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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D3C5F it is the complementary color #D2C3A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D3C5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2D3C5F: #323C5A, #434E6D, #546080, #657293 and #7684A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D3C5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2D3C5F: #2D3C5F, #1C2A4C, #0B1839, #000626 and #000013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

Complementary color

CMYK 0 / 7 / 24 / 18

HEX #D2C3A0

RGB 210 195 160

HSL 42, 0.36%, 0.73%

LAB 79.2, -0.24, 19.52

 

CMYK 44 / 33 / 0 / 65

HEX #323C5A

RGB 50 60 90

HSL 225, 0.29%, 0.27%

LAB 25.71, 4.74, -19.27

 

CMYK 39 / 28 / 0 / 57

HEX #434E6D

RGB 67 78 109

HSL 224.29, 0.24%, 0.35%

LAB 33.45, 4.14, -19.29

 

CMYK 34 / 25 / 0 / 50

HEX #546080

RGB 84 96 128

HSL 223.64, 0.21%, 0.42%

LAB 40.91, 3.67, -19.38

 

CMYK 31 / 22 / 0 / 42

HEX #657293

RGB 101 114 147

HSL 223.04, 0.19%, 0.49%

LAB 48.14, 3.29, -19.53

 

CMYK 29 / 20 / 0 / 35

HEX #7684A6

RGB 118 132 166

HSL 222.5, 0.21%, 0.56%

LAB 55.18, 2.96, -19.72

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 63 / 45 / 0 / 70

HEX #1C2A4C

RGB 28 42 76

HSL 222.5, 0.46%, 0.2%

LAB 17.57, 6.16, -22.87

 

CMYK 81 / 58 / 0 / 78

HEX #0B1839

RGB 11 24 57

HSL 223.04, 0.68%, 0.13%

LAB 9.16, 8.1, -23.14

 

CMYK 100 / 84 / 0 / 85

HEX #000626

RGB 0 6 38

HSL 230.53, 1%, 0.07%

LAB 2.44, 6.48, -19.75

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 53 / 46 / 0 / 64

HEX #2C325D

RGB 44 50 93

HSL 232.65, 0.36%, 0.27%

LAB 22.33, 10.93, -26.59

 

CMYK 52 / 53 / 0 / 64

HEX #2D2C5D

RGB 45 44 93

HSL 241.22, 0.36%, 0.27%

LAB 20.63, 15.41, -29.29

 

CMYK 43 / 53 / 0 / 64

HEX #352C5D

RGB 53 44 93

HSL 251.02, 0.36%, 0.27%

LAB 21.39, 17.62, -28.04

 

CMYK 33 / 53 / 0 / 64

HEX #3E2C5D

RGB 62 44 93

HSL 262.04, 0.36%, 0.27%

LAB 22.36, 20.28, -26.44

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 53 / 37 / 0 / 43

HEX #455C92

RGB 69 92 146

HSL 222.08, 0.36%, 0.42%

LAB 39.57, 7.55, -32.44

 

CMYK 53 / 37 / 0 / 23

HEX #5D7CC5

RGB 93 124 197

HSL 222.12, 0.47%, 0.57%

LAB 52.7, 9.94, -41.49

 

CMYK 53 / 37 / 0 / 3

HEX #759DF8

RGB 117 157 248

HSL 221.68, 0.9%, 0.72%

LAB 65.49, 11.62, -49.65

 

CMYK 52 / 36 / 0 / 83

HEX #151C2C

RGB 21 28 44

HSL 221.74, 0.35%, 0.13%

LAB 10.35, 2.18, -11.77

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 5 / 53 / 0 / 64

HEX #582C5D

RGB 88 44 93

HSL 293.88, 0.36%, 0.27%

LAB 25.76, 28.58, -20.84

 

CMYK 16 / 0 / 53 / 64

HEX #4E5D2C

RGB 78 93 44

HSL 78.37, 0.36%, 0.27%

LAB 37.17, -14.62, 26.05

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 0 / 53 / 38 / 64

HEX #5D2C3A

RGB 93 44 58

HSL 342.86, 0.36%, 0.27%

LAB 25.06, 24.07, 1.47

 

CMYK 38 / 0 / 53 / 64

HEX #3A5D2C

RGB 58 93 44

HSL 102.86, 0.36%, 0.27%

LAB 35.81, -22.98, 24.08

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 5 / 53 / 0 / 64

HEX #582C5D

RGB 88 44 93

HSL 293.88, 0.36%, 0.27%

LAB 25.76, 28.58, -20.84

 

CMYK 0 / 16 / 53 / 64

HEX #5D4E2C

RGB 93 78 44

HSL 41.63, 0.36%, 0.27%

LAB 33.89, 1.22, 22.35

 

CMYK 47 / 0 / 53 / 64

HEX #315D2C

RGB 49 93 44

HSL 113.88, 0.36%, 0.27%

LAB 35.33, -26.27, 23.38

 

CMYK 53 / 37 / 0 / 63

HEX #2D3C5F

RGB 45 60 95

HSL 222, 0.36%, 0.27%

LAB 25.61, 4.99, -22.7

 

CMYK 0 / 53 / 11 / 64

HEX #5D2C53

RGB 93 44 83

HSL 312.24, 0.36%, 0.27%

LAB 26.02, 28.23, -13.81

 

CMYK 0 / 16 / 53 / 64

HEX #5D4E2C

RGB 93 78 44

HSL 41.63, 0.36%, 0.27%

LAB 33.89, 1.22, 22.35

 

CMYK 53 / 0 / 43 / 64

HEX #2C5D35

RGB 44 93 53

HSL 131.02, 0.36%, 0.27%

LAB 35.24, -26.37, 18.01

 

Description

Color code: HEX #2D3C5F | qconv.com Color code: HEX #2D3C5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 60 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 60 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 37 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 37% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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