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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E1CC9 it is the complementary color #D1E336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E1CC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2E1CC9: #331CC4, #442ED7, #5540EA, #6652FD and #7764FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E1CC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2E1CC9: #2E1CC9, #1D0AB6, #0C00A3, #000090 and #00007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

Complementary color

CMYK 8 / 0 / 76 / 11

HEX #D1E336

RGB 209 227 54

HSL 66.24, 0.76%, 0.55%

LAB 86.38, -26.1, 75.84

 

CMYK 74 / 86 / 0 / 23

HEX #331CC4

RGB 51 28 196

HSL 248.21, 0.75%, 0.44%

LAB 28.17, 58.66, -80.85

 

CMYK 68 / 79 / 0 / 16

HEX #442ED7

RGB 68 46 215

HSL 247.81, 0.68%, 0.51%

LAB 34.17, 57.67, -81.93

 

CMYK 64 / 73 / 0 / 8

HEX #5540EA

RGB 85 64 234

HSL 247.41, 0.8%, 0.58%

LAB 40.47, 56.1, -82.34

 

CMYK 60 / 68 / 0 / 1

HEX #6652FD

RGB 102 82 253

HSL 247.02, 0.98%, 0.66%

LAB 46.91, 54.35, -82.39

 

CMYK 53 / 61 / 0 / 0

HEX #7764FF

RGB 119 100 255

HSL 247.35, 1%, 0.7%

LAB 52.13, 47.6, -74.93

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 84 / 95 / 0 / 29

HEX #1D0AB6

RGB 29 10 182

HSL 246.63, 0.9%, 0.38%

LAB 23.19, 59.48, -80.88

 

CMYK 93 / 100 / 0 / 36

HEX #0C00A3

RGB 12 0 163

HSL 244.42, 1%, 0.32%

LAB 18.9, 56.77, -76.6

 

CMYK 100 / 100 / 0 / 44

HEX #000090

RGB 0 0 144

HSL 240, 1%, 0.28%

LAB 15.56, 51.74, -70.47

 

CMYK 100 / 100 / 0 / 51

HEX #00007D

RGB 0 0 125

HSL 240, 1%, 0.25%

LAB 12.48, 46.7, -63.61

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 63 / 87 / 0 / 21

HEX #4A1BC9

RGB 74 27 201

HSL 256.21, 0.76%, 0.45%

LAB 30.54, 61.94, -79.79

 

CMYK 49 / 87 / 0 / 21

HEX #671BC9

RGB 103 27 201

HSL 266.21, 0.76%, 0.45%

LAB 33.74, 64.68, -74.39

 

CMYK 34 / 87 / 0 / 21

HEX #841BC9

RGB 132 27 201

HSL 276.21, 0.76%, 0.45%

LAB 37.67, 68.26, -67.79

 

CMYK 20 / 87 / 0 / 21

HEX #A11BC9

RGB 161 27 201

HSL 286.21, 0.76%, 0.45%

LAB 42.12, 72.52, -60.35

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 77 / 86 / 0 / 1

HEX #3A23FC

RGB 58 35 252

HSL 246.36, 0.97%, 0.56%

LAB 36.23, 71.84, -99.57

 

CMYK 77 / 85 / 0 / 81

HEX #0B0730

RGB 11 7 48

HSL 245.85, 0.75%, 0.11%

LAB 3.94, 13.62, -24.94

 

CMYK 77 / 86 / 0 / 61

HEX #170E63

RGB 23 14 99

HSL 246.35, 0.75%, 0.22%

LAB 11.94, 33.31, -47.53

 

CMYK 77 / 86 / 0 / 41

HEX #221596

RGB 34 21 150

HSL 246.05, 0.75%, 0.34%

LAB 20.36, 47.06, -66.16

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 0 / 87 / 26 / 21

HEX #C91B95

RGB 201 27 149

HSL 317.93, 0.76%, 0.45%

LAB 46.14, 72.23, -22.75

 

CMYK 61 / 0 / 87 / 21

HEX #4FC91B

RGB 79 201 27

HSL 102.07, 0.76%, 0.45%

LAB 71.9, -61.51, 67.25

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 0 / 78 / 87 / 21

HEX #C92C1B

RGB 201 44 27

HSL 5.86, 0.76%, 0.45%

LAB 44.66, 59.7, 47.97

 

CMYK 87 / 0 / 78 / 21

HEX #1BC92C

RGB 27 201 44

HSL 125.86, 0.76%, 0.45%

LAB 71, -68.97, 61.68

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 0 / 87 / 26 / 21

HEX #C91B95

RGB 201 27 149

HSL 317.93, 0.76%, 0.45%

LAB 46.14, 72.23, -22.75

 

CMYK 8 / 0 / 87 / 21

HEX #B8C91B

RGB 184 201 27

HSL 65.86, 0.76%, 0.45%

LAB 77.31, -24.85, 73.98

 

CMYK 87 / 0 / 61 / 21

HEX #1BC94F

RGB 27 201 79

HSL 137.93, 0.76%, 0.45%

LAB 71.26, -65.69, 48.52

 

CMYK 77 / 86 / 0 / 21

HEX #2E1CC9

RGB 46 28 201

HSL 246.24, 0.76%, 0.45%

LAB 28.45, 59.8, -83.32

 

CMYK 0 / 87 / 52 / 21

HEX #C91B61

RGB 201 27 97

HSL 335.86, 0.76%, 0.45%

LAB 44.33, 67.18, 6.5

 

CMYK 8 / 0 / 87 / 21

HEX #B8C91B

RGB 184 201 27

HSL 65.86, 0.76%, 0.45%

LAB 77.31, -24.85, 73.98

 

CMYK 87 / 0 / 34 / 21

HEX #1BC984

RGB 27 201 132

HSL 156.21, 0.76%, 0.45%

LAB 72.01, -56.85, 23.19

 

Description

Color code: HEX #2E1CC9 | qconv.com Color code: HEX #2E1CC9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 28 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 28 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 86 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 86% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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