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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D5A78 it is the complementary color #D2A587. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D5A78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2D5A78: #325A73, #436C86, #547E99, #6590AC and #76A2BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D5A78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2D5A78: #2D5A78, #1C4865, #0B3652, #00243F and #00122C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

Complementary color

CMYK 0 / 21 / 36 / 18

HEX #D2A587

RGB 210 165 135

HSL 24, 0.45%, 0.68%

LAB 71.12, 12.46, 21.89

 

CMYK 57 / 22 / 0 / 55

HEX #325A73

RGB 50 90 115

HSL 203.08, 0.39%, 0.32%

LAB 36.42, -6.22, -18.52

 

CMYK 50 / 19 / 0 / 47

HEX #436C86

RGB 67 108 134

HSL 203.28, 0.33%, 0.39%

LAB 43.71, -6.68, -18.79

 

CMYK 45 / 18 / 0 / 40

HEX #547E99

RGB 84 126 153

HSL 203.48, 0.29%, 0.46%

LAB 50.81, -7.01, -19.06

 

CMYK 41 / 16 / 0 / 33

HEX #6590AC

RGB 101 144 172

HSL 203.66, 0.3%, 0.54%

LAB 57.74, -7.25, -19.35

 

CMYK 38 / 15 / 0 / 25

HEX #76A2BF

RGB 118 162 191

HSL 203.84, 0.36%, 0.61%

LAB 64.53, -7.44, -19.64

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 72 / 29 / 0 / 60

HEX #1C4865

RGB 28 72 101

HSL 203.84, 0.57%, 0.25%

LAB 28.96, -4.64, -21.38

 

CMYK 87 / 34 / 0 / 68

HEX #0B3652

RGB 11 54 82

HSL 203.66, 0.76%, 0.18%

LAB 21.28, -3.01, -21.09

 

CMYK 100 / 43 / 0 / 75

HEX #00243F

RGB 0 36 63

HSL 205.71, 1%, 0.12%

LAB 13.36, -0.34, -20.7

 

CMYK 100 / 59 / 0 / 83

HEX #00122C

RGB 0 18 44

HSL 215.45, 1%, 0.09%

LAB 5.55, 3.56, -19.43

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 63 / 36 / 0 / 54

HEX #2C4C76

RGB 44 76 118

HSL 214.05, 0.46%, 0.32%

LAB 31.84, 2.33, -27.55

 

CMYK 63 / 46 / 0 / 54

HEX #2C4076

RGB 44 64 118

HSL 223.78, 0.46%, 0.32%

LAB 28.14, 10.38, -33.41

 

CMYK 63 / 56 / 0 / 54

HEX #2C3476

RGB 44 52 118

HSL 233.51, 0.46%, 0.32%

LAB 24.64, 18.66, -39.04

 

CMYK 58 / 63 / 0 / 54

HEX #312C76

RGB 49 44 118

HSL 244.05, 0.46%, 0.32%

LAB 22.87, 25.12, -41.89

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 63 / 25 / 0 / 33

HEX #4080AB

RGB 64 128 171

HSL 204.11, 0.46%, 0.46%

LAB 51.23, -7.06, -28.95

 

CMYK 63 / 25 / 0 / 13

HEX #53A7DE

RGB 83 167 222

HSL 203.74, 0.68%, 0.6%

LAB 65.55, -8.95, -35.39

 

CMYK 61 / 22 / 0 / 93

HEX #070E12

RGB 7 14 18

HSL 201.82, 0.44%, 0.05%

LAB 3.64, -1.19, -2.76

 

CMYK 62 / 25 / 0 / 73

HEX #1A3445

RGB 26 52 69

HSL 203.72, 0.45%, 0.19%

LAB 20.46, -4.07, -13.61

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 25 / 63 / 0 / 54

HEX #582C76

RGB 88 44 118

HSL 275.68, 0.46%, 0.32%

LAB 27.25, 34.46, -34.6

 

CMYK 0 / 0 / 63 / 54

HEX #76762C

RGB 118 118 44

HSL 60, 0.46%, 0.32%

LAB 48.25, -10.35, 39.62

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 0 / 63 / 25 / 54

HEX #762C58

RGB 118 44 88

HSL 324.32, 0.46%, 0.32%

LAB 30.3, 37.53, -10.19

 

CMYK 25 / 0 / 63 / 54

HEX #58762C

RGB 88 118 44

HSL 84.32, 0.46%, 0.32%

LAB 45.93, -23.57, 36.4

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 25 / 63 / 0 / 54

HEX #582C76

RGB 88 44 118

HSL 275.68, 0.46%, 0.32%

LAB 27.25, 34.46, -34.6

 

CMYK 0 / 37 / 63 / 54

HEX #764A2C

RGB 118 74 44

HSL 24.32, 0.46%, 0.32%

LAB 35.85, 15.46, 25.45

 

CMYK 37 / 0 / 63 / 54

HEX #4A762C

RGB 74 118 44

HSL 95.68, 0.46%, 0.32%

LAB 45.07, -29.13, 35.21

 

CMYK 63 / 25 / 0 / 53

HEX #2D5A78

RGB 45 90 120

HSL 204, 0.45%, 0.32%

LAB 36.42, -5.64, -21.63

 

CMYK 7 / 63 / 0 / 54

HEX #6E2C76

RGB 110 44 118

HSL 293.51, 0.46%, 0.32%

LAB 30.46, 40.43, -29.3

 

CMYK 0 / 37 / 63 / 54

HEX #764A2C

RGB 118 74 44

HSL 24.32, 0.46%, 0.32%

LAB 35.85, 15.46, 25.45

 

CMYK 56 / 0 / 63 / 54

HEX #34762C

RGB 52 118 44

HSL 113.51, 0.46%, 0.32%

LAB 44.04, -36.55, 33.77

 

Description

Color code: HEX #2D5A78 | qconv.com Color code: HEX #2D5A78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 90 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 90 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 25 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 25% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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