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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 136 243 it is the complementary color RGB 212 119 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 136 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 136 243 shade: RGB 48 136 238, RGB 65 154 255, RGB 82 172 255, RGB 99 190 255 and RGB 116 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 136 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 26 118 224, RGB 9 100 205, RGB 0 82 186 and RGB 0 64 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 43 82 243, RGB 58 43 243, RGB 112 43 243 and RGB 166 43 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 43 82 243 and RGB 43 43 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 136 243 shade matches the following richer shades: RGB 43 136 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 61 137 225, RGB 79 138 206, RGB 97 140 188 and RGB 116 141 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 136 243 shade: RGB 43 243 243, RGB 43 189 243, RGB 43 136 243, RGB 43 83 243 and RGB 56 43 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 136 243 shade: RGB 11 95 192, RGB 13 115 231, RGB 43 136 243, RGB 82 158 245 and RGB 121 180 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 189 43 243 and RGB 216 243 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 243 43 136 and RGB 136 243 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 189 43 243, RGB 243 149 43 and RGB 96 243 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 136 243 shade: RGB 43 136 243, RGB 243 43 236, RGB 243 149 43 and RGB 43 243 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

Complementary color

CMYK 0 / 44 / 94 / 17

HEX #D4770C

RGB 212 119 12

HSL 32.1, 0.89%, 0.44%

LAB 59.17, 30.26, 64.14

 

CMYK 80 / 43 / 0 / 7

HEX #3088EE

RGB 48 136 238

HSL 212.21, 0.85%, 0.56%

LAB 56.5, 9.81, -58.63

 

CMYK 75 / 40 / 0 / 0

HEX #419AFF

RGB 65 154 255

HSL 211.89, 1%, 0.63%

LAB 62.89, 7.01, -57.74

 

CMYK 68 / 33 / 0 / 0

HEX #52ACFF

RGB 82 172 255

HSL 208.79, 1%, 0.66%

LAB 68.4, -1.09, -48.97

 

CMYK 61 / 25 / 0 / 0

HEX #63BEFF

RGB 99 190 255

HSL 205, 1%, 0.69%

LAB 74, -8.27, -40.16

 

CMYK 55 / 18 / 0 / 0

HEX #74D0FF

RGB 116 208 255

HSL 200.29, 1%, 0.73%

LAB 79.64, -14.6, -31.38

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 88 / 47 / 0 / 12

HEX #1A76E0

RGB 26 118 224

HSL 212.12, 0.79%, 0.49%

LAB 50.17, 13.96, -60.99

 

CMYK 96 / 51 / 0 / 20

HEX #0964CD

RGB 9 100 205

HSL 212.14, 0.92%, 0.42%

LAB 43.62, 17.28, -60.76

 

CMYK 100 / 56 / 0 / 27

HEX #0052BA

RGB 0 82 186

HSL 213.55, 1%, 0.36%

LAB 37.08, 21.21, -60.36

 

CMYK 100 / 62 / 0 / 35

HEX #0040A7

RGB 0 64 167

HSL 217.01, 1%, 0.33%

LAB 30.54, 25.68, -59.76

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 82 / 66 / 0 / 5

HEX #2B52F3

RGB 43 82 243

HSL 228.3, 0.89%, 0.56%

LAB 42.79, 44.93, -83.68

 

CMYK 76 / 82 / 0 / 5

HEX #3A2BF3

RGB 58 43 243

HSL 244.5, 0.89%, 0.56%

LAB 36.17, 66.37, -94.6

 

CMYK 54 / 82 / 0 / 5

HEX #702BF3

RGB 112 43 243

HSL 260.7, 0.89%, 0.56%

LAB 40.64, 70.66, -87.06

 

CMYK 32 / 82 / 0 / 5

HEX #A62BF3

RGB 166 43 243

HSL 276.9, 0.89%, 0.56%

LAB 47.37, 77.43, -75.76

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 82 / 66 / 0 / 5

HEX #2B52F3

RGB 43 82 243

HSL 228.3, 0.89%, 0.56%

LAB 42.79, 44.93, -83.68

 

CMYK 82 / 82 / 0 / 5

HEX #2B2BF3

RGB 43 43 243

HSL 240, 0.89%, 0.56%

LAB 35.42, 65.68, -95.87

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 73 / 39 / 0 / 12

HEX #3D89E1

RGB 61 137 225

HSL 212.2, 0.73%, 0.56%

LAB 56.41, 5.94, -51.51

 

CMYK 62 / 33 / 0 / 19

HEX #4F8ACE

RGB 79 138 206

HSL 212.13, 0.56%, 0.56%

LAB 56.38, 1.62, -40.84

 

CMYK 48 / 26 / 0 / 26

HEX #618CBC

RGB 97 140 188

HSL 211.65, 0.4%, 0.56%

LAB 57.01, -1.37, -29.61

 

CMYK 32 / 17 / 0 / 33

HEX #748DAA

RGB 116 141 170

HSL 212.22, 0.24%, 0.56%

LAB 57.72, -1.79, -18.16

 

CMYK 82 / 0 / 0 / 5

HEX #2BF3F3

RGB 43 243 243

HSL 180, 0.89%, 0.56%

LAB 87.53, -44.71, -13.23

 

CMYK 82 / 22 / 0 / 5

HEX #2BBDF3

RGB 43 189 243

HSL 196.2, 0.89%, 0.56%

LAB 71.81, -18.85, -37.2

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 82 / 66 / 0 / 5

HEX #2B53F3

RGB 43 83 243

HSL 228, 0.89%, 0.56%

LAB 43.02, 44.32, -83.31

 

CMYK 77 / 82 / 0 / 5

HEX #382BF3

RGB 56 43 243

HSL 243.9, 0.89%, 0.56%

LAB 36.06, 66.27, -94.8

 

CMYK 94 / 51 / 0 / 25

HEX #0B5FC0

RGB 11 95 192

HSL 212.15, 0.89%, 0.4%

LAB 41.31, 15.4, -56.98

 

CMYK 94 / 50 / 0 / 9

HEX #0D73E7

RGB 13 115 231

HSL 211.93, 0.89%, 0.48%

LAB 49.64, 18.01, -65.79

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 67 / 36 / 0 / 4

HEX #529EF5

RGB 82 158 245

HSL 212.02, 0.89%, 0.64%

LAB 64.03, 3.55, -50.42

 

CMYK 51 / 27 / 0 / 3

HEX #79B4F7

RGB 121 180 247

HSL 211.9, 0.89%, 0.72%

LAB 71.84, -0.85, -39.13

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 22 / 82 / 0 / 5

HEX #BD2BF3

RGB 189 43 243

HSL 283.8, 0.89%, 0.56%

LAB 50.71, 80.9, -70.19

 

CMYK 11 / 0 / 82 / 5

HEX #D8F32B

RGB 216 243 43

HSL 68.1, 0.89%, 0.56%

LAB 91.18, -31.14, 83.12

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 0 / 82 / 44 / 5

HEX #F32B88

RGB 243 43 136

HSL 332.1, 0.89%, 0.56%

LAB 54.62, 77.27, -1.4

 

CMYK 44 / 0 / 82 / 5

HEX #88F32B

RGB 136 243 43

HSL 92.1, 0.89%, 0.56%

LAB 86.76, -60.15, 77.55

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 22 / 82 / 0 / 5

HEX #BD2BF3

RGB 189 43 243

HSL 283.8, 0.89%, 0.56%

LAB 50.71, 80.9, -70.19

 

CMYK 0 / 39 / 82 / 5

HEX #F3952B

RGB 243 149 43

HSL 31.8, 0.89%, 0.56%

LAB 69.98, 27.96, 65.87

 

CMYK 60 / 0 / 82 / 5

HEX #60F32B

RGB 96 243 43

HSL 104.1, 0.89%, 0.56%

LAB 85.38, -70.9, 75.8

 

CMYK 82 / 44 / 0 / 5

HEX #2B88F3

RGB 43 136 243

HSL 212.1, 0.89%, 0.56%

LAB 56.68, 11.22, -61.11

 

CMYK 0 / 82 / 3 / 5

HEX #F32BEC

RGB 243 43 236

HSL 302.1, 0.89%, 0.56%

LAB 58.82, 88.94, -52.77

 

CMYK 0 / 39 / 82 / 5

HEX #F3952B

RGB 243 149 43

HSL 31.8, 0.89%, 0.56%

LAB 69.98, 27.96, 65.87

 

CMYK 82 / 0 / 79 / 5

HEX #2BF332

RGB 43 243 50

HSL 122.1, 0.89%, 0.56%

LAB 84.4, -79.16, 72.74

 

Description

Color code: RGB 43 136 243 | qconv.com Color code: RGB 43 136 243 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 136 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 136 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 44 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 44% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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