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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A4DD9 it is the complementary color #D5B226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A4DD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2A4DD9: #2F4DD4, #405FE7, #5171FA, #6283FF and #7395FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A4DD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2A4DD9: #2A4DD9, #193BC6, #0829B3, #0017A0 and #00058D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

Complementary color

CMYK 0 / 16 / 82 / 16

HEX #D5B226

RGB 213 178 38

HSL 48, 0.7%, 0.49%

LAB 73.63, -0.39, 69.28

 

CMYK 78 / 64 / 0 / 17

HEX #2F4DD4

RGB 47 77 212

HSL 229.09, 0.66%, 0.51%

LAB 39.01, 37.28, -72.27

 

CMYK 72 / 59 / 0 / 9

HEX #405FE7

RGB 64 95 231

HSL 228.86, 0.78%, 0.58%

LAB 45.69, 34.56, -72.14

 

CMYK 68 / 55 / 0 / 2

HEX #5171FA

RGB 81 113 250

HSL 228.64, 0.94%, 0.65%

LAB 52.36, 32.23, -71.9

 

CMYK 62 / 49 / 0 / 0

HEX #6283FF

RGB 98 131 255

HSL 227.39, 1%, 0.69%

LAB 58.08, 25.6, -65.36

 

CMYK 55 / 42 / 0 / 0

HEX #7395FF

RGB 115 149 255

HSL 225.43, 1%, 0.73%

LAB 63.64, 18.05, -56.42

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 87 / 70 / 0 / 22

HEX #193BC6

RGB 25 59 198

HSL 228.21, 0.78%, 0.44%

LAB 32.73, 41.9, -74.51

 

CMYK 96 / 77 / 0 / 30

HEX #0829B3

RGB 8 41 179

HSL 228.42, 0.91%, 0.37%

LAB 26.43, 45.28, -73.72

 

CMYK 100 / 86 / 0 / 37

HEX #0017A0

RGB 0 23 160

HSL 231.38, 1%, 0.31%

LAB 20.64, 48.12, -71.87

 

CMYK 100 / 96 / 0 / 45

HEX #00058D

RGB 0 5 141

HSL 237.87, 1%, 0.28%

LAB 15.65, 49.17, -68.44

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 81 / 78 / 0 / 15

HEX #2A30D9

RGB 42 48 217

HSL 237.94, 0.7%, 0.51%

LAB 33.17, 55.45, -84.78

 

CMYK 70 / 81 / 0 / 15

HEX #412AD9

RGB 65 42 217

HSL 247.89, 0.7%, 0.51%

LAB 33.54, 59.82, -84.13

 

CMYK 56 / 81 / 0 / 15

HEX #5F2AD9

RGB 95 42 217

HSL 258.17, 0.7%, 0.51%

LAB 36.17, 62.63, -79.69

 

CMYK 43 / 81 / 0 / 15

HEX #7C2AD9

RGB 124 42 217

HSL 268.11, 0.7%, 0.51%

LAB 39.5, 66.21, -74.1

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 77 / 62 / 0 / 95

HEX #03050D

RGB 3 5 13

HSL 228, 0.63%, 0.03%

LAB 1.42, 0.63, -3.31

 

CMYK 81 / 64 / 0 / 75

HEX #0C1740

RGB 12 23 64

HSL 227.31, 0.68%, 0.15%

LAB 9.49, 12.21, -27.59

 

CMYK 81 / 64 / 0 / 55

HEX #162973

RGB 22 41 115

HSL 227.74, 0.68%, 0.27%

LAB 20.02, 21.76, -44.68

 

CMYK 81 / 64 / 0 / 35

HEX #203BA6

RGB 32 59 166

HSL 227.91, 0.68%, 0.39%

LAB 29.88, 30.49, -60.2

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 0 / 81 / 0 / 15

HEX #D92AD9

RGB 217 42 217

HSL 300, 0.7%, 0.51%

LAB 53.4, 81.59, -50.93

 

CMYK 32 / 0 / 81 / 15

HEX #93D92A

RGB 147 217 42

HSL 84, 0.7%, 0.51%

LAB 79.61, -46.17, 71.6

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 0 / 81 / 65 / 15

HEX #D92A4D

RGB 217 42 77

HSL 348, 0.7%, 0.51%

LAB 48.19, 66.69, 24.63

 

CMYK 65 / 0 / 81 / 15

HEX #4DD92A

RGB 77 217 42

HSL 108, 0.7%, 0.51%

LAB 76.9, -66.6, 68.13

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 0 / 81 / 0 / 15

HEX #D92AD9

RGB 217 42 217

HSL 300, 0.7%, 0.51%

LAB 53.4, 81.59, -50.93

 

CMYK 0 / 16 / 81 / 15

HEX #D9B62A

RGB 217 182 42

HSL 48, 0.7%, 0.51%

LAB 75.06, -0.62, 69.51

 

CMYK 81 / 0 / 81 / 15

HEX #2AD92A

RGB 42 217 42

HSL 120, 0.7%, 0.51%

LAB 76.24, -72.26, 67.28

 

CMYK 81 / 65 / 0 / 15

HEX #2A4DD9

RGB 42 77 217

HSL 228, 0.7%, 0.51%

LAB 39.26, 38.66, -74.74

 

CMYK 0 / 81 / 24 / 15

HEX #D92AA5

RGB 217 42 165

HSL 317.83, 0.7%, 0.51%

LAB 50.83, 74.48, -24.81

 

CMYK 0 / 16 / 81 / 15

HEX #D9B62A

RGB 217 182 42

HSL 48, 0.7%, 0.51%

LAB 75.06, -0.62, 69.51

 

CMYK 81 / 0 / 56 / 15

HEX #2AD95F

RGB 42 217 95

HSL 138.17, 0.7%, 0.51%

LAB 76.65, -67.3, 47.59

 

Description

Color code: HEX #2A4DD9 | qconv.com Color code: HEX #2A4DD9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 77 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 77 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 65 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 65% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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