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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BBC74 it is the complementary color #E4438B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BBC74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BBC74 shade: #20BC6F, #31CE82, #42E095, #53F2A8 and #64FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BBC74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BBC74 shade: #1BBC74, #0AAA61, #00984E, #00863B and #007428

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BBC74 shade: #1BBB74, #1BBB48, #1BBB1D, #44BB1B and #6FBB1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BBC74 shade: #1BBB74, #1BBB9F, #1BADBB, #1B81BB and #1B56BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BBC74 shade matches the following richer shades: #1BBB74 and #09CD75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BBC74 shade: #1BBB74, #2CAA72, #3D9970, #4F876E and #60766C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BBC74 shade: #1BBB1D, #1BBB48, #1BBB73, #1BBB9E and #1BAEBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BBC74 shade: #107347, #16975D, #1BBB74, #20DF8A and #44E49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BBC74 shade: #1BBC74, #1B43BB and #BB331B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BBC74 shade: #1BBC74, #731BBB and #BB731B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BBC74 shade: #1BBC74, #1B43BB, #BB1B63 and #BB931B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BBC74 shade: #1BBC74, #231BBB, #BB1B63 and #B3BB1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

Complementary color

CMYK 0 / 71 / 39 / 11

HEX #E4438B

RGB 228 67 139

HSL 333.17, 0.75%, 0.58%

LAB 54.42, 66.94, -3.78

 

CMYK 83 / 0 / 41 / 26

HEX #20BC6F

RGB 32 188 111

HSL 150.38, 0.71%, 0.43%

LAB 67.59, -55.9, 28.33

 

CMYK 76 / 0 / 37 / 19

HEX #31CE82

RGB 49 206 130

HSL 150.96, 0.62%, 0.5%

LAB 73.81, -56.94, 26.71

 

CMYK 71 / 0 / 33 / 12

HEX #42E095

RGB 66 224 149

HSL 151.52, 0.72%, 0.57%

LAB 79.98, -57.62, 25.21

 

CMYK 66 / 0 / 31 / 5

HEX #53F2A8

RGB 83 242 168

HSL 152.08, 0.86%, 0.64%

LAB 86.09, -58.04, 23.84

 

CMYK 61 / 0 / 27 / 0

HEX #64FFBB

RGB 100 255 187

HSL 153.68, 1%, 0.7%

LAB 90.7, -56.31, 20.54

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 94 / 0 / 43 / 33

HEX #0AAA61

RGB 10 170 97

HSL 152.63, 0.89%, 0.35%

LAB 61.37, -53.7, 27.51

 

CMYK 100 / 0 / 49 / 40

HEX #00984E

RGB 0 152 78

HSL 150.79, 1%, 0.3%

LAB 55.08, -51.41, 29.45

 

CMYK 100 / 0 / 56 / 47

HEX #00863B

RGB 0 134 59

HSL 146.42, 1%, 0.26%

LAB 48.72, -48.44, 31.47

 

CMYK 100 / 0 / 66 / 55

HEX #007428

RGB 0 116 40

HSL 140.69, 1%, 0.23%

LAB 42.22, -45.15, 33.35

 

CMYK 86 / 0 / 38 / 27

HEX #1BBB74

RGB 27 187 116

HSL 153.38, 0.75%, 0.42%

LAB 67.3, -55.01, 25.31

 

CMYK 86 / 0 / 61 / 27

HEX #1BBB48

RGB 27 187 72

HSL 136.88, 0.75%, 0.42%

LAB 66.7, -62.13, 46.43

 

CMYK 86 / 0 / 84 / 27

HEX #1BBB1D

RGB 27 187 29

HSL 120.75, 0.75%, 0.42%

LAB 66.41, -65.76, 61.55

 

CMYK 64 / 0 / 86 / 27

HEX #44BB1B

RGB 68 187 27

HSL 104.63, 0.75%, 0.42%

LAB 67.16, -59.33, 62.97

 

CMYK 41 / 0 / 86 / 27

HEX #6FBB1B

RGB 111 187 27

HSL 88.5, 0.75%, 0.42%

LAB 68.75, -46.99, 64.98

 

CMYK 86 / 0 / 38 / 27

HEX #1BBB74

RGB 27 187 116

HSL 153.38, 0.75%, 0.42%

LAB 67.3, -55.01, 25.31

 

CMYK 86 / 0 / 15 / 27

HEX #1BBB9F

RGB 27 187 159

HSL 169.5, 0.75%, 0.42%

LAB 68.22, -44.91, 3.3

 

CMYK 86 / 7 / 0 / 27

HEX #1BADBB

RGB 27 173 187

HSL 185.25, 0.75%, 0.42%

LAB 64.73, -30.35, -17.38

 

CMYK 86 / 31 / 0 / 27

HEX #1B81BB

RGB 27 129 187

HSL 201.75, 0.75%, 0.42%

LAB 51.29, -6.84, -38.15

 

CMYK 86 / 54 / 0 / 27

HEX #1B56BB

RGB 27 86 187

HSL 217.88, 0.75%, 0.42%

LAB 38.68, 20.24, -58.32

 

CMYK 86 / 0 / 38 / 27

HEX #1BBB74

RGB 27 187 116

HSL 153.38, 0.75%, 0.42%

LAB 67.3, -55.01, 25.31

 

CMYK 96 / 0 / 43 / 20

HEX #09CD75

RGB 9 205 117

HSL 153.06, 0.92%, 0.42%

LAB 72.9, -62.15, 32.14

 

CMYK 86 / 0 / 38 / 27

HEX #1BBB74

RGB 27 187 116

HSL 153.38, 0.75%, 0.42%

LAB 67.3, -55.01, 25.31

 

CMYK 74 / 0 / 33 / 33

HEX #2CAA72

RGB 44 170 114

HSL 153.33, 0.59%, 0.42%

LAB 62.08, -47.06, 19.38

 

CMYK 60 / 0 / 27 / 40

HEX #3D9970

RGB 61 153 112

HSL 153.26, 0.43%, 0.42%

LAB 57.02, -37.29, 13.57

 

CMYK 41 / 0 / 19 / 47

HEX #4F876E

RGB 79 135 110

HSL 153.21, 0.26%, 0.42%

LAB 51.97, -24.56, 7.71

 

CMYK 19 / 0 / 8 / 54

HEX #60766C

RGB 96 118 108

HSL 152.73, 0.1%, 0.42%

LAB 47.66, -10.27, 2.83

 

CMYK 86 / 0 / 84 / 27

HEX #1BBB1D

RGB 27 187 29

HSL 120.75, 0.75%, 0.42%

LAB 66.41, -65.76, 61.55

 

CMYK 86 / 0 / 61 / 27

HEX #1BBB48

RGB 27 187 72

HSL 136.88, 0.75%, 0.42%

LAB 66.7, -62.13, 46.43

 

CMYK 86 / 0 / 39 / 27

HEX #1BBB73

RGB 27 187 115

HSL 153, 0.75%, 0.42%

LAB 67.29, -55.21, 25.81

 

CMYK 86 / 0 / 16 / 27

HEX #1BBB9E

RGB 27 187 158

HSL 169.13, 0.75%, 0.42%

LAB 68.2, -45.18, 3.81

 

CMYK 86 / 7 / 0 / 27

HEX #1BAEBB

RGB 27 174 187

HSL 184.88, 0.75%, 0.42%

LAB 65.04, -30.84, -16.91

 

CMYK 86 / 0 / 38 / 55

HEX #107347

RGB 16 115 71

HSL 153.33, 0.76%, 0.26%

LAB 42.5, -37.87, 16.95

 

CMYK 85 / 0 / 38 / 41

HEX #16975D

RGB 22 151 93

HSL 153.02, 0.75%, 0.34%

LAB 55.17, -46.71, 21.5

 

CMYK 86 / 0 / 38 / 27

HEX #1BBB74

RGB 27 187 116

HSL 153.38, 0.75%, 0.42%

LAB 67.3, -55.01, 25.31

 

CMYK 86 / 0 / 38 / 13

HEX #20DF8A

RGB 32 223 138

HSL 153.3, 0.75%, 0.5%

LAB 78.99, -63.18, 29.47

 

CMYK 70 / 0 / 31 / 11

HEX #44E49D

RGB 68 228 157

HSL 153.38, 0.75%, 0.58%

LAB 81.37, -57.24, 22.99

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 86 / 64 / 0 / 27

HEX #1B43BB

RGB 27 67 187

HSL 225, 0.75%, 0.42%

LAB 33.64, 32.83, -66.55

 

CMYK 0 / 73 / 86 / 27

HEX #BB331B

RGB 187 51 27

HSL 9, 0.75%, 0.42%

LAB 42.78, 53.05, 45.31

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 39 / 86 / 0 / 27

HEX #731BBB

RGB 115 27 187

HSL 273, 0.75%, 0.42%

LAB 34.02, 62.95, -65.65

 

CMYK 0 / 39 / 86 / 27

HEX #BB731B

RGB 187 115 27

HSL 33, 0.75%, 0.42%

LAB 54.97, 22.03, 55.64

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 86 / 64 / 0 / 27

HEX #1B43BB

RGB 27 67 187

HSL 225, 0.75%, 0.42%

LAB 33.64, 32.83, -66.55

 

CMYK 0 / 86 / 47 / 27

HEX #BB1B63

RGB 187 27 99

HSL 333, 0.75%, 0.42%

LAB 41.61, 63.88, 0.97

 

CMYK 0 / 21 / 86 / 27

HEX #BB931B

RGB 187 147 27

HSL 45, 0.75%, 0.42%

LAB 62.94, 4.39, 62.26

 

CMYK 86 / 0 / 38 / 26

HEX #1BBC74

RGB 27 188 116

HSL 153.17, 0.75%, 0.42%

LAB 67.62, -55.37, 25.73

 

CMYK 81 / 86 / 0 / 27

HEX #231BBB

RGB 35 27 187

HSL 243, 0.75%, 0.42%

LAB 25.95, 55.66, -79.25

 

CMYK 0 / 86 / 47 / 27

HEX #BB1B63

RGB 187 27 99

HSL 333, 0.75%, 0.42%

LAB 41.61, 63.88, 0.97

 

CMYK 4 / 0 / 86 / 27

HEX #B3BB1B

RGB 179 187 27

HSL 63, 0.75%, 0.42%

LAB 73.03, -20.11, 70.3

 

Description

Color code: HEX #1BBC74 | qconv.com Color code: HEX #1BBC74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 188 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 188 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 38 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 38% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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