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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8D85 it is the complementary color #D5727A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8D85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2A8D85: #2F8D80, #409F93, #51B1A6, #62C3B9 and #73D5CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8D85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2A8D85: #2A8D85, #197B72, #08695F, #00574C and #004539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

Complementary color

CMYK 0 / 46 / 43 / 16

HEX #D5727A

RGB 213 114 122

HSL 355.15, 0.54%, 0.64%

LAB 59.51, 39.5, 13.21

 

CMYK 67 / 0 / 9 / 45

HEX #2F8D80

RGB 47 141 128

HSL 171.7, 0.5%, 0.37%

LAB 53.18, -30.46, -1.11

 

CMYK 60 / 0 / 8 / 38

HEX #409F93

RGB 64 159 147

HSL 172.42, 0.43%, 0.44%

LAB 59.88, -30.78, -2.09

 

CMYK 54 / 0 / 6 / 31

HEX #51B1A6

RGB 81 177 166

HSL 173.13, 0.38%, 0.51%

LAB 66.48, -30.95, -2.97

 

CMYK 50 / 0 / 5 / 24

HEX #62C3B9

RGB 98 195 185

HSL 173.81, 0.45%, 0.57%

LAB 72.98, -31.01, -3.77

 

CMYK 46 / 0 / 4 / 16

HEX #73D5CC

RGB 115 213 204

HSL 174.49, 0.54%, 0.64%

LAB 79.38, -31.01, -4.52

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 80 / 0 / 7 / 52

HEX #197B72

RGB 25 123 114

HSL 174.49, 0.66%, 0.29%

LAB 46.43, -29.01, -2.88

 

CMYK 92 / 0 / 10 / 59

HEX #08695F

RGB 8 105 95

HSL 173.81, 0.86%, 0.22%

LAB 39.55, -27.7, -1.6

 

CMYK 100 / 0 / 13 / 66

HEX #00574C

RGB 0 87 76

HSL 172.41, 1%, 0.17%

LAB 32.56, -25.64, -0.05

 

CMYK 100 / 0 / 17 / 73

HEX #004539

RGB 0 69 57

HSL 169.57, 1%, 0.14%

LAB 25.42, -22.88, 1.76

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 70 / 6 / 0 / 45

HEX #2A858D

RGB 42 133 141

HSL 184.85, 0.54%, 0.36%

LAB 50.91, -23.4, -12.06

 

CMYK 70 / 18 / 0 / 45

HEX #2A748D

RGB 42 116 141

HSL 195.15, 0.54%, 0.36%

LAB 45.51, -14.22, -20.29

 

CMYK 70 / 29 / 0 / 45

HEX #2A648D

RGB 42 100 141

HSL 204.85, 0.54%, 0.36%

LAB 40.46, -4.82, -28.12

 

CMYK 70 / 41 / 0 / 45

HEX #2A538D

RGB 42 83 141

HSL 215.15, 0.54%, 0.36%

LAB 35.21, 5.96, -36.42

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 70 / 0 / 6 / 25

HEX #39C0B5

RGB 57 192 181

HSL 175.11, 0.54%, 0.49%

LAB 70.81, -38.03, -4.93

 

CMYK 70 / 0 / 6 / 5

HEX #48F3E5

RGB 72 243 229

HSL 175.09, 0.88%, 0.62%

LAB 87.55, -45.79, -5.82

 

CMYK 69 / 0 / 5 / 85

HEX #0C2725

RGB 12 39 37

HSL 175.56, 0.53%, 0.1%

LAB 13.61, -10.84, -1.79

 

CMYK 70 / 0 / 6 / 65

HEX #1B5A55

RGB 27 90 85

HSL 175.24, 0.54%, 0.23%

LAB 34.4, -20.98, -2.96

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 62 / 70 / 0 / 45

HEX #352A8D

RGB 53 42 141

HSL 246.67, 0.54%, 0.36%

LAB 24.75, 34.96, -53.28

 

CMYK 0 / 34 / 70 / 45

HEX #8D5D2A

RGB 141 93 42

HSL 30.91, 0.54%, 0.36%

LAB 43.74, 14.59, 36.4

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 6 / 70 / 0 / 45

HEX #852A8D

RGB 133 42 141

HSL 295.15, 0.54%, 0.36%

LAB 35.13, 51.64, -35.99

 

CMYK 0 / 6 / 70 / 45

HEX #8D852A

RGB 141 133 42

HSL 55.15, 0.54%, 0.36%

LAB 54.66, -8.23, 47.85

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 62 / 70 / 0 / 45

HEX #352A8D

RGB 53 42 141

HSL 246.67, 0.54%, 0.36%

LAB 24.75, 34.96, -53.28

 

CMYK 0 / 70 / 65 / 45

HEX #8D2A32

RGB 141 42 50

HSL 355.15, 0.54%, 0.36%

LAB 33.03, 42.19, 19.04

 

CMYK 9 / 0 / 70 / 45

HEX #818D2A

RGB 129 141 42

HSL 67.27, 0.54%, 0.36%

LAB 55.97, -17.89, 48.84

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 41 / 70 / 0 / 45

HEX #532A8D

RGB 83 42 141

HSL 264.85, 0.54%, 0.36%

LAB 27.89, 40.4, -48.02

 

CMYK 0 / 70 / 65 / 45

HEX #8D2A32

RGB 141 42 50

HSL 355.15, 0.54%, 0.36%

LAB 33.03, 42.19, 19.04

 

CMYK 29 / 0 / 70 / 45

HEX #648D2A

RGB 100 141 42

HSL 84.85, 0.54%, 0.36%

LAB 53.95, -30.12, 46.13

 

Description

Color code: HEX #2A8D85 | qconv.com Color code: HEX #2A8D85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 141 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 141 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 6 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 6% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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