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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299B60 it is the complementary color #D6649F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #299B60 shade: #2E9B5B, #3FAD6E, #50BF81, #61D194 and #72E3A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #299B60 shade: #299B60, #18894D, #07773A, #006527 and #005314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #299B60 shade: #29995F, #299941, #2F9929, #4D9929 and #6C9929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #299B60 shade: #29995F, #29997D, #299799, #297899 and #295A99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #299B60 shade matches the following richer shades: #29995F, #19A95E and #09B85E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #299B60 shade: #29995F, #38895F, #487A60, #586A61 and #675A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #299B60 shade: #309929, #29993F, #29995D, #29997B and #299999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #299B60 shade: #175837, #20794B, #29995F, #31BA73 and #46CE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #299B60 shade: #299B60, #294E99 and #993029

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #299B60 shade: #299B60, #5D2999 and #995D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #299B60 shade: #299B60, #294E99, #992965 and #997429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #299B60 shade: #299B60, #292C99, #992965 and #999529

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

Complementary color

CMYK 0 / 53 / 26 / 16

HEX #D6649F

RGB 214 100 159

HSL 328.95, 0.58%, 0.62%

LAB 57.96, 51.33, -10.49

 

CMYK 70 / 0 / 41 / 39

HEX #2E9B5B

RGB 46 155 91

HSL 144.77, 0.54%, 0.39%

LAB 56.86, -45.44, 24.91

 

CMYK 64 / 0 / 36 / 32

HEX #3FAD6E

RGB 63 173 110

HSL 145.64, 0.47%, 0.46%

LAB 63.4, -45.8, 23.4

 

CMYK 58 / 0 / 32 / 25

HEX #50BF81

RGB 80 191 129

HSL 146.49, 0.46%, 0.53%

LAB 69.86, -45.93, 22.03

 

CMYK 54 / 0 / 29 / 18

HEX #61D194

RGB 97 209 148

HSL 147.32, 0.55%, 0.6%

LAB 76.24, -45.9, 20.77

 

CMYK 50 / 0 / 26 / 11

HEX #72E3A7

RGB 114 227 167

HSL 148.14, 0.67%, 0.67%

LAB 82.54, -45.79, 19.6

 

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

CMYK 82 / 0 / 44 / 46

HEX #18894D

RGB 24 137 77

HSL 148.14, 0.7%, 0.32%

LAB 50.24, -44.38, 23.81

 

CMYK 94 / 0 / 51 / 53

HEX #07773A

RGB 7 119 58

HSL 147.32, 0.89%, 0.25%

LAB 43.57, -42.81, 25.66

 

CMYK 100 / 0 / 61 / 60

HEX #006527

RGB 0 101 39

HSL 143.17, 1%, 0.2%

LAB 36.84, -40.18, 27.64

 

CMYK 100 / 0 / 76 / 67

HEX #005314

RGB 0 83 20

HSL 134.46, 1%, 0.16%

LAB 30, -36.51, 29.37

 

CMYK 73 / 0 / 38 / 40

HEX #29995F

RGB 41 153 95

HSL 148.93, 0.58%, 0.38%

LAB 56.17, -44.7, 21.79

 

CMYK 73 / 0 / 58 / 40

HEX #299941

RGB 41 153 65

HSL 132.86, 0.58%, 0.38%

LAB 55.72, -49.82, 36.98

 

CMYK 69 / 0 / 73 / 40

HEX #2F9929

RGB 47 153 41

HSL 116.79, 0.58%, 0.38%

LAB 55.63, -51.38, 47.57

 

CMYK 50 / 0 / 73 / 40

HEX #4D9929

RGB 77 153 41

HSL 100.71, 0.58%, 0.38%

LAB 56.61, -43.64, 48.87

 

CMYK 29 / 0 / 73 / 40

HEX #6C9929

RGB 108 153 41

HSL 84.11, 0.58%, 0.38%

LAB 58.16, -32.66, 50.94

 

CMYK 73 / 0 / 38 / 40

HEX #29995F

RGB 41 153 95

HSL 148.93, 0.58%, 0.38%

LAB 56.17, -44.7, 21.79

 

CMYK 73 / 0 / 18 / 40

HEX #29997D

RGB 41 153 125

HSL 165, 0.58%, 0.38%

LAB 56.82, -37.74, 5.86

 

CMYK 73 / 1 / 0 / 40

HEX #299799

RGB 41 151 153

HSL 181.07, 0.58%, 0.38%

LAB 56.98, -28.89, -9.87

 

CMYK 73 / 22 / 0 / 40

HEX #297899

RGB 41 120 153

HSL 197.68, 0.58%, 0.38%

LAB 47.24, -12.49, -24.71

 

CMYK 73 / 41 / 0 / 40

HEX #295A99

RGB 41 90 153

HSL 213.75, 0.58%, 0.38%

LAB 37.99, 5.81, -39.24

 

CMYK 73 / 0 / 38 / 40

HEX #29995F

RGB 41 153 95

HSL 148.93, 0.58%, 0.38%

LAB 56.17, -44.7, 21.79

 

CMYK 85 / 0 / 44 / 34

HEX #19A95E

RGB 25 169 94

HSL 148.75, 0.74%, 0.38%

LAB 61.12, -52.9, 28.8

 

CMYK 95 / 0 / 49 / 28

HEX #09B85E

RGB 9 184 94

HSL 149.14, 0.91%, 0.38%

LAB 65.86, -59.11, 34.82

 

CMYK 73 / 0 / 38 / 40

HEX #29995F

RGB 41 153 95

HSL 148.93, 0.58%, 0.38%

LAB 56.17, -44.7, 21.79

 

CMYK 59 / 0 / 31 / 46

HEX #38895F

RGB 56 137 95

HSL 148.89, 0.42%, 0.38%

LAB 51.33, -35, 15.3

 

CMYK 41 / 0 / 21 / 52

HEX #487A60

RGB 72 122 96

HSL 148.8, 0.26%, 0.38%

LAB 47.16, -23.21, 9.01

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 0 / 13 / 6 / 60

HEX #675A61

RGB 103 90 97

HSL 327.69, 0.07%, 0.38%

LAB 39.68, 6.64, -2.08

 

CMYK 69 / 0 / 73 / 40

HEX #309929

RGB 48 153 41

HSL 116.25, 0.58%, 0.38%

LAB 55.66, -51.18, 47.6

 

CMYK 73 / 0 / 59 / 40

HEX #29993F

RGB 41 153 63

HSL 131.79, 0.58%, 0.38%

LAB 55.7, -50.09, 37.92

 

CMYK 73 / 0 / 39 / 40

HEX #29995D

RGB 41 153 93

HSL 147.86, 0.58%, 0.38%

LAB 56.13, -45.1, 22.84

 

CMYK 73 / 0 / 20 / 40

HEX #29997B

RGB 41 153 123

HSL 163.93, 0.58%, 0.38%

LAB 56.77, -38.26, 6.93

 

CMYK 73 / 0 / 0 / 40

HEX #299999

RGB 41 153 153

HSL 180, 0.58%, 0.38%

LAB 57.61, -29.86, -8.93

 

CMYK 74 / 0 / 38 / 65

HEX #175837

RGB 23 88 55

HSL 149.54, 0.59%, 0.22%

LAB 32.78, -28.95, 13.4

 

CMYK 74 / 0 / 38 / 53

HEX #20794B

RGB 32 121 75

HSL 148.99, 0.58%, 0.3%

LAB 44.93, -37.26, 17.94

 

CMYK 73 / 0 / 38 / 40

HEX #29995F

RGB 41 153 95

HSL 148.93, 0.58%, 0.38%

LAB 56.17, -44.7, 21.79

 

CMYK 74 / 0 / 38 / 27

HEX #31BA73

RGB 49 186 115

HSL 148.91, 0.58%, 0.46%

LAB 67.28, -52.36, 25.86

 

CMYK 66 / 0 / 34 / 19

HEX #46CE88

RGB 70 206 136

HSL 149.12, 0.58%, 0.54%

LAB 74.33, -52.6, 24.35

 

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

CMYK 73 / 49 / 0 / 40

HEX #294E99

RGB 41 78 153

HSL 220.18, 0.58%, 0.38%

LAB 34.44, 13.73, -44.93

 

CMYK 0 / 69 / 73 / 40

HEX #993029

RGB 153 48 41

HSL 3.75, 0.58%, 0.38%

LAB 36.07, 43.29, 28.88

 

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

CMYK 39 / 73 / 0 / 40

HEX #5D2999

RGB 93 41 153

HSL 267.86, 0.58%, 0.38%

LAB 29.94, 46.05, -52.01

 

CMYK 0 / 39 / 73 / 40

HEX #995D29

RGB 153 93 41

HSL 27.86, 0.58%, 0.38%

LAB 45.31, 19.94, 39.06

 

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

CMYK 73 / 49 / 0 / 40

HEX #294E99

RGB 41 78 153

HSL 220.18, 0.58%, 0.38%

LAB 34.44, 13.73, -44.93

 

CMYK 0 / 73 / 34 / 40

HEX #992965

RGB 153 41 101

HSL 327.86, 0.58%, 0.38%

LAB 36.55, 51.16, -8.5

 

CMYK 0 / 24 / 73 / 40

HEX #997429

RGB 153 116 41

HSL 40.18, 0.58%, 0.38%

LAB 51.18, 6.75, 45.15

 

CMYK 74 / 0 / 38 / 39

HEX #299B60

RGB 41 155 96

HSL 148.95, 0.58%, 0.38%

LAB 56.84, -45.29, 22.14

 

CMYK 73 / 71 / 0 / 40

HEX #292C99

RGB 41 44 153

HSL 238.39, 0.58%, 0.38%

LAB 25.48, 36.28, -59.51

 

CMYK 0 / 73 / 34 / 40

HEX #992965

RGB 153 41 101

HSL 327.86, 0.58%, 0.38%

LAB 36.55, 51.16, -8.5

 

CMYK 0 / 3 / 73 / 40

HEX #999529

RGB 153 149 41

HSL 57.86, 0.58%, 0.38%

LAB 60.27, -11.49, 54.13

 

Description

Color code: HEX #299B60 | qconv.com Color code: HEX #299B60 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 155 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 155 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 38 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 38% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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