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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A3BB7 it is the complementary color #D5C448. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A3BB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2A3BB7: #2F3BB2, #404DC5, #515FD8, #6271EB and #7383FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A3BB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2A3BB7: #2A3BB7, #1929A4, #081791, #00057E and #00006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

Complementary color

CMYK 0 / 8 / 66 / 16

HEX #D5C448

RGB 213 196 72

HSL 52.77, 0.63%, 0.56%

LAB 78.52, -8.26, 61.96

 

CMYK 74 / 67 / 0 / 30

HEX #2F3BB2

RGB 47 59 178

HSL 234.5, 0.58%, 0.44%

LAB 31.69, 36.43, -64.4

 

CMYK 68 / 61 / 0 / 23

HEX #404DC5

RGB 64 77 197

HSL 234.14, 0.53%, 0.51%

LAB 38.6, 33.92, -64.22

 

CMYK 63 / 56 / 0 / 15

HEX #515FD8

RGB 81 95 216

HSL 233.78, 0.63%, 0.58%

LAB 45.49, 31.78, -63.93

 

CMYK 58 / 52 / 0 / 8

HEX #6271EB

RGB 98 113 235

HSL 233.43, 0.77%, 0.65%

LAB 52.29, 29.95, -63.6

 

CMYK 55 / 48 / 0 / 0

HEX #7383FE

RGB 115 131 254

HSL 233.09, 0.99%, 0.72%

LAB 59.01, 28.39, -63.28

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 85 / 75 / 0 / 36

HEX #1929A4

RGB 25 41 164

HSL 233.09, 0.74%, 0.37%

LAB 25.18, 40.67, -66.75

 

CMYK 94 / 84 / 0 / 43

HEX #081791

RGB 8 23 145

HSL 233.43, 0.9%, 0.3%

LAB 18.84, 43.44, -65.62

 

CMYK 100 / 96 / 0 / 51

HEX #00057E

RGB 0 5 126

HSL 237.62, 1%, 0.25%

LAB 13.32, 44.89, -62.85

 

CMYK 100 / 100 / 0 / 58

HEX #00006B

RGB 0 0 107

HSL 240, 1%, 0.21%

LAB 9.49, 41.8, -56.93

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 75 / 77 / 0 / 29

HEX #2E29B6

RGB 46 41 182

HSL 242.13, 0.63%, 0.44%

LAB 28.23, 48.21, -72.47

 

CMYK 62 / 77 / 0 / 29

HEX #4529B6

RGB 69 41 182

HSL 251.91, 0.63%, 0.44%

LAB 29.98, 50.46, -69.52

 

CMYK 49 / 77 / 0 / 29

HEX #5D29B6

RGB 93 41 182

HSL 262.13, 0.63%, 0.44%

LAB 32.46, 53.61, -65.36

 

CMYK 36 / 77 / 0 / 29

HEX #7429B6

RGB 116 41 182

HSL 271.91, 0.63%, 0.44%

LAB 35.35, 57.23, -60.51

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 77 / 68 / 0 / 8

HEX #364BEA

RGB 54 75 234

HSL 233, 0.81%, 0.56%

LAB 40.83, 46.84, -81.83

 

CMYK 77 / 67 / 0 / 88

HEX #070A1E

RGB 7 10 30

HSL 232.17, 0.62%, 0.07%

LAB 3.22, 3.77, -12.28

 

CMYK 77 / 68 / 0 / 68

HEX #131A51

RGB 19 26 81

HSL 233.23, 0.62%, 0.2%

LAB 12.42, 18.3, -34.61

 

CMYK 77 / 67 / 0 / 48

HEX #1E2B84

RGB 30 43 132

HSL 232.35, 0.63%, 0.32%

LAB 22.55, 27.99, -51.33

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 0 / 77 / 5 / 29

HEX #B629AD

RGB 182 41 173

HSL 303.83, 0.63%, 0.44%

LAB 45.01, 68.24, -39.1

 

CMYK 36 / 0 / 77 / 29

HEX #74B629

RGB 116 182 41

HSL 88.09, 0.63%, 0.44%

LAB 67.52, -42.54, 60.17

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 0 / 77 / 67 / 29

HEX #B6293C

RGB 182 41 60

HSL 351.91, 0.63%, 0.44%

LAB 40.99, 56.15, 24.49

 

CMYK 67 / 0 / 77 / 29

HEX #3CB629

RGB 60 182 41

HSL 111.91, 0.63%, 0.44%

LAB 65.42, -58.63, 57.42

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 0 / 77 / 5 / 29

HEX #B629AD

RGB 182 41 173

HSL 303.83, 0.63%, 0.44%

LAB 45.01, 68.24, -39.1

 

CMYK 0 / 10 / 77 / 29

HEX #B6A429

RGB 182 164 41

HSL 52.34, 0.63%, 0.44%

LAB 67.02, -6.53, 61.39

 

CMYK 77 / 0 / 73 / 29

HEX #29B632

RGB 41 182 50

HSL 123.83, 0.63%, 0.44%

LAB 65.09, -61.23, 53.83

 

CMYK 77 / 68 / 0 / 28

HEX #2A3BB7

RGB 42 59 183

HSL 232.77, 0.63%, 0.44%

LAB 31.9, 37.7, -67.03

 

CMYK 0 / 77 / 28 / 29

HEX #B62983

RGB 182 41 131

HSL 321.7, 0.63%, 0.44%

LAB 43.02, 62.44, -16.91

 

CMYK 0 / 10 / 77 / 29

HEX #B6A429

RGB 182 164 41

HSL 52.34, 0.63%, 0.44%

LAB 67.02, -6.53, 61.39

 

CMYK 77 / 0 / 49 / 29

HEX #29B65D

RGB 41 182 93

HSL 142.13, 0.63%, 0.44%

LAB 65.53, -55.92, 34.98

 

Description

Color code: HEX #2A3BB7 | qconv.com Color code: HEX #2A3BB7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 59 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 59 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 68 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 68% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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