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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BC341 it is the complementary color #D43CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BC341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BC341 shade: #30C33C, #41D54F, #52E762, #63F975 and #74FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BC341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BC341 shade: #2BC341, #1AB12E, #099F1B, #008D08 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BC341 shade: #2BC541, #3EC52B, #68C52B, #91C52B and #BAC52B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BC341 shade: #2BC541, #2BC56B, #2BC594, #2BC5BD and #2BA2C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BC341 shade matches the following richer shades: #2BC541, #18D834 and #04EB26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BC341 shade: #2BC541, #3FB14F, #529E5D, #658A6B and #797778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BC341 shade: #69C52B, #40C52B, #2BC540, #2BC569 and #2BC591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BC341 shade: #1C812B, #24A336, #2BC541, #43D658 and #65DD76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BC341 shade: #2BC341, #2B91C5 and #C52B54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BC341 shade: #2BC341, #402BC5 and #C5402B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BC341 shade: #2BC341, #2B91C5, #C52BB0 and #C55E2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BC341 shade: #2BC341, #2B63C5, #C52BB0 and #C58C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

Complementary color

CMYK 0 / 72 / 10 / 17

HEX #D43CBE

RGB 212 60 190

HSL 308.68, 0.64%, 0.53%

LAB 52.89, 71.6, -36.29

 

CMYK 75 / 0 / 69 / 24

HEX #30C33C

RGB 48 195 60

HSL 124.9, 0.6%, 0.48%

LAB 69.46, -63.47, 54.6

 

CMYK 69 / 0 / 63 / 16

HEX #41D54F

RGB 65 213 79

HSL 125.68, 0.64%, 0.55%

LAB 75.62, -64.69, 53.62

 

CMYK 65 / 0 / 58 / 9

HEX #52E762

RGB 82 231 98

HSL 126.44, 0.76%, 0.61%

LAB 81.74, -65.47, 52.43

 

CMYK 60 / 0 / 53 / 2

HEX #63F975

RGB 99 249 117

HSL 127.2, 0.93%, 0.68%

LAB 87.82, -65.95, 51.15

 

CMYK 55 / 0 / 47 / 0

HEX #74FF88

RGB 116 255 136

HSL 128.63, 1%, 0.73%

LAB 90.33, -61.78, 45.46

 

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

CMYK 85 / 0 / 74 / 31

HEX #1AB12E

RGB 26 177 46

HSL 127.95, 0.74%, 0.4%

LAB 63.23, -61.78, 53.33

 

CMYK 94 / 0 / 83 / 38

HEX #099F1B

RGB 9 159 27

HSL 127.2, 0.89%, 0.33%

LAB 57.01, -59.02, 53.41

 

CMYK 100 / 0 / 94 / 45

HEX #008D08

RGB 0 141 8

HSL 123.4, 1%, 0.28%

LAB 50.77, -55.18, 52.1

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 78 / 0 / 67 / 23

HEX #2BC541

RGB 43 197 65

HSL 128.57, 0.64%, 0.47%

LAB 70.06, -64.32, 53.22

 

CMYK 69 / 0 / 78 / 23

HEX #3EC52B

RGB 62 197 43

HSL 112.6, 0.64%, 0.47%

LAB 70.27, -63.05, 61.47

 

CMYK 47 / 0 / 78 / 23

HEX #68C52B

RGB 104 197 43

HSL 96.23, 0.64%, 0.47%

LAB 71.59, -52.5, 63.19

 

CMYK 26 / 0 / 78 / 23

HEX #91C52B

RGB 145 197 43

HSL 80.26, 0.64%, 0.47%

LAB 73.63, -38.2, 65.83

 

CMYK 6 / 0 / 78 / 23

HEX #BAC52B

RGB 186 197 43

HSL 64.29, 0.64%, 0.47%

LAB 76.4, -21.57, 69.38

 

CMYK 78 / 0 / 67 / 23

HEX #2BC541

RGB 43 197 65

HSL 128.57, 0.64%, 0.47%

LAB 70.06, -64.32, 53.22

 

CMYK 78 / 0 / 46 / 23

HEX #2BC56B

RGB 43 197 107

HSL 144.94, 0.64%, 0.47%

LAB 70.53, -58.64, 34.23

 

CMYK 78 / 0 / 25 / 23

HEX #2BC594

RGB 43 197 148

HSL 160.91, 0.64%, 0.47%

LAB 71.27, -50.32, 13.66

 

CMYK 78 / 0 / 4 / 23

HEX #2BC5BD

RGB 43 197 189

HSL 176.88, 0.64%, 0.47%

LAB 72.31, -39.65, -7.09

 

CMYK 78 / 18 / 0 / 23

HEX #2BA2C5

RGB 43 162 197

HSL 193.64, 0.64%, 0.47%

LAB 61.99, -20.14, -27.13

 

CMYK 78 / 0 / 67 / 23

HEX #2BC541

RGB 43 197 65

HSL 128.57, 0.64%, 0.47%

LAB 70.06, -64.32, 53.22

 

CMYK 89 / 0 / 76 / 15

HEX #18D834

RGB 24 216 52

HSL 128.75, 0.8%, 0.47%

LAB 75.79, -72.96, 63.82

 

CMYK 98 / 0 / 84 / 8

HEX #04EB26

RGB 4 235 38

HSL 128.83, 0.97%, 0.47%

LAB 81.61, -79.89, 73.08

 

CMYK 78 / 0 / 67 / 23

HEX #2BC541

RGB 43 197 65

HSL 128.57, 0.64%, 0.47%

LAB 70.06, -64.32, 53.22

 

CMYK 64 / 0 / 55 / 31

HEX #3FB14F

RGB 63 177 79

HSL 128.42, 0.48%, 0.47%

LAB 64.21, -52.46, 40.41

 

CMYK 48 / 0 / 41 / 38

HEX #529E5D

RGB 82 158 93

HSL 128.68, 0.32%, 0.47%

LAB 59.01, -37.88, 26.86

 

CMYK 27 / 0 / 22 / 46

HEX #658A6B

RGB 101 138 107

HSL 129.73, 0.15%, 0.47%

LAB 54.03, -19.55, 12.51

 

CMYK 0 / 2 / 1 / 53

HEX #797778

RGB 121 119 120

HSL 330, 0.01%, 0.47%

LAB 50.23, 0.96, -0.28

 

CMYK 47 / 0 / 78 / 23

HEX #69C52B

RGB 105 197 43

HSL 95.84, 0.64%, 0.47%

LAB 71.63, -52.19, 63.25

 

CMYK 68 / 0 / 78 / 23

HEX #40C52B

RGB 64 197 43

HSL 111.82, 0.64%, 0.47%

LAB 70.31, -62.66, 61.53

 

CMYK 78 / 0 / 68 / 23

HEX #2BC540

RGB 43 197 64

HSL 128.18, 0.64%, 0.47%

LAB 70.05, -64.42, 53.61

 

CMYK 78 / 0 / 47 / 23

HEX #2BC569

RGB 43 197 105

HSL 144.16, 0.64%, 0.47%

LAB 70.5, -58.98, 35.21

 

CMYK 78 / 0 / 26 / 23

HEX #2BC591

RGB 43 197 145

HSL 159.74, 0.64%, 0.47%

LAB 71.21, -51.02, 15.19

 

CMYK 78 / 0 / 67 / 49

HEX #1C812B

RGB 28 129 43

HSL 128.91, 0.64%, 0.31%

LAB 47.13, -46.23, 37.54

 

CMYK 78 / 0 / 67 / 36

HEX #24A336

RGB 36 163 54

HSL 128.5, 0.64%, 0.39%

LAB 58.82, -55.4, 45.57

 

CMYK 78 / 0 / 67 / 23

HEX #2BC541

RGB 43 197 65

HSL 128.57, 0.64%, 0.47%

LAB 70.06, -64.32, 53.22

 

CMYK 69 / 0 / 59 / 16

HEX #43D658

RGB 67 214 88

HSL 128.57, 0.64%, 0.55%

LAB 76.06, -63.65, 50.2

 

CMYK 54 / 0 / 47 / 13

HEX #65DD76

RGB 101 221 118

HSL 128.5, 0.64%, 0.63%

LAB 79.49, -54.96, 40.42

 

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

CMYK 78 / 26 / 0 / 23

HEX #2B91C5

RGB 43 145 197

HSL 200.26, 0.64%, 0.47%

LAB 56.88, -10.89, -35.06

 

CMYK 0 / 78 / 57 / 23

HEX #C52B54

RGB 197 43 84

HSL 344.03, 0.64%, 0.47%

LAB 44.57, 61.35, 14.83

 

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

CMYK 68 / 78 / 0 / 23

HEX #402BC5

RGB 64 43 197

HSL 248.18, 0.64%, 0.47%

LAB 31.46, 53.42, -75.95

 

CMYK 0 / 68 / 78 / 23

HEX #C5402B

RGB 197 64 43

HSL 8.18, 0.64%, 0.47%

LAB 46.59, 51.82, 41.52

 

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

CMYK 78 / 26 / 0 / 23

HEX #2B91C5

RGB 43 145 197

HSL 200.26, 0.64%, 0.47%

LAB 56.88, -10.89, -35.06

 

CMYK 0 / 78 / 11 / 23

HEX #C52BB0

RGB 197 43 176

HSL 308.18, 0.64%, 0.47%

LAB 47.92, 71.32, -36.11

 

CMYK 0 / 52 / 78 / 23

HEX #C55E2B

RGB 197 94 43

HSL 19.87, 0.64%, 0.47%

LAB 51.89, 37.91, 46.86

 

CMYK 78 / 0 / 67 / 24

HEX #2BC341

RGB 43 195 65

HSL 128.68, 0.64%, 0.47%

LAB 69.42, -63.69, 52.52

 

CMYK 78 / 50 / 0 / 23

HEX #2B63C5

RGB 43 99 197

HSL 218.18, 0.64%, 0.47%

LAB 43.46, 17.09, -56.38

 

CMYK 0 / 78 / 11 / 23

HEX #C52BB0

RGB 197 43 176

HSL 308.18, 0.64%, 0.47%

LAB 47.92, 71.32, -36.11

 

CMYK 0 / 29 / 78 / 23

HEX #C58C2B

RGB 197 140 43

HSL 37.79, 0.64%, 0.47%

LAB 62.34, 13.18, 56.9

 

Description

Color code: HEX #2BC341 | qconv.com Color code: HEX #2BC341 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 195 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 195 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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