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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A974F it is the complementary color #D568B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A974F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A974F shade: #2F974A, #40A95D, #51BB70, #62CD83 and #73DF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A974F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A974F shade: #2A974F, #19853C, #087329, #006116 and #004F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A974F shade: #2B974F, #2B9732, #40972B, #5E972B and #7B972B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A974F shade: #2B974F, #2B976D, #2B978A, #2B8797 and #2B6A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A974F shade matches the following richer shades: #2B974F, #1BA74A and #0BB745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A974F shade: #2B974F, #3A8755, #4A785A, #5A685F and #695864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A974F shade: #40972B, #2B9732, #2B974F, #2B976C and #2B9789

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A974F shade: #18572E, #22773F, #2B974F, #34B760 and #49CC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A974F shade: #2A974F, #2B5D97 and #972B32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A974F shade: #2A974F, #4F2B97 and #974F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A974F shade: #2A974F, #2B5D97, #972B73 and #97652B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A974F shade: #2A974F, #2B3D97, #972B73 and #97852B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

Complementary color

CMYK 0 / 51 / 17 / 16

HEX #D568B0

RGB 213 104 176

HSL 320.37, 0.56%, 0.62%

LAB 59.14, 51.52, -18.53

 

CMYK 69 / 0 / 51 / 41

HEX #2F974A

RGB 47 151 74

HSL 135.58, 0.53%, 0.39%

LAB 55.31, -46.66, 31.96

 

CMYK 62 / 0 / 45 / 34

HEX #40A95D

RGB 64 169 93

HSL 136.57, 0.45%, 0.46%

LAB 61.87, -47.06, 30.44

 

CMYK 57 / 0 / 40 / 27

HEX #51BB70

RGB 81 187 112

HSL 137.55, 0.44%, 0.53%

LAB 68.36, -47.2, 29.01

 

CMYK 52 / 0 / 36 / 20

HEX #62CD83

RGB 98 205 131

HSL 138.5, 0.52%, 0.59%

LAB 74.76, -47.16, 27.68

 

CMYK 48 / 0 / 33 / 13

HEX #73DF96

RGB 115 223 150

HSL 139.44, 0.63%, 0.66%

LAB 81.08, -47.04, 26.43

 

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

CMYK 81 / 0 / 55 / 48

HEX #19853C

RGB 25 133 60

HSL 139.44, 0.68%, 0.31%

LAB 48.65, -45.76, 30.92

 

CMYK 93 / 0 / 64 / 55

HEX #087329

RGB 8 115 41

HSL 138.5, 0.87%, 0.24%

LAB 41.96, -43.99, 32.59

 

CMYK 100 / 0 / 77 / 62

HEX #006116

RGB 0 97 22

HSL 133.61, 1%, 0.19%

LAB 35.22, -40.97, 33.94

 

CMYK 100 / 0 / 96 / 69

HEX #004F03

RGB 0 79 3

HSL 122.28, 1%, 0.15%

LAB 28.38, -36.63, 34.37

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 72 / 0 / 67 / 41

HEX #2B9732

RGB 43 151 50

HSL 123.89, 0.56%, 0.38%

LAB 54.95, -50.59, 43.1

 

CMYK 58 / 0 / 72 / 41

HEX #40972B

RGB 64 151 43

HSL 108.33, 0.56%, 0.38%

LAB 55.48, -46.47, 46.78

 

CMYK 38 / 0 / 72 / 41

HEX #5E972B

RGB 94 151 43

HSL 91.67, 0.56%, 0.38%

LAB 56.77, -36.9, 48.52

 

CMYK 19 / 0 / 72 / 41

HEX #7B972B

RGB 123 151 43

HSL 75.56, 0.56%, 0.38%

LAB 58.53, -25.48, 50.86

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 72 / 0 / 28 / 41

HEX #2B976D

RGB 43 151 109

HSL 156.67, 0.56%, 0.38%

LAB 55.84, -40.51, 13.54

 

CMYK 72 / 0 / 9 / 41

HEX #2B978A

RGB 43 151 138

HSL 172.78, 0.56%, 0.38%

LAB 56.57, -33.02, -1.9

 

CMYK 72 / 11 / 0 / 41

HEX #2B8797

RGB 43 135 151

HSL 188.89, 0.56%, 0.38%

LAB 51.92, -21.1, -16.35

 

CMYK 72 / 30 / 0 / 41

HEX #2B6A97

RGB 43 106 151

HSL 205, 0.56%, 0.38%

LAB 42.85, -4.67, -30.36

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 84 / 0 / 56 / 35

HEX #1BA74A

RGB 27 167 74

HSL 140.14, 0.72%, 0.38%

LAB 60.22, -55.31, 37.88

 

CMYK 94 / 0 / 62 / 28

HEX #0BB745

RGB 11 183 69

HSL 140.23, 0.89%, 0.38%

LAB 65.25, -62.33, 46.08

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 57 / 0 / 37 / 47

HEX #3A8755

RGB 58 135 85

HSL 141.04, 0.4%, 0.38%

LAB 50.55, -35.68, 19.92

 

CMYK 38 / 0 / 25 / 53

HEX #4A785A

RGB 74 120 90

HSL 140.87, 0.24%, 0.38%

LAB 46.48, -22.84, 11.6

 

CMYK 13 / 0 / 9 / 59

HEX #5A685F

RGB 90 104 95

HSL 141.43, 0.07%, 0.38%

LAB 42.61, -7.28, 3.28

 

CMYK 0 / 16 / 5 / 59

HEX #695864

RGB 105 88 100

HSL 317.65, 0.09%, 0.38%

LAB 39.42, 9.26, -4.3

 

CMYK 58 / 0 / 72 / 41

HEX #40972B

RGB 64 151 43

HSL 108.33, 0.56%, 0.38%

LAB 55.48, -46.47, 46.78

 

CMYK 72 / 0 / 67 / 41

HEX #2B9732

RGB 43 151 50

HSL 123.89, 0.56%, 0.38%

LAB 54.95, -50.59, 43.1

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 72 / 0 / 28 / 41

HEX #2B976C

RGB 43 151 108

HSL 156.11, 0.56%, 0.38%

LAB 55.82, -40.74, 14.08

 

CMYK 72 / 0 / 9 / 41

HEX #2B9789

RGB 43 151 137

HSL 172.22, 0.56%, 0.38%

LAB 56.54, -33.3, -1.38

 

CMYK 72 / 0 / 47 / 66

HEX #18572E

RGB 24 87 46

HSL 140.95, 0.57%, 0.22%

LAB 32.28, -30.23, 18.16

 

CMYK 71 / 0 / 47 / 53

HEX #22773F

RGB 34 119 63

HSL 140.47, 0.56%, 0.3%

LAB 44.08, -38.44, 23.64

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 72 / 0 / 48 / 28

HEX #34B760

RGB 52 183 96

HSL 140.15, 0.56%, 0.46%

LAB 66.09, -54.18, 34.2

 

CMYK 64 / 0 / 43 / 20

HEX #49CC75

RGB 73 204 117

HSL 140.15, 0.56%, 0.54%

LAB 73.47, -54.75, 33.06

 

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

CMYK 72 / 38 / 0 / 41

HEX #2B5D97

RGB 43 93 151

HSL 212.22, 0.56%, 0.38%

LAB 38.86, 3.43, -36.66

 

CMYK 0 / 72 / 67 / 41

HEX #972B32

RGB 151 43 50

HSL 356.11, 0.56%, 0.38%

LAB 35.08, 45.16, 22.04

 

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

CMYK 48 / 72 / 0 / 41

HEX #4F2B97

RGB 79 43 151

HSL 260, 0.56%, 0.38%

LAB 28.44, 41.88, -53.3

 

CMYK 0 / 48 / 72 / 41

HEX #974F2B

RGB 151 79 43

HSL 20, 0.56%, 0.38%

LAB 41.76, 27.08, 34.08

 

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

CMYK 72 / 38 / 0 / 41

HEX #2B5D97

RGB 43 93 151

HSL 212.22, 0.56%, 0.38%

LAB 38.86, 3.43, -36.66

 

CMYK 0 / 72 / 24 / 41

HEX #972B73

RGB 151 43 115

HSL 320, 0.56%, 0.38%

LAB 37.01, 51.66, -16.67

 

CMYK 0 / 33 / 72 / 41

HEX #97652B

RGB 151 101 43

HSL 32.22, 0.56%, 0.38%

LAB 47.05, 14.56, 39.85

 

CMYK 72 / 0 / 48 / 41

HEX #2A974F

RGB 42 151 79

HSL 140.37, 0.56%, 0.38%

LAB 55.27, -46.74, 29.26

 

CMYK 72 / 60 / 0 / 41

HEX #2B3D97

RGB 43 61 151

HSL 230, 0.56%, 0.38%

LAB 29.63, 24.72, -51.5

 

CMYK 0 / 72 / 24 / 41

HEX #972B73

RGB 151 43 115

HSL 320, 0.56%, 0.38%

LAB 37.01, 51.66, -16.67

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

Description

Color code: HEX #2A974F | qconv.com Color code: HEX #2A974F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 151 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 151 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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