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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DF370 it is the complementary color #D20C8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DF370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DF370 shade: #32F36B, #43FF7E, #54FF91, #65FFA4 and #76FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DF370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DF370 shade: #2DF370, #1CE15D, #0BCF4A, #00BD37 and #00AB24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DF370 shade: #2BF36F, #2BF339, #53F32B, #89F32B and #BFF32B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DF370 shade: #2BF36F, #2BF3A4, #2BF3DA, #2BD5F3 and #2B9FF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DF370 shade matches the following richer shades: #2BF36F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DF370 shade: #2BF36F, #3DE174, #4FCE7A, #61BC80 and #74AA86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DF370 shade: #53F32B, #2BF338, #2BF36E, #2BF3A3 and #2BF3D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DF370 shade: #0BC048, #0DE757, #2BF36F, #52F589 and #79F7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DF370 shade: #2DF370, #2B88F3 and #F32B38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DF370 shade: #2DF370, #6E2BF3 and #F36E2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DF370 shade: #2DF370, #2B88F3, #F32BB0 and #F3952B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DF370 shade: #2DF370, #2B4CF3, #F32BB0 and #F3D12B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

Complementary color

CMYK 0 / 94 / 32 / 18

HEX #D20C8F

RGB 210 12 143

HSL 320.3, 0.89%, 0.44%

LAB 46.91, 75.48, -17.8

 

CMYK 79 / 0 / 56 / 5

HEX #32F36B

RGB 50 243 107

HSL 137.72, 0.89%, 0.57%

LAB 84.92, -73.15, 51.98

 

CMYK 74 / 0 / 51 / 0

HEX #43FF7E

RGB 67 255 126

HSL 138.83, 1%, 0.63%

LAB 89.03, -72.34, 48.3

 

CMYK 67 / 0 / 43 / 0

HEX #54FF91

RGB 84 255 145

HSL 141.4, 1%, 0.66%

LAB 89.6, -66.86, 40.03

 

CMYK 60 / 0 / 36 / 0

HEX #65FFA4

RGB 101 255 164

HSL 144.55, 1%, 0.7%

LAB 90.31, -60.52, 31.65

 

CMYK 54 / 0 / 28 / 0

HEX #76FFB7

RGB 118 255 183

HSL 148.47, 1%, 0.73%

LAB 91.14, -53.45, 23.27

 

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

CMYK 88 / 0 / 59 / 12

HEX #1CE15D

RGB 28 225 93

HSL 139.8, 0.78%, 0.5%

LAB 78.98, -71.31, 51.21

 

CMYK 95 / 0 / 64 / 19

HEX #0BCF4A

RGB 11 207 74

HSL 139.29, 0.9%, 0.43%

LAB 73.02, -69.05, 52.65

 

CMYK 100 / 0 / 71 / 26

HEX #00BD37

RGB 0 189 55

HSL 137.46, 1%, 0.37%

LAB 67.03, -66.11, 53.84

 

CMYK 100 / 0 / 79 / 33

HEX #00AB24

RGB 0 171 36

HSL 132.63, 1%, 0.34%

LAB 61, -62.43, 54.48

 

CMYK 82 / 0 / 54 / 5

HEX #2BF36F

RGB 43 243 111

HSL 140.4, 0.89%, 0.56%

LAB 84.88, -73.32, 50.1

 

CMYK 82 / 0 / 77 / 5

HEX #2BF339

RGB 43 243 57

HSL 124.2, 0.89%, 0.56%

LAB 84.44, -78.73, 70.76

 

CMYK 66 / 0 / 82 / 5

HEX #53F32B

RGB 83 243 43

HSL 108, 0.89%, 0.56%

LAB 85.05, -73.64, 75.38

 

CMYK 44 / 0 / 82 / 5

HEX #89F32B

RGB 137 243 43

HSL 91.8, 0.89%, 0.56%

LAB 86.8, -59.84, 77.6

 

CMYK 21 / 0 / 82 / 5

HEX #BFF32B

RGB 191 243 43

HSL 75.6, 0.89%, 0.56%

LAB 89.56, -40.94, 81.09

 

CMYK 82 / 0 / 54 / 5

HEX #2BF36F

RGB 43 243 111

HSL 140.4, 0.89%, 0.56%

LAB 84.88, -73.32, 50.1

 

CMYK 82 / 0 / 33 / 5

HEX #2BF3A4

RGB 43 243 164

HSL 156.3, 0.89%, 0.56%

LAB 85.65, -64.25, 25.17

 

CMYK 82 / 0 / 10 / 5

HEX #2BF3DA

RGB 43 243 218

HSL 172.5, 0.89%, 0.56%

LAB 86.84, -51.55, -1.16

 

CMYK 82 / 12 / 0 / 5

HEX #2BD5F3

RGB 43 213 243

HSL 189, 0.89%, 0.56%

LAB 78.79, -30.9, -26.44

 

CMYK 82 / 35 / 0 / 5

HEX #2B9FF3

RGB 43 159 243

HSL 205.2, 0.89%, 0.56%

LAB 63.16, -2.41, -50.77

 

CMYK 82 / 0 / 54 / 5

HEX #2BF36F

RGB 43 243 111

HSL 140.4, 0.89%, 0.56%

LAB 84.88, -73.32, 50.1

 

CMYK 82 / 0 / 54 / 5

HEX #2BF36F

RGB 43 243 111

HSL 140.4, 0.89%, 0.56%

LAB 84.88, -73.32, 50.1

 

CMYK 73 / 0 / 48 / 12

HEX #3DE174

RGB 61 225 116

HSL 140.12, 0.73%, 0.56%

LAB 79.67, -64.54, 41.41

 

CMYK 62 / 0 / 41 / 19

HEX #4FCE7A

RGB 79 206 122

HSL 140.31, 0.56%, 0.56%

LAB 74.32, -53.46, 31.64

 

CMYK 48 / 0 / 32 / 26

HEX #61BC80

RGB 97 188 128

HSL 140.44, 0.4%, 0.56%

LAB 69.52, -40.7, 22.19

 

CMYK 32 / 0 / 21 / 33

HEX #74AA86

RGB 116 170 134

HSL 140, 0.24%, 0.56%

LAB 65.11, -25.53, 12.98

 

CMYK 66 / 0 / 82 / 5

HEX #53F32B

RGB 83 243 43

HSL 108, 0.89%, 0.56%

LAB 85.05, -73.64, 75.38

 

CMYK 82 / 0 / 77 / 5

HEX #2BF338

RGB 43 243 56

HSL 123.9, 0.89%, 0.56%

LAB 84.43, -78.8, 71.05

 

CMYK 82 / 0 / 55 / 5

HEX #2BF36E

RGB 43 243 110

HSL 140.1, 0.89%, 0.56%

LAB 84.86, -73.46, 50.54

 

CMYK 82 / 0 / 33 / 5

HEX #2BF3A3

RGB 43 243 163

HSL 156, 0.89%, 0.56%

LAB 85.63, -64.46, 25.66

 

CMYK 82 / 0 / 11 / 5

HEX #2BF3D8

RGB 43 243 216

HSL 171.9, 0.89%, 0.56%

LAB 86.79, -52.08, -0.19

 

CMYK 94 / 0 / 63 / 25

HEX #0BC048

RGB 11 192 72

HSL 140.22, 0.89%, 0.4%

LAB 68.2, -64.74, 48.09

 

CMYK 94 / 0 / 62 / 9

HEX #0DE757

RGB 13 231 87

HSL 140.37, 0.89%, 0.48%

LAB 80.7, -74.63, 55.76

 

CMYK 82 / 0 / 54 / 5

HEX #2BF36F

RGB 43 243 111

HSL 140.4, 0.89%, 0.56%

LAB 84.88, -73.32, 50.1

 

CMYK 67 / 0 / 44 / 4

HEX #52F589

RGB 82 245 137

HSL 140.25, 0.89%, 0.64%

LAB 86.46, -64.92, 39.88

 

CMYK 51 / 0 / 34 / 3

HEX #79F7A4

RGB 121 247 164

HSL 140.48, 0.89%, 0.72%

LAB 88.57, -53.01, 29.43

 

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 0 / 82 / 77 / 5

HEX #F32B38

RGB 243 43 56

HSL 356.1, 0.89%, 0.56%

LAB 53.02, 72.56, 43.86

 

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

CMYK 55 / 82 / 0 / 5

HEX #6E2BF3

RGB 110 43 243

HSL 260.1, 0.89%, 0.56%

LAB 40.43, 70.45, -87.42

 

CMYK 0 / 55 / 82 / 5

HEX #F36E2B

RGB 243 110 43

HSL 20.1, 0.89%, 0.56%

LAB 61.98, 47.63, 58.83

 

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 0 / 82 / 28 / 5

HEX #F32BB0

RGB 243 43 176

HSL 320.1, 0.89%, 0.56%

LAB 56, 81.24, -22.91

 

CMYK 0 / 39 / 82 / 5

HEX #F3952B

RGB 243 149 43

HSL 31.8, 0.89%, 0.56%

LAB 69.98, 27.96, 65.87

 

CMYK 81 / 0 / 54 / 5

HEX #2DF370

RGB 45 243 112

HSL 140.3, 0.89%, 0.56%

LAB 84.91, -73, 49.69

 

CMYK 82 / 69 / 0 / 5

HEX #2B4CF3

RGB 43 76 243

HSL 230.1, 0.89%, 0.56%

LAB 41.46, 48.52, -85.88

 

CMYK 0 / 82 / 28 / 5

HEX #F32BB0

RGB 243 43 176

HSL 320.1, 0.89%, 0.56%

LAB 56, 81.24, -22.91

 

CMYK 0 / 14 / 82 / 5

HEX #F3D12B

RGB 243 209 43

HSL 49.8, 0.89%, 0.56%

LAB 84.4, -3.35, 78.21

 

Description

Color code: HEX #2DF370 | qconv.com Color code: HEX #2DF370 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 243 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 243 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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