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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A394000 it is the complementary color #D5C6BF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A394000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2A394000: #2F393B00, #404B4E00, #515D6100, #626F7400 and #73818700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A394000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2A394000: #2A394000, #19272D00, #08151A00, #00030700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D5C6BF00

RGBA 213 198 191 0

HSLA 19.09, 0.21%, 0.79%, 0

LABA 80.9, 4.06, 5.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2F393B00

RGBA 47 57 59 0

HSLA 190, 0.11%, 0.21%, 0

LABA 23.16, -3.63, -2.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #404B4E00

RGBA 64 75 78 0

HSLA 192.86, 0.1%, 0.28%, 0

LABA 31.05, -3.65, -3.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #515D6100

RGBA 81 93 97 0

HSLA 195, 0.09%, 0.35%, 0

LABA 38.62, -3.68, -3.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #626F7400

RGBA 98 111 116 0

HSLA 196.67, 0.08%, 0.42%, 0

LABA 45.94, -3.73, -4.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #73818700

RGBA 115 129 135 0

HSLA 198, 0.08%, 0.49%, 0

LABA 53.05, -3.79, -4.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19272D00

RGBA 25 39 45 0

HSLA 198, 0.29%, 0.14%, 0

LABA 14.66, -4.03, -5.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #08151A00

RGBA 8 21 26 0

HSLA 196.67, 0.53%, 0.07%, 0

LABA 5.98, -3.07, -5.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00030700

RGBA 0 3 7 0

HSLA 214.29, 1%, 0.01%, 0

LABA 0.73, -0.23, -1.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A354000

RGBA 42 53 64 0

HSLA 210, 0.21%, 0.21%, 0

LABA 21.61, -1.45, -8.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A324000

RGBA 42 50 64 0

HSLA 218.18, 0.21%, 0.21%, 0

LABA 20.61, 0.58, -9.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A2E4000

RGBA 42 46 64 0

HSLA 229.09, 0.21%, 0.21%, 0

LABA 19.29, 3.34, -11.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A2A4000

RGBA 42 42 64 0

HSLA 240, 0.21%, 0.21%, 0

LABA 18, 6.16, -13.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B667300

RGBA 75 102 115 0

HSLA 199.5, 0.21%, 0.37%, 0

LABA 41.59, -6.45, -10.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D94A600

RGBA 109 148 166 0

HSLA 198.95, 0.24%, 0.54%, 0

LABA 59.14, -8.84, -13.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8EC1D900

RGBA 142 193 217 0

HSLA 199.2, 0.5%, 0.7%, 0

LABA 75.39, -10.83, -17.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #090C0D00

RGBA 9 12 13 0

HSLA 195, 0.18%, 0.04%, 0

LABA 3.16, -0.65, -0.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #352A4000

RGBA 53 42 64 0

HSLA 270, 0.21%, 0.21%, 0

LABA 19.15, 10.29, -12.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #403E2A00

RGBA 64 62 42 0

HSLA 54.55, 0.21%, 0.21%, 0

LABA 25.87, -2.94, 12.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #402A3900

RGBA 64 42 57 0

HSLA 319.09, 0.21%, 0.21%, 0

LABA 20.21, 13.09, -5.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39402A00

RGBA 57 64 42 0

HSLA 79.09, 0.21%, 0.21%, 0

LABA 25.87, -7.47, 12.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #352A4000

RGBA 53 42 64 0

HSLA 270, 0.21%, 0.21%, 0

LABA 19.15, 10.29, -12.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #40312A00

RGBA 64 49 42 0

HSLA 19.09, 0.21%, 0.21%, 0

LABA 21.78, 5.56, 7.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35402A00

RGBA 53 64 42 0

HSLA 90, 0.21%, 0.21%, 0

LABA 25.54, -9.28, 12.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A394000

RGBA 42 57 64 0

HSLA 199.09, 0.21%, 0.21%, 0

LABA 22.96, -4.1, -6.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3C2A4000

RGBA 60 42 64 0

HSLA 289.09, 0.21%, 0.21%, 0

LABA 19.99, 13.04, -10.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #40312A00

RGBA 64 49 42 0

HSLA 19.09, 0.21%, 0.21%, 0

LABA 21.78, 5.56, 7.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E402A00

RGBA 46 64 42 0

HSLA 109.09, 0.21%, 0.21%, 0

LABA 25, -12.32, 11.2, 0

 

Description

Color code: HEX #2A394000 | qconv.com Color code: HEX #2A394000 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 57 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 57 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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