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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586A61 it is the complementary color #A7959E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586A61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586A61 shade: #5D6A5C, #6E7C6F, #7F8E82, #90A095 and #A1B2A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586A61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586A61 shade: #586A61, #47584E, #36463B, #253428 and #142215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586A61 shade: #586A61, #586A5C, #596A58, #5E6A58 and #626A58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586A61 shade: #586A61, #586A66, #58696A, #58646A and #58606A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586A61 shade matches the following richer shades: #586A61, #497961, #398961, #299961 and #19A861

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586A61 shade: #586A61, #685A61, #784A61, #873B61 and #972B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586A61 shade: #596A58, #586A5C, #586A61, #586A66 and #58696A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586A61 shade: #333D38, #45534C, #586A61, #6B8076 and #80958A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586A61 shade: #586A61, #585D6A and #6A5A58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586A61 shade: #586A61, #61586A and #6A6158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586A61 shade: #586A61, #585D6A, #6A5861 and #6A6458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586A61 shade: #586A61, #58586A, #6A5861 and #6A6A58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

Complementary color

CMYK 0 / 11 / 5 / 35

HEX #A7959E

RGB 167 149 158

HSL 330, 0.09%, 0.62%

LAB 63.49, 8.28, -2.3

 

CMYK 12 / 0 / 13 / 58

HEX #5D6A5C

RGB 93 106 92

HSL 115.71, 0.07%, 0.39%

LAB 43.37, -7.9, 6.2

 

CMYK 11 / 0 / 10 / 51

HEX #6E7C6F

RGB 110 124 111

HSL 124.29, 0.06%, 0.46%

LAB 50.54, -7.86, 5.35

 

CMYK 11 / 0 / 8 / 44

HEX #7F8E82

RGB 127 142 130

HSL 132, 0.06%, 0.53%

LAB 57.53, -7.85, 4.55

 

CMYK 10 / 0 / 7 / 37

HEX #90A095

RGB 144 160 149

HSL 138.75, 0.08%, 0.6%

LAB 64.36, -7.84, 3.8

 

CMYK 10 / 0 / 6 / 30

HEX #A1B2A8

RGB 161 178 168

HSL 144.71, 0.1%, 0.66%

LAB 71.04, -7.84, 3.09

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 19 / 0 / 11 / 65

HEX #47584E

RGB 71 88 78

HSL 144.71, 0.11%, 0.31%

LAB 35.73, -8.87, 3.63

 

CMYK 23 / 0 / 16 / 73

HEX #36463B

RGB 54 70 59

HSL 138.75, 0.13%, 0.24%

LAB 28.06, -9.03, 4.55

 

CMYK 29 / 0 / 23 / 80

HEX #253428

RGB 37 52 40

HSL 132, 0.17%, 0.17%

LAB 20.05, -9.25, 5.61

 

CMYK 41 / 0 / 38 / 87

HEX #142215

RGB 20 34 21

HSL 124.29, 0.26%, 0.11%

LAB 11.6, -9.55, 6.88

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 0 / 13 / 58

HEX #586A5C

RGB 88 106 92

HSL 133.33, 0.09%, 0.38%

LAB 43, -9.82, 5.62

 

CMYK 16 / 0 / 17 / 58

HEX #596A58

RGB 89 106 88

HSL 116.67, 0.09%, 0.38%

LAB 42.97, -10.25, 8

 

CMYK 11 / 0 / 17 / 58

HEX #5E6A58

RGB 94 106 88

HSL 100, 0.09%, 0.38%

LAB 43.35, -8.29, 8.59

 

CMYK 8 / 0 / 17 / 58

HEX #626A58

RGB 98 106 88

HSL 86.67, 0.09%, 0.38%

LAB 43.67, -6.69, 9.08

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 0 / 4 / 58

HEX #586A66

RGB 88 106 102

HSL 166.67, 0.09%, 0.38%

LAB 43.27, -7.64, -0.02

 

CMYK 17 / 1 / 0 / 58

HEX #58696A

RGB 88 105 106

HSL 183.33, 0.09%, 0.38%

LAB 43.09, -6.13, -2.71

 

CMYK 17 / 6 / 0 / 58

HEX #58646A

RGB 88 100 106

HSL 200, 0.09%, 0.38%

LAB 41.58, -3.18, -4.95

 

CMYK 17 / 9 / 0 / 58

HEX #58606A

RGB 88 96 106

HSL 213.33, 0.09%, 0.38%

LAB 40.38, -0.77, -6.73

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 40 / 0 / 20 / 53

HEX #497961

RGB 73 121 97

HSL 150, 0.25%, 0.38%

LAB 46.91, -22.16, 8.08

 

CMYK 58 / 0 / 29 / 46

HEX #398961

RGB 57 137 97

HSL 150, 0.41%, 0.38%

LAB 51.41, -34.33, 14.27

 

CMYK 73 / 0 / 37 / 40

HEX #299961

RGB 41 153 97

HSL 150, 0.58%, 0.38%

LAB 56.2, -44.29, 20.74

 

CMYK 85 / 0 / 42 / 34

HEX #19A861

RGB 25 168 97

HSL 150.21, 0.74%, 0.38%

LAB 60.85, -51.97, 26.85

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 0 / 13 / 7 / 59

HEX #685A61

RGB 104 90 97

HSL 330, 0.07%, 0.38%

LAB 39.78, 7.03, -1.93

 

CMYK 0 / 38 / 19 / 53

HEX #784A61

RGB 120 74 97

HSL 330, 0.24%, 0.38%

LAB 37.4, 23.1, -5.25

 

CMYK 0 / 56 / 28 / 47

HEX #873B61

RGB 135 59 97

HSL 330, 0.39%, 0.38%

LAB 36.26, 37, -6.72

 

CMYK 0 / 72 / 36 / 41

HEX #972B61

RGB 151 43 97

HSL 330, 0.56%, 0.38%

LAB 36.31, 49.36, -6.35

 

CMYK 16 / 0 / 17 / 58

HEX #596A58

RGB 89 106 88

HSL 116.67, 0.09%, 0.38%

LAB 42.97, -10.25, 8

 

CMYK 17 / 0 / 13 / 58

HEX #586A5C

RGB 88 106 92

HSL 133.33, 0.09%, 0.38%

LAB 43, -9.82, 5.62

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 0 / 4 / 58

HEX #586A66

RGB 88 106 102

HSL 166.67, 0.09%, 0.38%

LAB 43.27, -7.64, -0.02

 

CMYK 17 / 1 / 0 / 58

HEX #58696A

RGB 88 105 106

HSL 183.33, 0.09%, 0.38%

LAB 43.09, -6.13, -2.71

 

CMYK 16 / 0 / 8 / 76

HEX #333D38

RGB 51 61 56

HSL 150, 0.09%, 0.22%

LAB 24.72, -5.35, 1.69

 

CMYK 17 / 0 / 8 / 67

HEX #45534C

RGB 69 83 76

HSL 150, 0.09%, 0.3%

LAB 33.93, -7.11, 2.26

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 16 / 0 / 8 / 50

HEX #6B8076

RGB 107 128 118

HSL 151.43, 0.09%, 0.46%

LAB 51.69, -9.77, 2.88

 

CMYK 14 / 0 / 7 / 42

HEX #80958A

RGB 128 149 138

HSL 148.57, 0.09%, 0.54%

LAB 59.82, -9.72, 3.3

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 12 / 0 / 58

HEX #585D6A

RGB 88 93 106

HSL 223.33, 0.09%, 0.38%

LAB 39.49, 1.06, -8.07

 

CMYK 0 / 15 / 17 / 58

HEX #6A5A58

RGB 106 90 88

HSL 6.67, 0.09%, 0.38%

LAB 39.72, 6.14, 3.56

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 8 / 17 / 0 / 58

HEX #61586A

RGB 97 88 106

HSL 270, 0.09%, 0.38%

LAB 38.83, 7.47, -8.97

 

CMYK 0 / 8 / 17 / 58

HEX #6A6158

RGB 106 97 88

HSL 30, 0.09%, 0.38%

LAB 41.72, 1.91, 6.42

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 12 / 0 / 58

HEX #585D6A

RGB 88 93 106

HSL 223.33, 0.09%, 0.38%

LAB 39.49, 1.06, -8.07

 

CMYK 0 / 17 / 8 / 58

HEX #6A5861

RGB 106 88 97

HSL 330, 0.09%, 0.38%

LAB 39.42, 9.06, -2.43

 

CMYK 0 / 6 / 17 / 58

HEX #6A6458

RGB 106 100 88

HSL 40, 0.09%, 0.38%

LAB 42.59, 0.12, 7.66

 

CMYK 17 / 0 / 8 / 58

HEX #586A61

RGB 88 106 97

HSL 150, 0.09%, 0.38%

LAB 43.13, -8.76, 2.8

 

CMYK 17 / 17 / 0 / 58

HEX #58586A

RGB 88 88 106

HSL 240, 0.09%, 0.38%

LAB 38.01, 4.14, -10.29

 

CMYK 0 / 17 / 8 / 58

HEX #6A5861

RGB 106 88 97

HSL 330, 0.09%, 0.38%

LAB 39.42, 9.06, -2.43

 

CMYK 0 / 0 / 17 / 58

HEX #6A6A58

RGB 106 106 88

HSL 60, 0.09%, 0.38%

LAB 44.34, -3.42, 10.13

 

Description

Color code: HEX #586A61 | qconv.com Color code: HEX #586A61 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 106 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 106 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 8 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 8% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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