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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D2399 it is the complementary color #D2DC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D2399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2D2399: #322394, #4335A7, #5447BA, #6559CD and #766BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D2399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2D2399: #2D2399, #1C1186, #0B0073, #000060 and #00004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

Complementary color

CMYK 5 / 0 / 54 / 14

HEX #D2DC66

RGB 210 220 102

HSL 65.08, 0.63%, 0.63%

LAB 84.92, -19.43, 55.92

 

CMYK 66 / 76 / 0 / 42

HEX #322394

RGB 50 35 148

HSL 247.96, 0.62%, 0.36%

LAB 23.73, 40.91, -59.3

 

CMYK 60 / 68 / 0 / 35

HEX #4335A7

RGB 67 53 167

HSL 247.37, 0.52%, 0.43%

LAB 30.71, 39.05, -59.36

 

CMYK 55 / 62 / 0 / 27

HEX #5447BA

RGB 84 71 186

HSL 246.78, 0.45%, 0.5%

LAB 37.73, 37.24, -59.15

 

CMYK 51 / 57 / 0 / 20

HEX #6559CD

RGB 101 89 205

HSL 246.21, 0.54%, 0.58%

LAB 44.69, 35.61, -58.85

 

CMYK 47 / 52 / 0 / 12

HEX #766BE0

RGB 118 107 224

HSL 245.64, 0.65%, 0.65%

LAB 51.55, 34.16, -58.54

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 79 / 87 / 0 / 47

HEX #1C1186

RGB 28 17 134

HSL 245.64, 0.77%, 0.3%

LAB 17.32, 43.53, -61.24

 

CMYK 90 / 100 / 0 / 55

HEX #0B0073

RGB 11 0 115

HSL 245.74, 1%, 0.23%

LAB 11.34, 44.16, -59.07

 

CMYK 100 / 100 / 0 / 62

HEX #000060

RGB 0 0 96

HSL 240, 1%, 0.19%

LAB 7.63, 38.71, -52.74

 

CMYK 100 / 100 / 0 / 70

HEX #00004D

RGB 0 0 77

HSL 240, 1%, 0.15%

LAB 4.84, 30.95, -44.39

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 58 / 78 / 0 / 40

HEX #402299

RGB 64 34 153

HSL 255.13, 0.64%, 0.37%

LAB 25.36, 44.74, -59.64

 

CMYK 45 / 78 / 0 / 40

HEX #542299

RGB 84 34 153

HSL 265.21, 0.64%, 0.37%

LAB 27.65, 47.72, -55.8

 

CMYK 32 / 78 / 0 / 40

HEX #682299

RGB 104 34 153

HSL 275.29, 0.64%, 0.37%

LAB 30.37, 51.18, -51.25

 

CMYK 19 / 78 / 0 / 40

HEX #7C2299

RGB 124 34 153

HSL 285.38, 0.64%, 0.37%

LAB 33.41, 55, -46.18

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 71 / 77 / 0 / 20

HEX #3C2FCC

RGB 60 47 204

HSL 244.97, 0.63%, 0.49%

LAB 32.6, 53.19, -78.17

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 71 / 76 / 0 / 80

HEX #0F0C33

RGB 15 12 51

HSL 244.62, 0.62%, 0.12%

LAB 5.45, 14.33, -24.73

 

CMYK 71 / 77 / 0 / 60

HEX #1E1766

RGB 30 23 102

HSL 245.32, 0.63%, 0.25%

LAB 14.67, 29.93, -44.99

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 0 / 78 / 22 / 40

HEX #992278

RGB 153 34 120

HSL 316.64, 0.64%, 0.37%

LAB 36.5, 55.95, -20.56

 

CMYK 53 / 0 / 78 / 40

HEX #489922

RGB 72 153 34

HSL 100.84, 0.64%, 0.37%

LAB 56.36, -45.65, 51.09

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 0 / 71 / 78 / 40

HEX #992C22

RGB 153 44 34

HSL 5.04, 0.64%, 0.37%

LAB 35.38, 44.63, 32.23

 

CMYK 78 / 0 / 71 / 40

HEX #22992C

RGB 34 153 44

HSL 125.04, 0.64%, 0.37%

LAB 55.38, -53.38, 46.04

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 0 / 78 / 22 / 40

HEX #992278

RGB 153 34 120

HSL 316.64, 0.64%, 0.37%

LAB 36.5, 55.95, -20.56

 

CMYK 7 / 0 / 78 / 40

HEX #8F9922

RGB 143 153 34

HSL 65.04, 0.64%, 0.37%

LAB 60.55, -18.34, 56.52

 

CMYK 78 / 0 / 56 / 40

HEX #229944

RGB 34 153 68

HSL 137.14, 0.64%, 0.37%

LAB 55.62, -50.49, 35.34

 

CMYK 71 / 77 / 0 / 40

HEX #2D2399

RGB 45 35 153

HSL 245.08, 0.63%, 0.37%

LAB 23.87, 41.97, -62.16

 

CMYK 0 / 78 / 45 / 40

HEX #992254

RGB 153 34 84

HSL 334.79, 0.64%, 0.37%

LAB 35.12, 51.72, 0.27

 

CMYK 7 / 0 / 78 / 40

HEX #8F9922

RGB 143 153 34

HSL 65.04, 0.64%, 0.37%

LAB 60.55, -18.34, 56.52

 

CMYK 78 / 0 / 32 / 40

HEX #229968

RGB 34 153 104

HSL 155.29, 0.64%, 0.37%

LAB 56.21, -43.78, 16.84

 

Description

Color code: HEX #2D2399 | qconv.com Color code: HEX #2D2399 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 35 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 35 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 77 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 77% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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