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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B63A0 it is the complementary color #D49C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B63A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2B63A0: #30639B, #4175AE, #5287C1, #6399D4 and #74ABE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B63A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2B63A0: #2B63A0, #1A518D, #093F7A, #002D67 and #001B54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

Complementary color

CMYK 0 / 26 / 55 / 17

HEX #D49C5F

RGB 212 156 95

HSL 31.28, 0.58%, 0.6%

LAB 68.46, 14.06, 39.84

 

CMYK 69 / 36 / 0 / 39

HEX #30639B

RGB 48 99 155

HSL 211.4, 0.53%, 0.4%

LAB 41.09, 1.93, -35.51

 

CMYK 63 / 33 / 0 / 32

HEX #4175AE

RGB 65 117 174

HSL 211.38, 0.46%, 0.47%

LAB 48.14, 0.66, -35.53

 

CMYK 58 / 30 / 0 / 24

HEX #5287C1

RGB 82 135 193

HSL 211.35, 0.47%, 0.54%

LAB 55.04, -0.3, -35.57

 

CMYK 53 / 28 / 0 / 17

HEX #6399D4

RGB 99 153 212

HSL 211.33, 0.57%, 0.61%

LAB 61.82, -1.07, -35.62

 

CMYK 50 / 26 / 0 / 9

HEX #74ABE7

RGB 116 171 231

HSL 211.3, 0.71%, 0.68%

LAB 68.47, -1.68, -35.7

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 82 / 43 / 0 / 45

HEX #1A518D

RGB 26 81 141

HSL 211.3, 0.69%, 0.33%

LAB 34.04, 5.03, -38.31

 

CMYK 93 / 48 / 0 / 52

HEX #093F7A

RGB 9 63 122

HSL 211.33, 0.86%, 0.26%

LAB 26.79, 7.83, -38.18

 

CMYK 100 / 56 / 0 / 60

HEX #002D67

RGB 0 45 103

HSL 213.79, 1%, 0.2%

LAB 19.46, 11.69, -37.86

 

CMYK 100 / 68 / 0 / 67

HEX #001B54

RGB 0 27 84

HSL 220.71, 1%, 0.16%

LAB 12.12, 16.67, -37.19

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 74 / 50 / 0 / 37

HEX #2A50A1

RGB 42 80 161

HSL 220.84, 0.59%, 0.4%

LAB 35.6, 15.62, -47.87

 

CMYK 74 / 63 / 0 / 37

HEX #2A3CA1

RGB 42 60 161

HSL 230.92, 0.59%, 0.4%

LAB 30.15, 29.01, -56.73

 

CMYK 73 / 74 / 0 / 37

HEX #2C2AA1

RGB 44 42 161

HSL 241.01, 0.59%, 0.4%

LAB 26.05, 40.56, -63.45

 

CMYK 60 / 74 / 0 / 37

HEX #402AA1

RGB 64 42 161

HSL 251.09, 0.59%, 0.4%

LAB 27.63, 42.98, -60.8

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 73 / 38 / 0 / 17

HEX #3983D3

RGB 57 131 211

HSL 211.17, 0.64%, 0.53%

LAB 53.82, 3.99, -47.76

 

CMYK 71 / 43 / 0 / 97

HEX #020407

RGB 2 4 7

HSL 216, 0.56%, 0.02%

LAB 1.04, -0.11, -1.32

 

CMYK 72 / 38 / 0 / 77

HEX #10243A

RGB 16 36 58

HSL 211.43, 0.57%, 0.15%

LAB 13.69, 0.37, -16.6

 

CMYK 73 / 39 / 0 / 57

HEX #1D436D

RGB 29 67 109

HSL 211.5, 0.58%, 0.27%

LAB 27.79, 1.96, -28.32

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 21 / 74 / 0 / 37

HEX #7F2AA1

RGB 127 42 161

HSL 282.86, 0.59%, 0.4%

LAB 35.48, 54.25, -47.67

 

CMYK 9 / 0 / 74 / 37

HEX #93A12A

RGB 147 161 42

HSL 67.06, 0.59%, 0.4%

LAB 63.23, -20.3, 56.43

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 0 / 74 / 38 / 37

HEX #A12A64

RGB 161 42 100

HSL 330.76, 0.59%, 0.4%

LAB 38.12, 52.95, -5.37

 

CMYK 38 / 0 / 74 / 37

HEX #64A12A

RGB 100 161 42

HSL 90.76, 0.59%, 0.4%

LAB 60.22, -39.19, 52.47

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 21 / 74 / 0 / 37

HEX #7F2AA1

RGB 127 42 161

HSL 282.86, 0.59%, 0.4%

LAB 35.48, 54.25, -47.67

 

CMYK 0 / 36 / 74 / 37

HEX #A1672A

RGB 161 103 42

HSL 30.76, 0.59%, 0.4%

LAB 48.82, 17.85, 42.58

 

CMYK 53 / 0 / 74 / 37

HEX #4CA12A

RGB 76 161 42

HSL 102.86, 0.59%, 0.4%

LAB 59.15, -47.04, 51.06

 

CMYK 73 / 38 / 0 / 37

HEX #2B63A0

RGB 43 99 160

HSL 211.28, 0.58%, 0.4%

LAB 41.18, 3, -38.35

 

CMYK 0 / 74 / 1 / 37

HEX #A12A9F

RGB 161 42 159

HSL 301.01, 0.59%, 0.4%

LAB 40.79, 61.19, -37.66

 

CMYK 0 / 36 / 74 / 37

HEX #A1672A

RGB 161 103 42

HSL 30.76, 0.59%, 0.4%

LAB 48.82, 17.85, 42.58

 

CMYK 74 / 0 / 73 / 37

HEX #2AA12C

RGB 42 161 44

HSL 121.01, 0.59%, 0.4%

LAB 58.19, -54.77, 49.01

 

Description

Color code: HEX #2B63A0 | qconv.com Color code: HEX #2B63A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 99 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 99 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 38 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 38% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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