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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97852B it is the complementary color #687AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97852B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97852B shade: #9C8526, #AD9739, #BEA94C, #CFBB5F and #E0CD72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97852B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97852B shade: #97852B, #867318, #756105, #644F00 and #533D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97852B shade: #97852B, #97682B, #974B2B, #972D2B and #972B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97852B shade: #97852B, #8C972B, #6F972B, #51972B and #34972B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97852B shade matches the following richer shades: #97852B, #A7901B and #B79A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97852B shade: #97852B, #877B3A, #78704A, #68665A and #585B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97852B shade: #974B2B, #97682B, #97852B, #8C972B and #6F972B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97852B shade: #574C18, #776922, #97852B, #B7A134 and #CCB649

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97852B shade: #97852B, #2B972E and #5A2B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97852B shade: #97852B, #2B9785 and #852B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97852B shade: #97852B, #2B972E, #2B3D97 and #972B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97852B shade: #97852B, #2B974F, #2B3D97 and #972B73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

Complementary color

CMYK 51 / 42 / 0 / 17

HEX #687AD4

RGB 104 122 212

HSL 230, 0.56%, 0.62%

LAB 53.62, 18.36, -48.52

 

CMYK 0 / 15 / 76 / 39

HEX #9C8526

RGB 156 133 38

HSL 48.31, 0.61%, 0.38%

LAB 56.07, -1.59, 51.33

 

CMYK 0 / 13 / 67 / 32

HEX #AD9739

RGB 173 151 57

HSL 48.62, 0.5%, 0.45%

LAB 62.77, -2.77, 50.72

 

CMYK 0 / 11 / 60 / 25

HEX #BEA94C

RGB 190 169 76

HSL 48.95, 0.47%, 0.52%

LAB 69.36, -3.74, 49.73

 

CMYK 0 / 10 / 54 / 19

HEX #CFBB5F

RGB 207 187 95

HSL 49.29, 0.54%, 0.59%

LAB 75.84, -4.54, 48.57

 

CMYK 0 / 8 / 49 / 12

HEX #E0CD72

RGB 224 205 114

HSL 49.64, 0.64%, 0.66%

LAB 82.23, -5.22, 47.37

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 0 / 14 / 82 / 47

HEX #867318

RGB 134 115 24

HSL 49.64, 0.7%, 0.31%

LAB 48.75, -2.31, 48.84

 

CMYK 0 / 17 / 96 / 54

HEX #756105

RGB 117 97 5

HSL 49.29, 0.92%, 0.24%

LAB 41.75, -0.66, 47.59

 

CMYK 0 / 21 / 100 / 61

HEX #644F00

RGB 100 79 0

HSL 47.4, 1%, 0.2%

LAB 34.6, 1.48, 43.01

 

CMYK 0 / 27 / 100 / 67

HEX #533D00

RGB 83 61 0

HSL 44.1, 1%, 0.16%

LAB 27.23, 3.91, 36.61

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 0 / 31 / 72 / 41

HEX #97682B

RGB 151 104 43

HSL 33.89, 0.56%, 0.38%

LAB 47.82, 12.83, 40.67

 

CMYK 0 / 50 / 72 / 41

HEX #974B2B

RGB 151 75 43

HSL 17.78, 0.56%, 0.38%

LAB 40.87, 29.28, 33.09

 

CMYK 0 / 70 / 72 / 41

HEX #972D2B

RGB 151 45 43

HSL 1.11, 0.56%, 0.38%

LAB 35.26, 43.96, 26.62

 

CMYK 0 / 72 / 72 / 41

HEX #972B2B

RGB 151 43 43

HSL 0, 0.56%, 0.38%

LAB 34.97, 44.77, 26.27

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 7 / 0 / 72 / 41

HEX #8C972B

RGB 140 151 43

HSL 66.11, 0.56%, 0.38%

LAB 59.78, -18.18, 52.53

 

CMYK 26 / 0 / 72 / 41

HEX #6F972B

RGB 111 151 43

HSL 82.22, 0.56%, 0.38%

LAB 57.74, -30.4, 49.81

 

CMYK 46 / 0 / 72 / 41

HEX #51972B

RGB 81 151 43

HSL 98.89, 0.56%, 0.38%

LAB 56.14, -41.39, 47.68

 

CMYK 66 / 0 / 72 / 41

HEX #34972B

RGB 52 151 43

HSL 115, 0.56%, 0.38%

LAB 55.11, -49.44, 46.28

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 0 / 14 / 84 / 35

HEX #A7901B

RGB 167 144 27

HSL 50.14, 0.72%, 0.38%

LAB 60.11, -3.02, 59.07

 

CMYK 0 / 16 / 94 / 28

HEX #B79A0B

RGB 183 154 11

HSL 49.88, 0.89%, 0.38%

LAB 64.32, -1.52, 66.47

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 0 / 9 / 57 / 47

HEX #877B3A

RGB 135 123 58

HSL 50.65, 0.4%, 0.38%

LAB 51.41, -4.28, 36.67

 

CMYK 0 / 7 / 38 / 53

HEX #78704A

RGB 120 112 74

HSL 49.57, 0.24%, 0.38%

LAB 47.07, -3.02, 22.27

 

CMYK 0 / 2 / 13 / 59

HEX #68665A

RGB 104 102 90

HSL 51.43, 0.07%, 0.38%

LAB 43.04, -1.53, 7.06

 

CMYK 16 / 13 / 0 / 59

HEX #585B69

RGB 88 91 105

HSL 229.41, 0.09%, 0.38%

LAB 38.86, 2.04, -8.39

 

CMYK 0 / 50 / 72 / 41

HEX #974B2B

RGB 151 75 43

HSL 17.78, 0.56%, 0.38%

LAB 40.87, 29.28, 33.09

 

CMYK 0 / 31 / 72 / 41

HEX #97682B

RGB 151 104 43

HSL 33.89, 0.56%, 0.38%

LAB 47.82, 12.83, 40.67

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 7 / 0 / 72 / 41

HEX #8C972B

RGB 140 151 43

HSL 66.11, 0.56%, 0.38%

LAB 59.78, -18.18, 52.53

 

CMYK 26 / 0 / 72 / 41

HEX #6F972B

RGB 111 151 43

HSL 82.22, 0.56%, 0.38%

LAB 57.74, -30.4, 49.81

 

CMYK 0 / 13 / 72 / 66

HEX #574C18

RGB 87 76 24

HSL 49.52, 0.57%, 0.22%

LAB 32.39, -2.26, 31.44

 

CMYK 0 / 12 / 71 / 53

HEX #776922

RGB 119 105 34

HSL 50.12, 0.56%, 0.3%

LAB 44.43, -3.22, 40.24

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 0 / 12 / 72 / 28

HEX #B7A134

RGB 183 161 52

HSL 49.92, 0.56%, 0.46%

LAB 66.37, -4, 56.79

 

CMYK 0 / 11 / 64 / 20

HEX #CCB649

RGB 204 182 73

HSL 49.92, 0.56%, 0.54%

LAB 74.05, -4.79, 56.58

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 72 / 0 / 70 / 41

HEX #2B972E

RGB 43 151 46

HSL 121.67, 0.56%, 0.38%

LAB 54.91, -51, 44.77

 

CMYK 40 / 72 / 0 / 41

HEX #5A2B97

RGB 90 43 151

HSL 266.11, 0.56%, 0.38%

LAB 29.75, 43.96, -51.11

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 72 / 0 / 12 / 41

HEX #2B9785

RGB 43 151 133

HSL 170, 0.56%, 0.38%

LAB 56.43, -34.41, 0.75

 

CMYK 12 / 72 / 0 / 41

HEX #852B97

RGB 133 43 151

HSL 290, 0.56%, 0.38%

LAB 35.89, 53.14, -40.91

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 72 / 0 / 70 / 41

HEX #2B972E

RGB 43 151 46

HSL 121.67, 0.56%, 0.38%

LAB 54.91, -51, 44.77

 

CMYK 72 / 60 / 0 / 41

HEX #2B3D97

RGB 43 61 151

HSL 230, 0.56%, 0.38%

LAB 29.63, 24.72, -51.5

 

CMYK 0 / 72 / 2 / 41

HEX #972B94

RGB 151 43 148

HSL 301.67, 0.56%, 0.38%

LAB 38.63, 56.73, -34.54

 

CMYK 0 / 12 / 72 / 41

HEX #97852B

RGB 151 133 43

HSL 50, 0.56%, 0.38%

LAB 55.61, -3.62, 48.7

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 72 / 60 / 0 / 41

HEX #2B3D97

RGB 43 61 151

HSL 230, 0.56%, 0.38%

LAB 29.63, 24.72, -51.5

 

CMYK 0 / 72 / 24 / 41

HEX #972B73

RGB 151 43 115

HSL 320, 0.56%, 0.38%

LAB 37.01, 51.66, -16.67

 

Description

Color code: HEX #97852B | qconv.com Color code: HEX #97852B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 133 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 133 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 72 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 72% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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