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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB333 it is the complementary color #D24CCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB333 shade: #32B32E, #43C541, #54D754, #65E967 and #76FB7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB333 shade: #2DB333, #1CA120, #0B8F0D, #007D00 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB333 shade: #2DB433, #4BB42D, #6FB42D, #94B42D and #B4AF2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB333 shade: #2DB433, #2DB457, #2DB47C, #2DB4A0 and #2DA3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB333 shade matches the following richer shades: #2DB433, #1BC622 and #09D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB333 shade: #2DB433, #3FA143, #518F54, #637D64 and #756B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB333 shade: #70B42D, #4CB42D, #2DB431, #2DB455 and #2DB479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB333 shade: #1C7220, #25932A, #2DB433, #3CCE42 and #5DD662

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB333 shade: #2DB333, #2D94B4 and #B42D5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB333 shade: #2DB333, #312DB4 and #B4312D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB333 shade: #2DB333, #2D94B4, #B42DAF and #B44C2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB333 shade: #2DB333, #2D6CB4, #B42DAF and #B4752D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

Complementary color

CMYK 0 / 64 / 3 / 18

HEX #D24CCC

RGB 210 76 204

HSL 302.69, 0.6%, 0.56%

LAB 55.31, 67.52, -40.57

 

CMYK 72 / 0 / 74 / 30

HEX #32B32E

RGB 50 179 46

HSL 118.2, 0.59%, 0.44%

LAB 64.25, -59.17, 54.49

 

CMYK 66 / 0 / 67 / 23

HEX #43C541

RGB 67 197 65

HSL 119.09, 0.53%, 0.51%

LAB 70.53, -60.34, 53.87

 

CMYK 61 / 0 / 61 / 16

HEX #54D754

RGB 84 215 84

HSL 120, 0.62%, 0.59%

LAB 76.76, -61.06, 52.87

 

CMYK 57 / 0 / 56 / 9

HEX #65E967

RGB 101 233 103

HSL 120.91, 0.75%, 0.65%

LAB 82.93, -61.47, 51.7

 

CMYK 53 / 0 / 51 / 2

HEX #76FB7A

RGB 118 251 122

HSL 121.8, 0.94%, 0.72%

LAB 89.04, -61.68, 50.46

 

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

CMYK 83 / 0 / 80 / 37

HEX #1CA120

RGB 28 161 32

HSL 121.8, 0.7%, 0.37%

LAB 57.89, -57.7, 52.82

 

CMYK 92 / 0 / 91 / 44

HEX #0B8F0D

RGB 11 143 13

HSL 120.91, 0.86%, 0.3%

LAB 51.55, -54.85, 51.9

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 75 / 0 / 72 / 29

HEX #2DB433

RGB 45 180 51

HSL 122.67, 0.6%, 0.44%

LAB 64.52, -59.91, 52.88

 

CMYK 58 / 0 / 75 / 29

HEX #4BB42D

RGB 75 180 45

HSL 106.67, 0.6%, 0.44%

LAB 65.22, -54.21, 56.03

 

CMYK 38 / 0 / 75 / 29

HEX #6FB42D

RGB 111 180 45

HSL 90.67, 0.6%, 0.44%

LAB 66.68, -43.23, 57.95

 

CMYK 18 / 0 / 75 / 29

HEX #94B42D

RGB 148 180 45

HSL 74.22, 0.6%, 0.44%

LAB 68.84, -29.07, 60.78

 

CMYK 0 / 3 / 75 / 29

HEX #B4AF2D

RGB 180 175 45

HSL 57.78, 0.6%, 0.44%

LAB 69.86, -12.99, 62.61

 

CMYK 75 / 0 / 72 / 29

HEX #2DB433

RGB 45 180 51

HSL 122.67, 0.6%, 0.44%

LAB 64.52, -59.91, 52.88

 

CMYK 75 / 0 / 52 / 29

HEX #2DB457

RGB 45 180 87

HSL 138.67, 0.6%, 0.44%

LAB 64.87, -55.61, 37.19

 

CMYK 75 / 0 / 31 / 29

HEX #2DB47C

RGB 45 180 124

HSL 155.11, 0.6%, 0.44%

LAB 65.48, -48.74, 18.59

 

CMYK 75 / 0 / 11 / 29

HEX #2DB4A0

RGB 45 180 160

HSL 171.11, 0.6%, 0.44%

LAB 66.32, -39.9, 0.01

 

CMYK 75 / 9 / 0 / 29

HEX #2DA3B4

RGB 45 163 180

HSL 187.56, 0.6%, 0.44%

LAB 61.7, -25.97, -18.04

 

CMYK 75 / 0 / 72 / 29

HEX #2DB433

RGB 45 180 51

HSL 122.67, 0.6%, 0.44%

LAB 64.52, -59.91, 52.88

 

CMYK 86 / 0 / 83 / 22

HEX #1BC622

RGB 27 198 34

HSL 122.46, 0.76%, 0.44%

LAB 69.99, -68.69, 63.55

 

CMYK 96 / 0 / 92 / 15

HEX #09D812

RGB 9 216 18

HSL 122.61, 0.92%, 0.44%

LAB 75.58, -75.35, 71.55

 

CMYK 75 / 0 / 72 / 29

HEX #2DB433

RGB 45 180 51

HSL 122.67, 0.6%, 0.44%

LAB 64.52, -59.91, 52.88

 

CMYK 61 / 0 / 58 / 37

HEX #3FA143

RGB 63 161 67

HSL 122.45, 0.44%, 0.44%

LAB 58.93, -48, 39.93

 

CMYK 43 / 0 / 41 / 44

HEX #518F54

RGB 81 143 84

HSL 122.9, 0.28%, 0.44%

LAB 54.06, -32.91, 25.28

 

CMYK 21 / 0 / 20 / 51

HEX #637D64

RGB 99 125 100

HSL 122.31, 0.12%, 0.44%

LAB 49.79, -14.69, 10.6

 

CMYK 0 / 9 / 0 / 54

HEX #756B75

RGB 117 107 117

HSL 300, 0.04%, 0.44%

LAB 46.42, 5.89, -4.15

 

CMYK 38 / 0 / 75 / 29

HEX #70B42D

RGB 112 180 45

HSL 90.22, 0.6%, 0.44%

LAB 66.73, -42.88, 58.02

 

CMYK 58 / 0 / 75 / 29

HEX #4CB42D

RGB 76 180 45

HSL 106.22, 0.6%, 0.44%

LAB 65.25, -53.96, 56.07

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 75 / 0 / 53 / 29

HEX #2DB455

RGB 45 180 85

HSL 137.78, 0.6%, 0.44%

LAB 64.85, -55.91, 38.15

 

CMYK 75 / 0 / 33 / 29

HEX #2DB479

RGB 45 180 121

HSL 153.78, 0.6%, 0.44%

LAB 65.42, -49.38, 20.13

 

CMYK 75 / 0 / 72 / 55

HEX #1C7220

RGB 28 114 32

HSL 122.79, 0.61%, 0.28%

LAB 41.82, -42.11, 36.71

 

CMYK 75 / 0 / 71 / 42

HEX #25932A

RGB 37 147 42

HSL 122.73, 0.6%, 0.36%

LAB 53.41, -51.08, 44.8

 

CMYK 75 / 0 / 72 / 29

HEX #2DB433

RGB 45 180 51

HSL 122.67, 0.6%, 0.44%

LAB 64.52, -59.91, 52.88

 

CMYK 71 / 0 / 68 / 19

HEX #3CCE42

RGB 60 206 66

HSL 122.47, 0.6%, 0.52%

LAB 73.22, -64.55, 56.3

 

CMYK 57 / 0 / 54 / 16

HEX #5DD662

RGB 93 214 98

HSL 122.48, 0.6%, 0.6%

LAB 76.86, -56.96, 46.73

 

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

CMYK 75 / 18 / 0 / 29

HEX #2D94B4

RGB 45 148 180

HSL 194.22, 0.6%, 0.44%

LAB 57.11, -18.17, -25.06

 

CMYK 0 / 75 / 48 / 29

HEX #B42D5E

RGB 180 45 94

HSL 338.22, 0.6%, 0.44%

LAB 41.83, 56.72, 4.26

 

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

CMYK 73 / 75 / 0 / 29

HEX #312DB4

RGB 49 45 180

HSL 241.78, 0.6%, 0.44%

LAB 28.97, 45.66, -70.06

 

CMYK 0 / 73 / 75 / 29

HEX #B4312D

RGB 180 49 45

HSL 1.78, 0.6%, 0.44%

LAB 41.36, 52.11, 33.87

 

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

CMYK 75 / 18 / 0 / 29

HEX #2D94B4

RGB 45 148 180

HSL 194.22, 0.6%, 0.44%

LAB 57.11, -18.17, -25.06

 

CMYK 0 / 75 / 3 / 29

HEX #B42DAF

RGB 180 45 175

HSL 302.22, 0.6%, 0.44%

LAB 45.19, 66.96, -40.03

 

CMYK 0 / 58 / 75 / 29

HEX #B44C2D

RGB 180 76 45

HSL 13.78, 0.6%, 0.44%

LAB 45.72, 40.41, 38.64

 

CMYK 75 / 0 / 72 / 30

HEX #2DB333

RGB 45 179 51

HSL 122.69, 0.6%, 0.44%

LAB 64.19, -59.59, 52.55

 

CMYK 75 / 40 / 0 / 29

HEX #2D6CB4

RGB 45 108 180

HSL 212, 0.6%, 0.44%

LAB 45.05, 5.13, -43.96

 

CMYK 0 / 75 / 3 / 29

HEX #B42DAF

RGB 180 45 175

HSL 302.22, 0.6%, 0.44%

LAB 45.19, 66.96, -40.03

 

CMYK 0 / 35 / 75 / 29

HEX #B4752D

RGB 180 117 45

HSL 32, 0.6%, 0.44%

LAB 54.67, 18.51, 47.94

 

Description

Color code: HEX #2DB333 | qconv.com Color code: HEX #2DB333 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 179 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 179 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 72 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 72% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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