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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DC73B it is the complementary color #D238C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DC73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DC73B shade: #32C736, #43D949, #54EB5C, #65FD6F and #76FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DC73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DC73B shade: #2DC73B, #1CB528, #0BA315, #009102 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DC73B shade: #2DC83B, #49C82D, #72C82D, #9CC82D and #C6C82D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DC73B shade: #2DC83B, #2DC865, #2DC88E, #2DC8B8 and #2DADC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DC73B shade matches the following richer shades: #2DC83B, #19DB2B and #06EF1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DC73B shade: #2DC83B, #41B44C, #55A05C, #698C6C and #7D787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DC73B shade: #73C82D, #4AC82D, #2DC83A, #2DC863 and #2DC88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DC73B shade: #1E8427, #26A631, #2DC83B, #48D655 and #6ADD75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DC73B shade: #2DC73B, #2D9CC8 and #C82D5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DC73B shade: #2DC73B, #3A2DC8 and #C83A2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DC73B shade: #2DC73B, #2D9CC8, #C82DBB and #C8592D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DC73B shade: #2DC73B, #2D6EC8, #C82DBB and #C8872D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

Complementary color

CMYK 0 / 73 / 7 / 18

HEX #D238C4

RGB 210 56 196

HSL 305.45, 0.63%, 0.52%

LAB 52.42, 73.31, -40.53

 

CMYK 75 / 0 / 73 / 22

HEX #32C736

RGB 50 199 54

HSL 121.61, 0.6%, 0.49%

LAB 70.73, -64.96, 58.18

 

CMYK 69 / 0 / 66 / 15

HEX #43D949

RGB 67 217 73

HSL 122.4, 0.66%, 0.56%

LAB 76.86, -66.27, 57.48

 

CMYK 64 / 0 / 61 / 8

HEX #54EB5C

RGB 84 235 92

HSL 123.18, 0.79%, 0.63%

LAB 82.95, -67.13, 56.45

 

CMYK 60 / 0 / 56 / 1

HEX #65FD6F

RGB 101 253 111

HSL 123.95, 0.97%, 0.69%

LAB 89, -67.68, 55.28

 

CMYK 54 / 0 / 49 / 0

HEX #76FF82

RGB 118 255 130

HSL 125.26, 1%, 0.73%

LAB 90.31, -62.13, 48.3

 

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

CMYK 85 / 0 / 78 / 29

HEX #1CB528

RGB 28 181 40

HSL 124.71, 0.73%, 0.41%

LAB 64.52, -63.25, 56.67

 

CMYK 93 / 0 / 87 / 36

HEX #0BA315

RGB 11 163 21

HSL 123.95, 0.87%, 0.34%

LAB 58.34, -60.39, 56.15

 

CMYK 100 / 0 / 99 / 43

HEX #009102

RGB 0 145 2

HSL 120.83, 1%, 0.28%

LAB 52.12, -56.53, 54.27

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83B

RGB 45 200 59

HSL 125.42, 0.63%, 0.48%

LAB 71, -65.56, 56.59

 

CMYK 64 / 0 / 78 / 22

HEX #49C82D

RGB 73 200 45

HSL 109.16, 0.63%, 0.48%

LAB 71.5, -61.66, 62.13

 

CMYK 43 / 0 / 78 / 22

HEX #72C82D

RGB 114 200 45

HSL 93.29, 0.63%, 0.48%

LAB 72.94, -50.41, 64.01

 

CMYK 22 / 0 / 78 / 22

HEX #9CC82D

RGB 156 200 45

HSL 77.03, 0.63%, 0.48%

LAB 75.18, -35.19, 66.91

 

CMYK 1 / 0 / 78 / 22

HEX #C6C82D

RGB 198 200 45

HSL 60.77, 0.63%, 0.48%

LAB 78.17, -17.91, 70.74

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83B

RGB 45 200 59

HSL 125.42, 0.63%, 0.48%

LAB 71, -65.56, 56.59

 

CMYK 78 / 0 / 50 / 22

HEX #2DC865

RGB 45 200 101

HSL 141.68, 0.63%, 0.48%

LAB 71.42, -60.42, 38.37

 

CMYK 78 / 0 / 29 / 22

HEX #2DC88E

RGB 45 200 142

HSL 157.55, 0.63%, 0.48%

LAB 72.11, -52.64, 18.05

 

CMYK 78 / 0 / 8 / 22

HEX #2DC8B8

RGB 45 200 184

HSL 173.81, 0.63%, 0.48%

LAB 73.11, -42.19, -3.19

 

CMYK 78 / 14 / 0 / 22

HEX #2DADC8

RGB 45 173 200

HSL 190.45, 0.63%, 0.48%

LAB 65.45, -24.63, -23.48

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83B

RGB 45 200 59

HSL 125.42, 0.63%, 0.48%

LAB 71, -65.56, 56.59

 

CMYK 89 / 0 / 80 / 14

HEX #19DB2B

RGB 25 219 43

HSL 125.57, 0.8%, 0.48%

LAB 76.71, -74.32, 67.38

 

CMYK 97 / 0 / 89 / 6

HEX #06EF1B

RGB 6 239 27

HSL 125.41, 0.95%, 0.48%

LAB 82.83, -81.32, 76.32

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83B

RGB 45 200 59

HSL 125.42, 0.63%, 0.48%

LAB 71, -65.56, 56.59

 

CMYK 64 / 0 / 58 / 29

HEX #41B44C

RGB 65 180 76

HSL 125.74, 0.47%, 0.48%

LAB 65.19, -53.53, 43.01

 

CMYK 47 / 0 / 43 / 37

HEX #55A05C

RGB 85 160 92

HSL 125.6, 0.31%, 0.48%

LAB 59.75, -38.06, 28.38

 

CMYK 25 / 0 / 23 / 45

HEX #698C6C

RGB 105 140 108

HSL 125.14, 0.14%, 0.48%

LAB 54.91, -18.99, 13.2

 

CMYK 0 / 4 / 1 / 51

HEX #7D787C

RGB 125 120 124

HSL 312, 0.02%, 0.48%

LAB 50.98, 2.7, -1.51

 

CMYK 43 / 0 / 78 / 22

HEX #73C82D

RGB 115 200 45

HSL 92.9, 0.63%, 0.48%

LAB 72.99, -50.08, 64.07

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83A

RGB 45 200 58

HSL 125.03, 0.63%, 0.48%

LAB 70.99, -65.65, 56.95

 

CMYK 78 / 0 / 51 / 22

HEX #2DC863

RGB 45 200 99

HSL 140.9, 0.63%, 0.48%

LAB 71.4, -60.73, 39.33

 

CMYK 78 / 0 / 30 / 22

HEX #2DC88C

RGB 45 200 140

HSL 156.77, 0.63%, 0.48%

LAB 72.07, -53.08, 19.06

 

CMYK 77 / 0 / 70 / 48

HEX #1E8427

RGB 30 132 39

HSL 125.29, 0.63%, 0.32%

LAB 48.17, -47.4, 40.45

 

CMYK 77 / 0 / 70 / 35

HEX #26A631

RGB 38 166 49

HSL 125.16, 0.63%, 0.4%

LAB 59.8, -56.6, 48.7

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83B

RGB 45 200 59

HSL 125.42, 0.63%, 0.48%

LAB 71, -65.56, 56.59

 

CMYK 66 / 0 / 60 / 16

HEX #48D655

RGB 72 214 85

HSL 125.49, 0.63%, 0.56%

LAB 76.15, -63.08, 51.66

 

CMYK 52 / 0 / 47 / 13

HEX #6ADD75

RGB 106 221 117

HSL 125.74, 0.63%, 0.64%

LAB 79.65, -53.86, 41.14

 

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

CMYK 78 / 22 / 0 / 22

HEX #2D9CC8

RGB 45 156 200

HSL 197.03, 0.63%, 0.48%

LAB 60.34, -15.71, -31.35

 

CMYK 0 / 78 / 53 / 22

HEX #C82D5E

RGB 200 45 94

HSL 341.03, 0.63%, 0.48%

LAB 45.59, 62.33, 10.11

 

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 0 / 71 / 78 / 22

HEX #C83A2D

RGB 200 58 45

HSL 5.03, 0.63%, 0.48%

LAB 46.3, 55.21, 40.31

 

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

CMYK 78 / 22 / 0 / 22

HEX #2D9CC8

RGB 45 156 200

HSL 197.03, 0.63%, 0.48%

LAB 60.34, -15.71, -31.35

 

CMYK 0 / 78 / 7 / 22

HEX #C82DBB

RGB 200 45 187

HSL 305.03, 0.63%, 0.48%

LAB 49.18, 73.02, -40.52

 

CMYK 0 / 56 / 78 / 22

HEX #C8592D

RGB 200 89 45

HSL 17.03, 0.63%, 0.48%

LAB 51.4, 41.65, 45.55

 

CMYK 77 / 0 / 70 / 22

HEX #2DC73B

RGB 45 199 59

HSL 125.45, 0.63%, 0.48%

LAB 70.68, -65.25, 56.25

 

CMYK 78 / 45 / 0 / 22

HEX #2D6EC8

RGB 45 110 200

HSL 214.84, 0.63%, 0.48%

LAB 46.82, 11.41, -52.7

 

CMYK 0 / 78 / 7 / 22

HEX #C82DBB

RGB 200 45 187

HSL 305.03, 0.63%, 0.48%

LAB 49.18, 73.02, -40.52

 

CMYK 0 / 33 / 78 / 22

HEX #C8872D

RGB 200 135 45

HSL 34.84, 0.63%, 0.48%

LAB 61.48, 17.31, 55.43

 

Description

Color code: HEX #2DC73B | qconv.com Color code: HEX #2DC73B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 199 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 199 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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