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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A2DC7 it is the complementary color #C5D238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A2DC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A2DC7 shade: #3F2DC2, #503FD5, #6151E8, #7263FB and #8375FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A2DC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A2DC7 shade: #3A2DC7, #291BB4, #1809A1, #07008E and #00007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A2DC7 shade: #3A2DC8, #642DC8, #8D2DC8, #B72DC8 and #C82DAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A2DC7 shade: #3A2DC8 and #2D2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A2DC7 shade matches the following richer shades: #3A2DC8, #2A19DB and #1906EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A2DC7 shade: #3A2DC8, #4B41B4, #5B55A0, #6C698C and #7C7D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A2DC7 shade: #2D73C8, #2D4AC8, #3A2DC8, #632DC8 and #8C2DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A2DC7 shade: #271E84, #3026A6, #3A2DC8, #5448D6 and #746ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A2DC7 shade: #3A2DC7, #C82D9C and #5EC82D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A2DC7 shade: #3A2DC7, #C83A2D and #2DC83A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A2DC7 shade: #3A2DC7, #C82D9C, #BBC82D and #2DC859

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A2DC7 shade: #3A2DC7, #C82D6E, #BBC82D and #2DC887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

Complementary color

CMYK 6 / 0 / 73 / 18

HEX #C5D238

RGB 197 210 56

HSL 65.06, 0.63%, 0.52%

LAB 80.88, -22.79, 69.78

 

CMYK 68 / 77 / 0 / 24

HEX #3F2DC2

RGB 63 45 194

HSL 247.25, 0.62%, 0.47%

LAB 31.41, 51.42, -74.27

 

CMYK 62 / 70 / 0 / 16

HEX #503FD5

RGB 80 63 213

HSL 246.8, 0.64%, 0.54%

LAB 37.96, 49.66, -74.5

 

CMYK 58 / 65 / 0 / 9

HEX #6151E8

RGB 97 81 232

HSL 246.36, 0.77%, 0.61%

LAB 44.59, 47.84, -74.42

 

CMYK 55 / 61 / 0 / 2

HEX #7263FB

RGB 114 99 251

HSL 245.92, 0.95%, 0.69%

LAB 51.23, 46.11, -74.19

 

CMYK 49 / 54 / 0 / 0

HEX #8375FF

RGB 131 117 255

HSL 246.09, 1%, 0.73%

LAB 56.85, 40.14, -67.24

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 77 / 85 / 0 / 29

HEX #291BB4

RGB 41 27 180

HSL 245.49, 0.74%, 0.41%

LAB 25.41, 53.9, -75.96

 

CMYK 85 / 94 / 0 / 37

HEX #1809A1

RGB 24 9 161

HSL 245.92, 0.89%, 0.33%

LAB 19.89, 53.94, -73.7

 

CMYK 95 / 100 / 0 / 44

HEX #07008E

RGB 7 0 142

HSL 242.96, 1%, 0.28%

LAB 15.48, 51.29, -69.35

 

CMYK 100 / 100 / 0 / 52

HEX #00007B

RGB 0 0 123

HSL 240, 1%, 0.24%

LAB 12.16, 46.16, -62.88

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 50 / 78 / 0 / 22

HEX #642DC8

RGB 100 45 200

HSL 261.29, 0.63%, 0.48%

LAB 35.51, 57.57, -70.91

 

CMYK 30 / 78 / 0 / 22

HEX #8D2DC8

RGB 141 45 200

HSL 277.16, 0.63%, 0.48%

LAB 40.75, 63.99, -62.13

 

CMYK 9 / 78 / 0 / 22

HEX #B72DC8

RGB 183 45 200

HSL 293.42, 0.63%, 0.48%

LAB 47.12, 71.69, -51.53

 

CMYK 0 / 78 / 13 / 22

HEX #C82DAE

RGB 200 45 174

HSL 310.06, 0.63%, 0.48%

LAB 48.53, 71.14, -33.94

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 78 / 78 / 0 / 22

HEX #2D2DC8

RGB 45 45 200

HSL 240, 0.63%, 0.48%

LAB 30.89, 51.79, -78.69

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 81 / 89 / 0 / 14

HEX #2A19DB

RGB 42 25 219

HSL 245.26, 0.8%, 0.48%

LAB 30.16, 65.64, -90.94

 

CMYK 90 / 97 / 0 / 6

HEX #1906EF

RGB 25 6 239

HSL 244.89, 0.95%, 0.48%

LAB 30.8, 74.6, -101.33

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 58 / 64 / 0 / 29

HEX #4B41B4

RGB 75 65 180

HSL 245.22, 0.47%, 0.48%

LAB 35.15, 37.36, -59.85

 

CMYK 43 / 47 / 0 / 37

HEX #5B55A0

RGB 91 85 160

HSL 244.8, 0.31%, 0.48%

LAB 40.01, 22.04, -40.03

 

CMYK 23 / 25 / 0 / 45

HEX #6C698C

RGB 108 105 140

HSL 245.14, 0.14%, 0.48%

LAB 45.89, 9.15, -18.8

 

CMYK 1 / 0 / 4 / 51

HEX #7C7D78

RGB 124 125 120

HSL 72, 0.02%, 0.48%

LAB 52.18, -1.36, 2.58

 

CMYK 78 / 43 / 0 / 22

HEX #2D73C8

RGB 45 115 200

HSL 212.9, 0.63%, 0.48%

LAB 48.25, 8.27, -50.41

 

CMYK 78 / 63 / 0 / 22

HEX #2D4AC8

RGB 45 74 200

HSL 228.77, 0.63%, 0.48%

LAB 37.16, 34.64, -68.36

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 51 / 78 / 0 / 22

HEX #632DC8

RGB 99 45 200

HSL 260.9, 0.63%, 0.48%

LAB 35.4, 57.43, -71.1

 

CMYK 30 / 78 / 0 / 22

HEX #8C2DC8

RGB 140 45 200

HSL 276.77, 0.63%, 0.48%

LAB 40.61, 63.82, -62.37

 

CMYK 70 / 77 / 0 / 48

HEX #271E84

RGB 39 30 132

HSL 245.29, 0.63%, 0.32%

LAB 20.15, 37.19, -55.26

 

CMYK 71 / 77 / 0 / 35

HEX #3026A6

RGB 48 38 166

HSL 244.69, 0.63%, 0.4%

LAB 26.06, 44.85, -66.45

 

CMYK 71 / 78 / 0 / 22

HEX #3A2DC8

RGB 58 45 200

HSL 245.03, 0.63%, 0.48%

LAB 31.68, 52.79, -77.35

 

CMYK 61 / 66 / 0 / 16

HEX #5448D6

RGB 84 72 214

HSL 245.07, 0.63%, 0.56%

LAB 40.2, 45.46, -71.38

 

CMYK 48 / 52 / 0 / 13

HEX #746ADD

RGB 116 106 221

HSL 245.22, 0.63%, 0.64%

LAB 50.97, 33.43, -57.79

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 78 / 22 / 22

HEX #C82D9C

RGB 200 45 156

HSL 317.03, 0.63%, 0.48%

LAB 47.7, 68.73, -24.56

 

CMYK 53 / 0 / 78 / 22

HEX #5EC82D

RGB 94 200 45

HSL 101.03, 0.63%, 0.48%

LAB 72.15, -56.44, 62.98

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 71 / 78 / 22

HEX #C83A2D

RGB 200 58 45

HSL 5.03, 0.63%, 0.48%

LAB 46.3, 55.21, 40.31

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83A

RGB 45 200 58

HSL 125.03, 0.63%, 0.48%

LAB 70.99, -65.65, 56.95

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 78 / 22 / 22

HEX #C82D9C

RGB 200 45 156

HSL 317.03, 0.63%, 0.48%

LAB 47.7, 68.73, -24.56

 

CMYK 7 / 0 / 78 / 22

HEX #BBC82D

RGB 187 200 45

HSL 65.03, 0.63%, 0.48%

LAB 77.32, -22.54, 69.65

 

CMYK 78 / 0 / 56 / 22

HEX #2DC859

RGB 45 200 89

HSL 137.03, 0.63%, 0.48%

LAB 71.27, -62.19, 43.99

 

CMYK 71 / 77 / 0 / 22

HEX #3A2DC7

RGB 58 45 199

HSL 245.06, 0.63%, 0.48%

LAB 31.58, 52.49, -76.94

 

CMYK 0 / 78 / 45 / 22

HEX #C82D6E

RGB 200 45 110

HSL 334.84, 0.63%, 0.48%

LAB 46.02, 63.67, 0.84

 

CMYK 7 / 0 / 78 / 22

HEX #BBC82D

RGB 187 200 45

HSL 65.03, 0.63%, 0.48%

LAB 77.32, -22.54, 69.65

 

CMYK 78 / 0 / 33 / 22

HEX #2DC887

RGB 45 200 135

HSL 154.84, 0.63%, 0.48%

LAB 71.97, -54.15, 21.58

 

Description

Color code: HEX #3A2DC7 | qconv.com Color code: HEX #3A2DC7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 45 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 45 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 77 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 77% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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