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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28F495 it is the complementary color #D70B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28F495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #28F495: #2DF490, #3EFFA3, #4FFFB6, #60FFC9 and #71FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28F495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #28F495: #28F495, #17E282, #06D06F, #00BE5C and #00AC49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

Complementary color

CMYK 0 / 95 / 51 / 16

HEX #D70B6A

RGB 215 11 106

HSL 332.06, 0.9%, 0.44%

LAB 46.61, 73.34, 4.55

 

CMYK 82 / 0 / 41 / 4

HEX #2DF490

RGB 45 244 144

HSL 149.85, 0.9%, 0.57%

LAB 85.64, -68.27, 35.25

 

CMYK 76 / 0 / 36 / 0

HEX #3EFFA3

RGB 62 255 163

HSL 151.4, 1%, 0.62%

LAB 89.48, -66.83, 30.9

 

CMYK 69 / 0 / 29 / 0

HEX #4FFFB6

RGB 79 255 182

HSL 155.11, 1%, 0.65%

LAB 90.12, -60.82, 22.21

 

CMYK 62 / 0 / 21 / 0

HEX #60FFC9

RGB 96 255 201

HSL 159.62, 1%, 0.69%

LAB 90.88, -54.06, 13.61

 

CMYK 56 / 0 / 14 / 0

HEX #71FFDC

RGB 113 255 220

HSL 165.21, 1%, 0.72%

LAB 91.77, -46.66, 5.15

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 90 / 0 / 42 / 11

HEX #17E282

RGB 23 226 130

HSL 151.63, 0.82%, 0.49%

LAB 79.72, -66.28, 34.46

 

CMYK 97 / 0 / 47 / 18

HEX #06D06F

RGB 6 208 111

HSL 151.19, 0.94%, 0.42%

LAB 73.74, -64.32, 36.25

 

CMYK 100 / 0 / 52 / 25

HEX #00BE5C

RGB 0 190 92

HSL 149.05, 1%, 0.37%

LAB 67.72, -61.78, 38.13

 

CMYK 100 / 0 / 58 / 33

HEX #00AC49

RGB 0 172 73

HSL 145.47, 1%, 0.34%

LAB 61.64, -58.85, 40.02

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 83 / 0 / 25 / 5

HEX #29F3B7

RGB 41 243 183

HSL 162.18, 0.89%, 0.56%

LAB 86, -60.31, 15.88

 

CMYK 83 / 0 / 11 / 5

HEX #29F3D8

RGB 41 243 216

HSL 171.98, 0.89%, 0.56%

LAB 86.77, -52.22, -0.23

 

CMYK 83 / 2 / 0 / 5

HEX #29EDF3

RGB 41 237 243

HSL 181.78, 0.89%, 0.56%

LAB 85.76, -42.19, -15.88

 

CMYK 83 / 16 / 0 / 5

HEX #29CBF3

RGB 41 203 243

HSL 191.88, 0.89%, 0.56%

LAB 75.86, -26.15, -30.94

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 83 / 0 / 40 / 84

HEX #072818

RGB 7 40 24

HSL 150.91, 0.7%, 0.09%

LAB 13.4, -16.77, 7.13

 

CMYK 84 / 0 / 38 / 64

HEX #0F5B38

RGB 15 91 56

HSL 152.37, 0.72%, 0.21%

LAB 33.71, -31.37, 14.01

 

CMYK 84 / 0 / 39 / 44

HEX #178E57

RGB 23 142 87

HSL 152.27, 0.72%, 0.32%

LAB 52.08, -44.4, 20.7

 

CMYK 83 / 0 / 39 / 24

HEX #20C176

RGB 32 193 118

HSL 152.05, 0.72%, 0.44%

LAB 69.29, -56.36, 26.91

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 83 / 61 / 0 / 5

HEX #295FF3

RGB 41 95 243

HSL 223.96, 0.89%, 0.56%

LAB 45.81, 36.74, -78.74

 

CMYK 0 / 72 / 83 / 5

HEX #F34429

RGB 243 68 41

HSL 8.02, 0.89%, 0.56%

LAB 55.43, 65.02, 53.87

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 39 / 83 / 0 / 5

HEX #9529F3

RGB 149 41 243

HSL 272.08, 0.89%, 0.56%

LAB 44.87, 75.66, -79.96

 

CMYK 0 / 39 / 83 / 5

HEX #F39529

RGB 243 149 41

HSL 32.08, 0.89%, 0.56%

LAB 69.97, 27.91, 66.54

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 83 / 61 / 0 / 5

HEX #295FF3

RGB 41 95 243

HSL 223.96, 0.89%, 0.56%

LAB 45.81, 36.74, -78.74

 

CMYK 0 / 83 / 44 / 5

HEX #F32988

RGB 243 41 136

HSL 331.78, 0.89%, 0.56%

LAB 54.47, 77.7, -1.61

 

CMYK 0 / 22 / 83 / 5

HEX #F3BD29

RGB 243 189 41

HSL 43.96, 0.89%, 0.56%

LAB 79.39, 6.9, 74.52

 

CMYK 84 / 0 / 39 / 4

HEX #28F495

RGB 40 244 149

HSL 152.06, 0.9%, 0.56%

LAB 85.67, -67.79, 32.78

 

CMYK 80 / 83 / 0 / 5

HEX #3029F3

RGB 48 41 243

HSL 242.08, 0.89%, 0.56%

LAB 35.37, 66.71, -95.95

 

CMYK 0 / 83 / 44 / 5

HEX #F32988

RGB 243 41 136

HSL 331.78, 0.89%, 0.56%

LAB 54.47, 77.7, -1.61

 

CMYK 2 / 0 / 83 / 5

HEX #EDF329

RGB 237 243 41

HSL 61.78, 0.89%, 0.56%

LAB 92.69, -22.68, 85.44

 

Description

Color code: HEX #28F495 | qconv.com Color code: HEX #28F495 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 244 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 244 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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