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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A1C49A5 it is the complementary color #D5E3B6A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A1C49A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2A1C49A5: #2F1C44A5, #402E57A5, #51406AA5, #62527DA5 and #736490A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A1C49A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2A1C49A5: #2A1C49A5, #190A36A5, #080023A5, #000010A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

Complementary color

CMYK 4 / 0 / 13 / 7

HEX #D5E3B6A5

RGBA 213 227 182 0.65

HSLA 78.67, 0.45%, 0.8%, 0.65

LABA 88.19, -12.33, 20.45, 0.65

 

CMYK 20 / 38 / 0 / 48

HEX #2F1C44A5

RGBA 47 28 68 0.65

HSLA 268.5, 0.42%, 0.19%, 0.65

LABA 14.69, 18.96, -21.85, 0.65

 

CMYK 17 / 31 / 0 / 43

HEX #402E57A5

RGBA 64 46 87 0.65

HSLA 266.34, 0.31%, 0.26%, 0.65

LABA 22.77, 17.87, -21.82, 0.65

 

CMYK 15 / 26 / 0 / 38

HEX #51406AA5

RGBA 81 64 106 0.65

HSLA 264.29, 0.25%, 0.33%, 0.65

LABA 30.54, 16.95, -21.83, 0.65

 

CMYK 14 / 22 / 0 / 33

HEX #62527DA5

RGBA 98 82 125 0.65

HSLA 262.33, 0.21%, 0.41%, 0.65

LABA 38.04, 16.18, -21.89, 0.65

 

CMYK 13 / 20 / 0 / 28

HEX #736490A5

RGBA 115 100 144 0.65

HSLA 260.45, 0.18%, 0.48%, 0.65

LABA 45.32, 15.51, -22, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 35 / 53 / 0 / 51

HEX #190A36A5

RGBA 25 10 54 0.65

HSLA 260.45, 0.69%, 0.13%, 0.65

LABA 6.23, 19.79, -25.63, 0.65

 

CMYK 50 / 65 / 0 / 56

HEX #080023A5

RGBA 8 0 35 0.65

HSLA 253.71, 1%, 0.07%, 0.65

LABA 1.56, 9.79, -18.73, 0.65

 

CMYK 65 / 65 / 0 / 61

HEX #000010A5

RGBA 0 0 16 0.65

HSLA 240, 1%, 0.03%, 0.65

LABA 0.34, 2.37, -6.46, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 21 / 40 / 0 / 46

HEX #311C49A5

RGBA 49 28 73 0.65

HSLA 268, 0.45%, 0.2%, 0.65

LABA 15.3, 21.05, -24.32, 0.65

 

CMYK 14 / 40 / 0 / 46

HEX #391C49A5

RGBA 57 28 73 0.65

HSLA 278.67, 0.45%, 0.2%, 0.65

LABA 16.41, 23.49, -22.48, 0.65

 

CMYK 8 / 40 / 0 / 46

HEX #401C49A5

RGBA 64 28 73 0.65

HSLA 288, 0.45%, 0.2%, 0.65

LABA 17.47, 25.69, -20.74, 0.65

 

CMYK 1 / 40 / 0 / 46

HEX #481C49A5

RGBA 72 28 73 0.65

HSLA 298.67, 0.45%, 0.2%, 0.65

LABA 18.75, 28.23, -18.63, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 28 / 40 / 0 / 33

HEX #47307CA5

RGBA 71 48 124 0.65

HSLA 258.16, 0.44%, 0.34%, 0.65

LABA 26.47, 29.4, -39.76, 0.65

 

CMYK 27 / 40 / 0 / 20

HEX #6543AFA5

RGBA 101 67 175 0.65

HSLA 258.89, 0.45%, 0.47%, 0.65

LABA 37.62, 39.75, -52.76, 0.65

 

CMYK 28 / 40 / 0 / 7

HEX #8257E2A5

RGBA 130 87 226 0.65

HSLA 258.56, 0.71%, 0.61%, 0.65

LABA 48.33, 48.72, -64.82, 0.65

 

CMYK 27 / 41 / 0 / 59

HEX #0D0816A5

RGBA 13 8 22 0.65

HSLA 261.43, 0.47%, 0.06%, 0.65

LABA 2.86, 3.94, -6.49, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 0 / 40 / 20 / 46

HEX #491C33A5

RGBA 73 28 51 0.65

HSLA 329.33, 0.45%, 0.2%, 0.65

LABA 17.86, 24.45, -4.69, 0.65

 

CMYK 37 / 0 / 40 / 46

HEX #20491CA5

RGBA 32 73 28 0.65

HSLA 114.67, 0.45%, 0.2%, 0.65

LABA 27.17, -24.85, 22.33, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 0 / 28 / 40 / 46

HEX #49291CA5

RGBA 73 41 28 0.65

HSLA 17.33, 0.45%, 0.2%, 0.65

LABA 20.39, 13.38, 14.83, 0.65

 

CMYK 40 / 0 / 28 / 46

HEX #1C4929A5

RGBA 28 73 41 0.65

HSLA 137.33, 0.45%, 0.2%, 0.65

LABA 27.22, -23.81, 14.62, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 0 / 40 / 20 / 46

HEX #491C33A5

RGBA 73 28 51 0.65

HSLA 329.33, 0.45%, 0.2%, 0.65

LABA 17.86, 24.45, -4.69, 0.65

 

CMYK 12 / 0 / 40 / 46

HEX #3C491CA5

RGBA 60 73 28 0.65

HSLA 77.33, 0.45%, 0.2%, 0.65

LABA 28.93, -13.37, 24.82, 0.65

 

CMYK 40 / 0 / 20 / 46

HEX #1C4933A5

RGBA 28 73 51 0.65

HSLA 150.67, 0.45%, 0.2%, 0.65

LABA 27.44, -21.54, 8.61, 0.65

 

CMYK 28 / 40 / 0 / 46

HEX #2A1C49A5

RGBA 42 28 73 0.65

HSLA 258.67, 0.45%, 0.2%, 0.65

LABA 14.42, 19, -25.78, 0.65

 

CMYK 0 / 40 / 32 / 46

HEX #491C25A5

RGBA 73 28 37 0.65

HSLA 348, 0.45%, 0.2%, 0.65

LABA 17.37, 22.46, 4.54, 0.65

 

CMYK 12 / 0 / 40 / 46

HEX #3C491CA5

RGBA 60 73 28 0.65

HSLA 77.33, 0.45%, 0.2%, 0.65

LABA 28.93, -13.37, 24.82, 0.65

 

CMYK 40 / 0 / 8 / 46

HEX #1C4940A5

RGBA 28 73 64 0.65

HSLA 168, 0.45%, 0.2%, 0.65

LABA 27.8, -18.01, 0.74, 0.65

 

Description

Color code: HEX #2A1C49A5 | qconv.com Color code: HEX #2A1C49A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 28 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 28 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 40 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 40% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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