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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 210 215 it is the complementary color RGB 245 45 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 210 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 210 215 shade: RGB 15 210 210, RGB 32 228 229, RGB 49 246 248, RGB 66 255 255 and RGB 83 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 210 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 210 215 shade: RGB 10 210 215, RGB 0 192 196, RGB 0 174 177, RGB 0 156 158 and RGB 0 138 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 210 215 shade: RGB 10 209 214, RGB 10 154 214, RGB 10 99 214, RGB 10 44 214 and RGB 31 10 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 210 215 shade: RGB 10 209 214, RGB 10 154 214, RGB 10 99 214, RGB 10 44 214 and RGB 10 10 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 210 215 shade matches the following richer shades: RGB 10 209 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 210 215 shade: RGB 10 209 214, RGB 28 192 196, RGB 46 175 178, RGB 65 158 160 and RGB 83 140 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 210 215 shade: RGB 10 214 109, RGB 10 214 163, RGB 10 211 214, RGB 10 156 214 and RGB 10 102 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 210 215 shade: RGB 6 132 135, RGB 8 171 175, RGB 10 209 214, RGB 22 239 244 and RGB 61 241 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 210 215 shade: RGB 10 210 215, RGB 54 10 214 and RGB 214 136 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 210 215 shade: RGB 10 210 215, RGB 214 10 211 and RGB 211 214 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 210 215 shade: RGB 10 210 215, RGB 54 10 214, RGB 214 14 10 and RGB 170 214 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 210 215 shade: RGB 10 210 215, RGB 116 10 214, RGB 214 14 10 and RGB 109 214 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

Complementary color

CMYK 0 / 82 / 84 / 4

HEX #F52D28

RGB 245 45 40

HSL 1.46, 0.91%, 0.56%

LAB 53.43, 72.21, 52.72

 

CMYK 93 / 0 / 0 / 18

HEX #0FD2D2

RGB 15 210 210

HSL 180, 0.87%, 0.44%

LAB 76.59, -41.12, -12.11

 

CMYK 86 / 0 / 0 / 10

HEX #20E4E5

RGB 32 228 229

HSL 180.3, 0.79%, 0.51%

LAB 82.62, -42.8, -13.21

 

CMYK 80 / 1 / 0 / 3

HEX #31F6F8

RGB 49 246 248

HSL 180.6, 0.93%, 0.58%

LAB 88.61, -44.17, -14.22

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 100 / 2 / 0 / 23

HEX #00C0C4

RGB 0 192 196

HSL 181.22, 1%, 0.38%

LAB 70.65, -37.62, -13.42

 

CMYK 100 / 2 / 0 / 31

HEX #00AEB1

RGB 0 174 177

HSL 181.02, 1%, 0.35%

LAB 64.52, -35.17, -12.14

 

CMYK 100 / 1 / 0 / 38

HEX #009C9E

RGB 0 156 158

HSL 180.76, 1%, 0.31%

LAB 58.27, -32.68, -10.83

 

CMYK 100 / 1 / 0 / 45

HEX #008A8B

RGB 0 138 139

HSL 180.43, 1%, 0.27%

LAB 51.88, -30.13, -9.49

 

CMYK 95 / 2 / 0 / 16

HEX #0AD1D6

RGB 10 209 214

HSL 181.47, 0.91%, 0.44%

LAB 76.39, -39.62, -14.57

 

CMYK 95 / 28 / 0 / 16

HEX #0A9AD6

RGB 10 154 214

HSL 197.65, 0.91%, 0.44%

LAB 59.92, -12, -39.87

 

CMYK 95 / 54 / 0 / 16

HEX #0A63D6

RGB 10 99 214

HSL 213.82, 0.91%, 0.44%

LAB 44.01, 21.53, -65.29

 

CMYK 95 / 79 / 0 / 16

HEX #0A2CD6

RGB 10 44 214

HSL 230, 0.91%, 0.44%

LAB 31.16, 55.4, -86.41

 

CMYK 86 / 95 / 0 / 16

HEX #1F0AD6

RGB 31 10 214

HSL 246.18, 0.91%, 0.44%

LAB 27.75, 67.8, -92.09

 

CMYK 95 / 2 / 0 / 16

HEX #0AD1D6

RGB 10 209 214

HSL 181.47, 0.91%, 0.44%

LAB 76.39, -39.62, -14.57

 

CMYK 95 / 28 / 0 / 16

HEX #0A9AD6

RGB 10 154 214

HSL 197.65, 0.91%, 0.44%

LAB 59.92, -12, -39.87

 

CMYK 95 / 54 / 0 / 16

HEX #0A63D6

RGB 10 99 214

HSL 213.82, 0.91%, 0.44%

LAB 44.01, 21.53, -65.29

 

CMYK 95 / 79 / 0 / 16

HEX #0A2CD6

RGB 10 44 214

HSL 230, 0.91%, 0.44%

LAB 31.16, 55.4, -86.41

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 95 / 2 / 0 / 16

HEX #0AD1D6

RGB 10 209 214

HSL 181.47, 0.91%, 0.44%

LAB 76.39, -39.62, -14.57

 

CMYK 95 / 2 / 0 / 16

HEX #0AD1D6

RGB 10 209 214

HSL 181.47, 0.91%, 0.44%

LAB 76.39, -39.62, -14.57

 

CMYK 86 / 2 / 0 / 23

HEX #1CC0C4

RGB 28 192 196

HSL 181.43, 0.75%, 0.44%

LAB 70.82, -36.51, -13.15

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 59 / 1 / 0 / 37

HEX #419EA0

RGB 65 158 160

HSL 181.26, 0.42%, 0.44%

LAB 59.99, -26.48, -9.28

 

CMYK 42 / 1 / 0 / 44

HEX #538C8E

RGB 83 140 142

HSL 182.03, 0.26%, 0.44%

LAB 54.6, -18.11, -6.95

 

CMYK 95 / 0 / 49 / 16

HEX #0AD66D

RGB 10 214 109

HSL 149.12, 0.91%, 0.44%

LAB 75.61, -66.48, 39.61

 

CMYK 95 / 0 / 24 / 16

HEX #0AD6A3

RGB 10 214 163

HSL 165, 0.91%, 0.44%

LAB 76.56, -55.59, 13.04

 

CMYK 95 / 1 / 0 / 16

HEX #0AD3D6

RGB 10 211 214

HSL 180.88, 0.91%, 0.44%

LAB 76.99, -40.53, -13.67

 

CMYK 95 / 27 / 0 / 16

HEX #0A9CD6

RGB 10 156 214

HSL 197.06, 0.91%, 0.44%

LAB 60.51, -13.1, -38.94

 

CMYK 95 / 52 / 0 / 16

HEX #0A66D6

RGB 10 102 214

HSL 212.94, 0.91%, 0.44%

LAB 44.83, 19.58, -63.95

 

CMYK 96 / 2 / 0 / 47

HEX #068487

RGB 6 132 135

HSL 181.4, 0.91%, 0.28%

LAB 49.85, -28.21, -10.2

 

CMYK 95 / 2 / 0 / 31

HEX #08ABAF

RGB 8 171 175

HSL 181.44, 0.91%, 0.36%

LAB 63.57, -34.11, -12.46

 

CMYK 95 / 2 / 0 / 16

HEX #0AD1D6

RGB 10 209 214

HSL 181.47, 0.91%, 0.44%

LAB 76.39, -39.62, -14.57

 

CMYK 91 / 2 / 0 / 4

HEX #16EFF4

RGB 22 239 244

HSL 181.35, 0.91%, 0.52%

LAB 86.22, -43.76, -15.73

 

CMYK 75 / 2 / 0 / 4

HEX #3DF1F6

RGB 61 241 246

HSL 181.62, 0.91%, 0.6%

LAB 87.27, -41.46, -15.16

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 75 / 95 / 0 / 16

HEX #360AD6

RGB 54 10 214

HSL 252.94, 0.91%, 0.44%

LAB 29.05, 68.42, -89.89

 

CMYK 0 / 36 / 95 / 16

HEX #D6880A

RGB 214 136 10

HSL 37.06, 0.91%, 0.44%

LAB 63.28, 22, 67.44

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 0 / 95 / 1 / 16

HEX #D60AD3

RGB 214 10 211

HSL 300.88, 0.91%, 0.44%

LAB 50.94, 84.9, -51.46

 

CMYK 1 / 0 / 95 / 16

HEX #D3D60A

RGB 211 214 10

HSL 60.88, 0.91%, 0.44%

LAB 82.89, -20.06, 81.61

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 75 / 95 / 0 / 16

HEX #360AD6

RGB 54 10 214

HSL 252.94, 0.91%, 0.44%

LAB 29.05, 68.42, -89.89

 

CMYK 0 / 93 / 95 / 16

HEX #D60E0A

RGB 214 14 10

HSL 1.18, 0.91%, 0.44%

LAB 45.13, 68.99, 56.01

 

CMYK 21 / 0 / 95 / 16

HEX #AAD60A

RGB 170 214 10

HSL 72.94, 0.91%, 0.44%

LAB 79.99, -36.94, 78.12

 

CMYK 95 / 2 / 0 / 16

HEX #0AD2D7

RGB 10 210 215

HSL 181.46, 0.91%, 0.44%

LAB 76.72, -39.78, -14.61

 

CMYK 46 / 95 / 0 / 16

HEX #740AD6

RGB 116 10 214

HSL 271.18, 0.91%, 0.44%

LAB 35.57, 72.36, -78.88

 

CMYK 0 / 93 / 95 / 16

HEX #D60E0A

RGB 214 14 10

HSL 1.18, 0.91%, 0.44%

LAB 45.13, 68.99, 56.01

 

CMYK 49 / 0 / 95 / 16

HEX #6DD60A

RGB 109 214 10

HSL 90.88, 0.91%, 0.44%

LAB 76.9, -58.46, 74.36

 

Description

Color code: RGB 10 210 215 | qconv.com Color code: RGB 10 210 215 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 210 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 210 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 2 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 2% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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