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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DB431 it is the complementary color #D24BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DB431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DB431 shade: #32B42C, #43C63F, #54D852, #65EA65 and #76FC78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DB431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DB431 shade: #2DB431, #1CA21E, #0B900B, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DB431 shade: #2DB431, #4DB42D, #72B42D, #96B42D and #B4AD2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DB431 shade: #2DB431, #2DB455, #2DB479, #2DB49E and #2DA5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DB431 shade matches the following richer shades: #2DB431, #1BC620 and #09D80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DB431 shade: #2DB431, #3FA142, #518F53, #637D64 and #756B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DB431 shade: #72B42D, #4FB42D, #2DB42F, #2DB453 and #2DB477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DB431 shade: #1C721F, #259328, #2DB431, #3CCE40 and #5DD660

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DB431 shade: #2DB431, #2D96B4 and #B42D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DB431 shade: #2DB431, #2F2DB4 and #B42F2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DB431 shade: #2DB431, #2D96B4, #B42DB1 and #B44A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DB431 shade: #2DB431, #2D6EB4, #B42DB1 and #B4722D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

Complementary color

CMYK 0 / 64 / 2 / 18

HEX #D24BCE

RGB 210 75 206

HSL 301.78, 0.6%, 0.56%

LAB 55.27, 68.24, -41.77

 

CMYK 72 / 0 / 76 / 29

HEX #32B42C

RGB 50 180 44

HSL 117.35, 0.61%, 0.44%

LAB 64.57, -59.65, 55.5

 

CMYK 66 / 0 / 68 / 22

HEX #43C63F

RGB 67 198 63

HSL 118.22, 0.54%, 0.51%

LAB 70.83, -60.87, 54.99

 

CMYK 61 / 0 / 62 / 15

HEX #54D852

RGB 84 216 82

HSL 119.1, 0.63%, 0.58%

LAB 77.04, -61.63, 54.06

 

CMYK 57 / 0 / 57 / 8

HEX #65EA65

RGB 101 234 101

HSL 120, 0.76%, 0.66%

LAB 83.21, -62.07, 52.93

 

CMYK 53 / 0 / 52 / 1

HEX #76FC78

RGB 118 252 120

HSL 120.9, 0.96%, 0.73%

LAB 89.31, -62.31, 51.71

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 83 / 0 / 81 / 36

HEX #1CA21E

RGB 28 162 30

HSL 120.9, 0.71%, 0.37%

LAB 58.21, -58.13, 53.73

 

CMYK 92 / 0 / 92 / 44

HEX #0B900B

RGB 11 144 11

HSL 120, 0.86%, 0.3%

LAB 51.88, -55.22, 52.56

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 57 / 0 / 75 / 29

HEX #4DB42D

RGB 77 180 45

HSL 105.78, 0.6%, 0.44%

LAB 65.29, -53.7, 56.11

 

CMYK 37 / 0 / 75 / 29

HEX #72B42D

RGB 114 180 45

HSL 89.33, 0.6%, 0.44%

LAB 66.83, -42.17, 58.15

 

CMYK 17 / 0 / 75 / 29

HEX #96B42D

RGB 150 180 45

HSL 73.33, 0.6%, 0.44%

LAB 68.98, -28.25, 60.96

 

CMYK 0 / 4 / 75 / 29

HEX #B4AD2D

RGB 180 173 45

HSL 56.89, 0.6%, 0.44%

LAB 69.31, -11.96, 62.1

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 75 / 0 / 53 / 29

HEX #2DB455

RGB 45 180 85

HSL 137.78, 0.6%, 0.44%

LAB 64.85, -55.91, 38.15

 

CMYK 75 / 0 / 33 / 29

HEX #2DB479

RGB 45 180 121

HSL 153.78, 0.6%, 0.44%

LAB 65.42, -49.38, 20.13

 

CMYK 75 / 0 / 12 / 29

HEX #2DB49E

RGB 45 180 158

HSL 170.22, 0.6%, 0.44%

LAB 66.27, -40.44, 1.04

 

CMYK 75 / 8 / 0 / 29

HEX #2DA5B4

RGB 45 165 180

HSL 186.67, 0.6%, 0.44%

LAB 62.31, -26.97, -17.11

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 86 / 0 / 84 / 22

HEX #1BC620

RGB 27 198 32

HSL 121.75, 0.76%, 0.44%

LAB 69.98, -68.79, 64.04

 

CMYK 96 / 0 / 93 / 15

HEX #09D80F

RGB 9 216 15

HSL 121.74, 0.92%, 0.44%

LAB 75.58, -75.43, 71.93

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 61 / 0 / 59 / 37

HEX #3FA142

RGB 63 161 66

HSL 121.84, 0.44%, 0.44%

LAB 58.92, -48.13, 40.39

 

CMYK 43 / 0 / 42 / 44

HEX #518F53

RGB 81 143 83

HSL 121.94, 0.28%, 0.44%

LAB 54.05, -33.07, 25.81

 

CMYK 21 / 0 / 20 / 51

HEX #637D64

RGB 99 125 100

HSL 122.31, 0.12%, 0.44%

LAB 49.79, -14.69, 10.6

 

CMYK 0 / 9 / 0 / 54

HEX #756B75

RGB 117 107 117

HSL 300, 0.04%, 0.44%

LAB 46.42, 5.89, -4.15

 

CMYK 37 / 0 / 75 / 29

HEX #72B42D

RGB 114 180 45

HSL 89.33, 0.6%, 0.44%

LAB 66.83, -42.17, 58.15

 

CMYK 56 / 0 / 75 / 29

HEX #4FB42D

RGB 79 180 45

HSL 104.89, 0.6%, 0.44%

LAB 65.35, -53.17, 56.2

 

CMYK 75 / 0 / 74 / 29

HEX #2DB42F

RGB 45 180 47

HSL 120.89, 0.6%, 0.44%

LAB 64.49, -60.24, 54.34

 

CMYK 75 / 0 / 54 / 29

HEX #2DB453

RGB 45 180 83

HSL 136.89, 0.6%, 0.44%

LAB 64.82, -56.2, 39.1

 

CMYK 75 / 0 / 34 / 29

HEX #2DB477

RGB 45 180 119

HSL 152.89, 0.6%, 0.44%

LAB 65.38, -49.8, 21.16

 

CMYK 75 / 0 / 73 / 55

HEX #1C721F

RGB 28 114 31

HSL 122.09, 0.61%, 0.28%

LAB 41.81, -42.21, 37.13

 

CMYK 75 / 0 / 73 / 42

HEX #259328

RGB 37 147 40

HSL 121.64, 0.6%, 0.36%

LAB 53.4, -51.27, 45.59

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 71 / 0 / 69 / 19

HEX #3CCE40

RGB 60 206 64

HSL 121.64, 0.6%, 0.52%

LAB 73.2, -64.73, 57.07

 

CMYK 57 / 0 / 55 / 16

HEX #5DD660

RGB 93 214 96

HSL 121.49, 0.6%, 0.6%

LAB 76.84, -57.21, 47.63

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 75 / 17 / 0 / 29

HEX #2D96B4

RGB 45 150 180

HSL 193.33, 0.6%, 0.44%

LAB 57.72, -19.24, -24.12

 

CMYK 0 / 75 / 47 / 29

HEX #B42D60

RGB 180 45 96

HSL 337.33, 0.6%, 0.44%

LAB 41.88, 56.9, 3.09

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 74 / 75 / 0 / 29

HEX #2F2DB4

RGB 47 45 180

HSL 240.89, 0.6%, 0.44%

LAB 28.84, 45.48, -70.27

 

CMYK 0 / 74 / 75 / 29

HEX #B42F2D

RGB 180 47 45

HSL 0.89, 0.6%, 0.44%

LAB 41.1, 52.82, 33.58

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 75 / 17 / 0 / 29

HEX #2D96B4

RGB 45 150 180

HSL 193.33, 0.6%, 0.44%

LAB 57.72, -19.24, -24.12

 

CMYK 0 / 75 / 2 / 29

HEX #B42DB1

RGB 180 45 177

HSL 301.33, 0.6%, 0.44%

LAB 45.3, 67.28, -41.03

 

CMYK 0 / 59 / 75 / 29

HEX #B44A2D

RGB 180 74 45

HSL 12.89, 0.6%, 0.44%

LAB 45.35, 41.38, 38.24

 

CMYK 75 / 0 / 73 / 29

HEX #2DB431

RGB 45 180 49

HSL 121.78, 0.6%, 0.44%

LAB 64.5, -60.08, 53.62

 

CMYK 75 / 39 / 0 / 29

HEX #2D6EB4

RGB 45 110 180

HSL 211.11, 0.6%, 0.44%

LAB 45.64, 3.88, -43.02

 

CMYK 0 / 75 / 2 / 29

HEX #B42DB1

RGB 180 45 177

HSL 301.33, 0.6%, 0.44%

LAB 45.3, 67.28, -41.03

 

CMYK 0 / 37 / 75 / 29

HEX #B4722D

RGB 180 114 45

HSL 30.67, 0.6%, 0.44%

LAB 53.95, 20.18, 47.21

 

Description

Color code: HEX #2DB431 | qconv.com Color code: HEX #2DB431 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 180 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 180 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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