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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB444 it is the complementary color #D24BBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB444. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2DB444: #32B43F, #43C652, #54D865, #65EA78 and #76FC8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB444. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2DB444: #2DB444, #1CA231, #0B901E, #007E0B and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

Complementary color

CMYK 0 / 64 / 11 / 18

HEX #D24BBB

RGB 210 75 187

HSL 310.22, 0.6%, 0.56%

LAB 54.37, 65.24, -32.27

 

CMYK 72 / 0 / 65 / 29

HEX #32B43F

RGB 50 180 63

HSL 126, 0.57%, 0.45%

LAB 64.71, -57.93, 48.24

 

CMYK 66 / 0 / 59 / 22

HEX #43C652

RGB 67 198 82

HSL 126.87, 0.53%, 0.52%

LAB 71, -58.84, 47.03

 

CMYK 61 / 0 / 53 / 15

HEX #54D865

RGB 84 216 101

HSL 127.73, 0.63%, 0.59%

LAB 77.24, -59.37, 45.71

 

CMYK 57 / 0 / 49 / 8

HEX #65EA78

RGB 101 234 120

HSL 128.57, 0.76%, 0.66%

LAB 83.43, -59.64, 44.38

 

CMYK 53 / 0 / 45 / 1

HEX #76FC8B

RGB 118 252 139

HSL 129.4, 0.96%, 0.73%

LAB 89.55, -59.73, 43.06

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 83 / 0 / 70 / 36

HEX #1CA231

RGB 28 162 49

HSL 129.4, 0.71%, 0.37%

LAB 58.33, -56.62, 47.1

 

CMYK 92 / 0 / 79 / 44

HEX #0B901E

RGB 11 144 30

HSL 128.57, 0.86%, 0.3%

LAB 51.96, -54.21, 47.7

 

CMYK 100 / 0 / 91 / 51

HEX #007E0B

RGB 0 126 11

HSL 125.24, 1%, 0.25%

LAB 45.56, -50.68, 47.07

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 75 / 0 / 50 / 30

HEX #2CB359

RGB 44 179 89

HSL 140, 0.61%, 0.44%

LAB 64.56, -55.09, 35.8

 

CMYK 75 / 0 / 37 / 30

HEX #2CB370

RGB 44 179 112

HSL 150.22, 0.61%, 0.44%

LAB 64.92, -50.98, 24.29

 

CMYK 75 / 0 / 25 / 30

HEX #2CB386

RGB 44 179 134

HSL 160, 0.61%, 0.44%

LAB 65.36, -46.2, 12.96

 

CMYK 75 / 0 / 12 / 30

HEX #2CB39D

RGB 44 179 157

HSL 170.22, 0.61%, 0.44%

LAB 65.91, -40.39, 1.07

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 75 / 0 / 62 / 9

HEX #3AE757

RGB 58 231 87

HSL 130.06, 0.78%, 0.57%

LAB 81.15, -70.76, 56.39

 

CMYK 74 / 0 / 63 / 89

HEX #071B0A

RGB 7 27 10

HSL 129, 0.59%, 0.07%

LAB 7.69, -11.24, 7.2

 

CMYK 74 / 0 / 63 / 69

HEX #144E1D

RGB 20 78 29

HSL 129.31, 0.59%, 0.19%

LAB 28.61, -30.24, 23.36

 

CMYK 75 / 0 / 62 / 49

HEX #208131

RGB 32 129 49

HSL 130.52, 0.6%, 0.32%

LAB 47.27, -44.83, 34.88

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 75 / 27 / 0 / 30

HEX #2C82B3

RGB 44 130 179

HSL 201.78, 0.61%, 0.44%

LAB 51.56, -8.62, -33.11

 

CMYK 0 / 75 / 58 / 30

HEX #B32C4C

RGB 179 44 76

HSL 345.78, 0.61%, 0.44%

LAB 41.07, 55.31, 14.49

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 63 / 75 / 0 / 30

HEX #432CB3

RGB 67 44 179

HSL 250.22, 0.61%, 0.44%

LAB 30.03, 47.82, -67.66

 

CMYK 0 / 63 / 75 / 30

HEX #B3432C

RGB 179 67 44

HSL 10.22, 0.61%, 0.44%

LAB 43.92, 44.26, 37.19

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 75 / 27 / 0 / 30

HEX #2C82B3

RGB 44 130 179

HSL 201.78, 0.61%, 0.44%

LAB 51.56, -8.62, -33.11

 

CMYK 0 / 75 / 12 / 30

HEX #B32C9D

RGB 179 44 157

HSL 309.78, 0.61%, 0.44%

LAB 43.97, 64.3, -31.24

 

CMYK 0 / 47 / 75 / 30

HEX #B35E2C

RGB 179 94 44

HSL 22.22, 0.61%, 0.44%

LAB 49.22, 30.68, 42.8

 

CMYK 75 / 0 / 62 / 29

HEX #2DB444

RGB 45 180 68

HSL 130.22, 0.6%, 0.44%

LAB 64.66, -58.18, 45.96

 

CMYK 75 / 50 / 0 / 30

HEX #2C59B3

RGB 44 89 179

HSL 220, 0.61%, 0.44%

LAB 39.47, 16.84, -52.32

 

CMYK 0 / 75 / 12 / 30

HEX #B32C9D

RGB 179 44 157

HSL 309.78, 0.61%, 0.44%

LAB 43.97, 64.3, -31.24

 

CMYK 0 / 25 / 75 / 30

HEX #B3862C

RGB 179 134 44

HSL 40, 0.61%, 0.44%

LAB 58.8, 8.55, 52.42

 

Description

Color code: HEX #2DB444 | qconv.com Color code: HEX #2DB444 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 180 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 180 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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