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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CAC73 it is the complementary color #D3538C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CAC73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CAC73 shade: #31AC6E, #42BE81, #53D094, #64E2A7 and #75F4BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CAC73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CAC73 shade: #2CAC73, #1B9A60, #0A884D, #00763A and #006427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CAC73 shade: #2CAA72, #2CAA50, #2CAA2E, #4CAA2C and #6EAA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CAC73 shade: #2CAA72, #2CAA94, #2C9EAA, #2C7CAA and #2C5AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CAC73 shade matches the following richer shades: #2CAA72, #1BBC74 and #09CD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CAC73 shade: #2CAA72, #3D9970, #4F886E, #60766C and #71656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CAC73 shade: #2CAA2E, #2CAA50, #2CAA71, #2CAA93 and #2CA0AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CAC73 shade: #1B6946, #23895C, #2CAA72, #35CB88 and #55D39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CAC73 shade: #2CAC73, #2C4CAA and #AA3F2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CAC73 shade: #2CAC73, #712CAA and #AA712C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CAC73 shade: #2CAC73, #2C4CAA, #AA2C65 and #AA8B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CAC73 shade: #2CAC73, #322CAA, #AA2C65 and #A4AA2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

Complementary color

CMYK 0 / 61 / 34 / 17

HEX #D3538C

RGB 211 83 140

HSL 333.28, 0.59%, 0.58%

LAB 53.95, 55.81, -5.38

 

CMYK 72 / 0 / 36 / 33

HEX #31AC6E

RGB 49 172 110

HSL 149.76, 0.56%, 0.43%

LAB 62.75, -47.93, 22.47

 

CMYK 65 / 0 / 32 / 25

HEX #42BE81

RGB 66 190 129

HSL 150.48, 0.49%, 0.5%

LAB 69.16, -48.34, 21.01

 

CMYK 60 / 0 / 29 / 18

HEX #53D094

RGB 83 208 148

HSL 151.2, 0.57%, 0.57%

LAB 75.51, -48.53, 19.69

 

CMYK 56 / 0 / 26 / 11

HEX #64E2A7

RGB 100 226 167

HSL 151.9, 0.68%, 0.64%

LAB 81.78, -48.57, 18.47

 

CMYK 52 / 0 / 24 / 4

HEX #75F4BA

RGB 117 244 186

HSL 152.6, 0.85%, 0.71%

LAB 87.98, -48.51, 17.34

 

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

CMYK 82 / 0 / 38 / 40

HEX #1B9A60

RGB 27 154 96

HSL 152.6, 0.7%, 0.35%

LAB 56.28, -46.73, 21.34

 

CMYK 93 / 0 / 43 / 47

HEX #0A884D

RGB 10 136 77

HSL 151.9, 0.86%, 0.29%

LAB 49.75, -45.26, 23.14

 

CMYK 100 / 0 / 51 / 54

HEX #00763A

RGB 0 118 58

HSL 149.49, 1%, 0.23%

LAB 43.16, -43.01, 25.13

 

CMYK 100 / 0 / 61 / 61

HEX #006427

RGB 0 100 39

HSL 143.4, 1%, 0.2%

LAB 36.48, -39.83, 27.21

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 74 / 0 / 53 / 33

HEX #2CAA50

RGB 44 170 80

HSL 137.14, 0.59%, 0.42%

LAB 61.54, -53.27, 36.57

 

CMYK 74 / 0 / 73 / 33

HEX #2CAA2E

RGB 44 170 46

HSL 120.95, 0.59%, 0.42%

LAB 61.2, -57.24, 51.36

 

CMYK 55 / 0 / 74 / 33

HEX #4CAA2C

RGB 76 170 44

HSL 104.76, 0.59%, 0.42%

LAB 62.06, -50.33, 53.24

 

CMYK 35 / 0 / 74 / 33

HEX #6EAA2C

RGB 110 170 44

HSL 88.57, 0.59%, 0.42%

LAB 63.55, -39.36, 55.21

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 74 / 0 / 13 / 33

HEX #2CAA94

RGB 44 170 148

HSL 169.52, 0.59%, 0.42%

LAB 62.86, -38.82, 1.64

 

CMYK 74 / 7 / 0 / 33

HEX #2C9EAA

RGB 44 158 170

HSL 185.71, 0.59%, 0.42%

LAB 59.79, -26.73, -15.3

 

CMYK 74 / 27 / 0 / 33

HEX #2C7CAA

RGB 44 124 170

HSL 201.9, 0.59%, 0.42%

LAB 49.32, -8.36, -31.41

 

CMYK 74 / 47 / 0 / 33

HEX #2C5AAA

RGB 44 90 170

HSL 218.1, 0.59%, 0.42%

LAB 39.16, 12.75, -47.51

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 96 / 0 / 42 / 20

HEX #09CD76

RGB 9 205 118

HSL 153.37, 0.92%, 0.42%

LAB 72.91, -61.97, 31.64

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 60 / 0 / 27 / 40

HEX #3D9970

RGB 61 153 112

HSL 153.26, 0.43%, 0.42%

LAB 57.02, -37.29, 13.57

 

CMYK 42 / 0 / 19 / 47

HEX #4F886E

RGB 79 136 110

HSL 152.63, 0.27%, 0.42%

LAB 52.28, -25.06, 8.15

 

CMYK 19 / 0 / 8 / 54

HEX #60766C

RGB 96 118 108

HSL 152.73, 0.1%, 0.42%

LAB 47.66, -10.27, 2.83

 

CMYK 0 / 11 / 6 / 56

HEX #71656A

RGB 113 101 106

HSL 335, 0.06%, 0.42%

LAB 44.03, 5.72, -1.09

 

CMYK 74 / 0 / 73 / 33

HEX #2CAA2E

RGB 44 170 46

HSL 120.95, 0.59%, 0.42%

LAB 61.2, -57.24, 51.36

 

CMYK 74 / 0 / 53 / 33

HEX #2CAA50

RGB 44 170 80

HSL 137.14, 0.59%, 0.42%

LAB 61.54, -53.27, 36.57

 

CMYK 74 / 0 / 34 / 33

HEX #2CAA71

RGB 44 170 113

HSL 152.86, 0.59%, 0.42%

LAB 62.06, -47.27, 19.9

 

CMYK 74 / 0 / 14 / 33

HEX #2CAA93

RGB 44 170 147

HSL 169.05, 0.59%, 0.42%

LAB 62.84, -39.09, 2.16

 

CMYK 74 / 6 / 0 / 33

HEX #2CA0AA

RGB 44 160 170

HSL 184.76, 0.59%, 0.42%

LAB 60.41, -27.72, -14.36

 

CMYK 74 / 0 / 33 / 59

HEX #1B6946

RGB 27 105 70

HSL 153.08, 0.59%, 0.26%

LAB 39.2, -32.34, 13.1

 

CMYK 74 / 0 / 33 / 46

HEX #23895C

RGB 35 137 92

HSL 153.53, 0.59%, 0.34%

LAB 50.71, -39.75, 16.07

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 74 / 0 / 33 / 20

HEX #35CB88

RGB 53 203 136

HSL 153.2, 0.59%, 0.5%

LAB 73.05, -54.08, 22.55

 

CMYK 60 / 0 / 27 / 17

HEX #55D39B

RGB 85 211 155

HSL 153.33, 0.59%, 0.58%

LAB 76.61, -47.91, 17.52

 

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

CMYK 74 / 55 / 0 / 33

HEX #2C4CAA

RGB 44 76 170

HSL 224.76, 0.59%, 0.42%

LAB 35.22, 22.01, -53.88

 

CMYK 0 / 63 / 74 / 33

HEX #AA3F2C

RGB 170 63 44

HSL 9.05, 0.59%, 0.42%

LAB 41.66, 42.83, 34.28

 

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

CMYK 34 / 74 / 0 / 33

HEX #712CAA

RGB 113 44 170

HSL 272.86, 0.59%, 0.42%

LAB 34.43, 52.65, -54.89

 

CMYK 0 / 34 / 74 / 33

HEX #AA712C

RGB 170 113 44

HSL 32.86, 0.59%, 0.42%

LAB 52.44, 16.29, 45.73

 

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

CMYK 74 / 55 / 0 / 33

HEX #2C4CAA

RGB 44 76 170

HSL 224.76, 0.59%, 0.42%

LAB 35.22, 22.01, -53.88

 

CMYK 0 / 74 / 41 / 33

HEX #AA2C65

RGB 170 44 101

HSL 332.86, 0.59%, 0.42%

LAB 40.06, 54.9, -2.94

 

CMYK 0 / 18 / 74 / 33

HEX #AA8B2C

RGB 170 139 44

HSL 45.24, 0.59%, 0.42%

LAB 59.15, 1.74, 52.43

 

CMYK 74 / 0 / 33 / 33

HEX #2CAC73

RGB 44 172 115

HSL 153.28, 0.59%, 0.42%

LAB 62.74, -47.64, 19.73

 

CMYK 71 / 74 / 0 / 33

HEX #322CAA

RGB 50 44 170

HSL 242.86, 0.59%, 0.42%

LAB 27.8, 43.04, -66

 

CMYK 0 / 74 / 41 / 33

HEX #AA2C65

RGB 170 44 101

HSL 332.86, 0.59%, 0.42%

LAB 40.06, 54.9, -2.94

 

CMYK 4 / 0 / 74 / 33

HEX #A4AA2C

RGB 164 170 44

HSL 62.86, 0.59%, 0.42%

LAB 67.14, -17.42, 59.93

 

Description

Color code: HEX #2CAC73 | qconv.com Color code: HEX #2CAC73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 172 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 172 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 33 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 33% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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