 62 / 0 / 45

HEX #00358D

RGB 0 53 141

HSL 217.45, 1%, 0.28%

LAB 25.17, 22.54, -52.69

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 78 / 55 / 0 / 15

HEX #3062D9

RGB 48 98 217

HSL 222.25, 0.69%, 0.52%

LAB 44.76, 25.81, -65.74

 

CMYK 78 / 68 / 0 / 15

HEX #3046D9

RGB 48 70 217

HSL 232.19, 0.69%, 0.52%

LAB 37.88, 43.47, -77

 

CMYK 76 / 78 / 0 / 15

HEX #3530D9

RGB 53 48 217

HSL 241.78, 0.69%, 0.52%

LAB 33.73, 56.13, -83.83

 

CMYK 63 / 78 / 0 / 15

HEX #5130D9

RGB 81 48 217

HSL 251.72, 0.69%, 0.52%

LAB 35.74, 58.56, -80.45

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 77 / 46 / 0 / 95

HEX #03070D

RGB 3 7 13

HSL 216, 0.63%, 0.03%

LAB 1.81, -0.18, -2.74

 

CMYK 78 / 42 / 0 / 75

HEX #0E2540

RGB 14 37 64

HSL 212.4, 0.64%, 0.15%

LAB 14.33, 1.77, -19.82

 

CMYK 79 / 43 / 0 / 55

HEX #184273

RGB 24 66 115

HSL 212.31, 0.65%, 0.27%

LAB 27.65, 4.3, -32.36

 

CMYK 79 / 42 / 0 / 35

HEX #2360A6

RGB 35 96 166

HSL 212.06, 0.65%, 0.39%

LAB 40.37, 6.16, -43.21

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 21 / 78 / 0 / 15

HEX #AC30D9

RGB 172 48 217

HSL 284.02, 0.69%, 0.52%

LAB 46.84, 71.82, -61.86

 

CMYK 11 / 0 / 78 / 15

HEX #C2D930

RGB 194 217 48

HSL 68.17, 0.69%, 0.52%

LAB 82.54, -27.71, 73.69

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 0 / 78 / 42 / 15

HEX #D9307E

RGB 217 48 126

HSL 332.31, 0.69%, 0.52%

LAB 49.94, 68.73, -2.81

 

CMYK 42 / 0 / 78 / 15

HEX #7ED930

RGB 126 217 48

HSL 92.31, 0.69%, 0.52%

LAB 78.62, -53.09, 68.65

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 21 / 78 / 0 / 15

HEX #AC30D9

RGB 172 48 217

HSL 284.02, 0.69%, 0.52%

LAB 46.84, 71.82, -61.86

 

CMYK 0 / 36 / 78 / 15

HEX #D98A30

RGB 217 138 48

HSL 31.95, 0.69%, 0.52%

LAB 64.28, 23.09, 57.61

 

CMYK 57 / 0 / 78 / 15

HEX #5DD930

RGB 93 217 48

HSL 104.02, 0.69%, 0.52%

LAB 77.38, -62.6, 67.04

 

CMYK 79 / 42 / 0 / 15

HEX #2E7DD9

RGB 46 125 217

HSL 212.28, 0.69%, 0.52%

LAB 52.13, 8.55, -53.87

 

CMYK 0 / 78 / 3 / 15

HEX #D930D3

RGB 217 48 211

HSL 302.13, 0.69%, 0.52%

LAB 53.57, 79.25, -47.25

 

CMYK 0 / 36 / 78 / 15

HEX #D98A30

RGB 217 138 48

HSL 31.95, 0.69%, 0.52%

LAB 64.28, 23.09, 57.61

 

CMYK 78 / 0 / 76 / 15

HEX #30D935

RGB 48 217 53

HSL 121.78, 0.69%, 0.52%

LAB 76.38, -70.84, 64.16

 

Description

Color code: HEX #2E7DD9 | qconv.com Color code: HEX #2E7DD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 125 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 125 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 42 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 42% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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