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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2DAEB1 it is the complementary color #D2514E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2DAEB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2DAEB1 shade: #32AEAC, #43C0BF, #54D2D2, #65E4E5 and #76F6F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2DAEB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2DAEB1 shade: #2DAEB1, #1C9C9E, #0B8A8B, #007878 and #006665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2DAEB1 shade: #2EAFB2, #2E8CB2, #2E68B2, #2E44B2 and #3B2EB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2DAEB1 shade: #2EAFB2, #2E8CB2, #2E68B2, #2E44B2 and #2E2EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2DAEB1 shade matches the following richer shades: #2EAFB2, #1CC1C5 and #0AD2D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2DAEB1 shade: #2EAFB2, #409EA0, #528D8E, #647B7C and #776A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2DAEB1 shade: #2EB26E, #2EB291, #2EB0B2, #2E8DB2 and #2E6AB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2DAEB1 shade: #1D6F71, #268F92, #2EAFB2, #3DCACD and #5ED3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2DAEB1 shade: #2DAEB1, #4B2EB2 and #B2802E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2DAEB1 shade: #2DAEB1, #B22EB0 and #B0B22E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2DAEB1 shade: #2DAEB1, #4B2EB2, #B2302E and #96B22E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2DAEB1 shade: #2DAEB1, #722EB2, #B2302E and #6EB22E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

Complementary color

CMYK 0 / 61 / 63 / 18

HEX #D2514E

RGB 210 81 78

HSL 1.36, 0.59%, 0.56%

LAB 51.99, 50.72, 28.63

 

CMYK 71 / 0 / 1 / 32

HEX #32AEAC

RGB 50 174 172

HSL 179.03, 0.55%, 0.44%

LAB 64.91, -33.15, -8.73

 

CMYK 65 / 0 / 1 / 25

HEX #43C0BF

RGB 67 192 191

HSL 179.52, 0.5%, 0.51%

LAB 71.32, -33.81, -9.61

 

CMYK 60 / 0 / 0 / 18

HEX #54D2D2

RGB 84 210 210

HSL 180, 0.58%, 0.58%

LAB 77.66, -34.27, -10.4

 

CMYK 56 / 0 / 0 / 10

HEX #65E4E5

RGB 101 228 229

HSL 180.47, 0.71%, 0.65%

LAB 83.92, -34.59, -11.14

 

CMYK 52 / 1 / 0 / 3

HEX #76F6F8

RGB 118 246 248

HSL 180.92, 0.9%, 0.72%

LAB 90.11, -34.81, -11.82

 

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

CMYK 82 / 1 / 0 / 38

HEX #1C9C9E

RGB 28 156 158

HSL 180.92, 0.7%, 0.36%

LAB 58.5, -31.16, -10.46

 

CMYK 92 / 1 / 0 / 45

HEX #0B8A8B

RGB 11 138 139

HSL 180.47, 0.85%, 0.29%

LAB 51.96, -29.6, -9.36

 

CMYK 100 / 0 / 0 / 53

HEX #007878

RGB 0 120 120

HSL 180, 1%, 0.24%

LAB 45.34, -27.53, -8.1

 

CMYK 100 / 0 / 1 / 60

HEX #006665

RGB 0 102 101

HSL 179.41, 1%, 0.2%

LAB 38.62, -24.87, -6.65

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 74 / 21 / 0 / 30

HEX #2E8CB2

RGB 46 140 178

HSL 197.27, 0.59%, 0.44%

LAB 54.61, -14.36, -27.78

 

CMYK 74 / 42 / 0 / 30

HEX #2E68B2

RGB 46 104 178

HSL 213.64, 0.59%, 0.44%

LAB 43.79, 7.04, -44.79

 

CMYK 74 / 62 / 0 / 30

HEX #2E44B2

RGB 46 68 178

HSL 230, 0.59%, 0.44%

LAB 33.84, 30.54, -60.88

 

CMYK 67 / 74 / 0 / 30

HEX #3B2EB2

RGB 59 46 178

HSL 245.91, 0.59%, 0.44%

LAB 29.66, 45.49, -67.7

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 74 / 21 / 0 / 30

HEX #2E8CB2

RGB 46 140 178

HSL 197.27, 0.59%, 0.44%

LAB 54.61, -14.36, -27.78

 

CMYK 74 / 42 / 0 / 30

HEX #2E68B2

RGB 46 104 178

HSL 213.64, 0.59%, 0.44%

LAB 43.79, 7.04, -44.79

 

CMYK 74 / 62 / 0 / 30

HEX #2E44B2

RGB 46 68 178

HSL 230, 0.59%, 0.44%

LAB 33.84, 30.54, -60.88

 

CMYK 74 / 74 / 0 / 30

HEX #2E2EB2

RGB 46 46 178

HSL 240, 0.59%, 0.44%

LAB 28.77, 44.16, -69.2

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 86 / 2 / 0 / 23

HEX #1CC1C5

RGB 28 193 197

HSL 181.42, 0.75%, 0.44%

LAB 71.16, -36.67, -13.19

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 60 / 1 / 0 / 37

HEX #409EA0

RGB 64 158 160

HSL 181.25, 0.43%, 0.44%

LAB 59.96, -26.67, -9.33

 

CMYK 42 / 1 / 0 / 44

HEX #528D8E

RGB 82 141 142

HSL 181, 0.27%, 0.44%

LAB 54.86, -18.91, -6.58

 

CMYK 19 / 1 / 0 / 51

HEX #647B7C

RGB 100 123 124

HSL 182.5, 0.11%, 0.44%

LAB 49.89, -8.09, -3.33

 

CMYK 0 / 11 / 11 / 53

HEX #776A6A

RGB 119 106 106

HSL 0, 0.06%, 0.44%

LAB 46, 5.11, 1.86

 

CMYK 74 / 0 / 38 / 30

HEX #2EB26E

RGB 46 178 110

HSL 149.09, 0.59%, 0.44%

LAB 64.6, -50.71, 24.94

 

CMYK 74 / 0 / 19 / 30

HEX #2EB291

RGB 46 178 145

HSL 165, 0.59%, 0.44%

LAB 65.33, -42.84, 6.88

 

CMYK 74 / 1 / 0 / 30

HEX #2EB0B2

RGB 46 176 178

HSL 180.91, 0.59%, 0.44%

LAB 65.63, -32.83, -10.99

 

CMYK 74 / 21 / 0 / 30

HEX #2E8DB2

RGB 46 141 178

HSL 196.82, 0.59%, 0.44%

LAB 54.91, -14.91, -27.31

 

CMYK 74 / 40 / 0 / 30

HEX #2E6AB2

RGB 46 106 178

HSL 212.73, 0.59%, 0.44%

LAB 44.38, 5.77, -43.86

 

CMYK 74 / 2 / 0 / 56

HEX #1D6F71

RGB 29 111 113

HSL 181.43, 0.59%, 0.28%

LAB 42.49, -22.79, -8.12

 

CMYK 74 / 2 / 0 / 43

HEX #268F92

RGB 38 143 146

HSL 181.67, 0.59%, 0.36%

LAB 54.17, -27.46, -10.07

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 70 / 1 / 0 / 20

HEX #3DCACD

RGB 61 202 205

HSL 181.25, 0.59%, 0.52%

LAB 74.6, -35.35, -12.34

 

CMYK 56 / 1 / 0 / 16

HEX #5ED3D5

RGB 94 211 213

HSL 181.01, 0.59%, 0.6%

LAB 78.33, -32.14, -10.98

 

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

CMYK 58 / 74 / 0 / 30

HEX #4B2EB2

RGB 75 46 178

HSL 253.18, 0.59%, 0.44%

LAB 31.03, 47.52, -65.4

 

CMYK 0 / 28 / 74 / 30

HEX #B2802E

RGB 178 128 46

HSL 37.27, 0.59%, 0.44%

LAB 57.17, 11.54, 49.93

 

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

CMYK 0 / 74 / 1 / 30

HEX #B22EB0

RGB 178 46 176

HSL 300.91, 0.59%, 0.44%

LAB 45.02, 66.38, -40.91

 

CMYK 1 / 0 / 74 / 30

HEX #B0B22E

RGB 176 178 46

HSL 60.91, 0.59%, 0.44%

LAB 70.36, -16.22, 62.62

 

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

CMYK 58 / 74 / 0 / 30

HEX #4B2EB2

RGB 75 46 178

HSL 253.18, 0.59%, 0.44%

LAB 31.03, 47.52, -65.4

 

CMYK 0 / 73 / 74 / 30

HEX #B2302E

RGB 178 48 46

HSL 0.91, 0.59%, 0.44%

LAB 40.86, 51.87, 32.62

 

CMYK 16 / 0 / 74 / 30

HEX #96B22E

RGB 150 178 46

HSL 72.73, 0.59%, 0.44%

LAB 68.4, -27.24, 60.07

 

CMYK 75 / 2 / 0 / 31

HEX #2DAEB1

RGB 45 174 177

HSL 181.36, 0.59%, 0.44%

LAB 64.97, -32.29, -11.43

 

CMYK 36 / 74 / 0 / 30

HEX #722EB2

RGB 114 46 178

HSL 270.91, 0.59%, 0.44%

LAB 35.49, 53.86, -57.92

 

CMYK 0 / 73 / 74 / 30

HEX #B2302E

RGB 178 48 46

HSL 0.91, 0.59%, 0.44%

LAB 40.86, 51.87, 32.62

 

CMYK 38 / 0 / 74 / 30

HEX #6EB22E

RGB 110 178 46

HSL 90.91, 0.59%, 0.44%

LAB 66.02, -42.67, 56.94

 

Description

Color code: HEX #2DAEB1 | qconv.com Color code: HEX #2DAEB1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 174 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 174 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 2 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 2% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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