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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #289552 it is the complementary color #D76AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #289552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #289552: #2D954D, #3EA760, #4FB973, #60CB86 and #71DD99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #289552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #289552: #289552, #17833F, #06712C, #005F19 and #004D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

Complementary color

CMYK 0 / 51 / 20 / 16

HEX #D76AAD

RGB 215 106 173

HSL 323.12, 0.58%, 0.63%

LAB 59.68, 50.72, -15.96

 

CMYK 70 / 0 / 48 / 42

HEX #2D954D

RGB 45 149 77

HSL 138.46, 0.54%, 0.38%

LAB 54.65, -45.78, 29.55

 

CMYK 63 / 0 / 43 / 35

HEX #3EA760

RGB 62 167 96

HSL 139.43, 0.46%, 0.45%

LAB 61.23, -46.18, 28.01

 

CMYK 57 / 0 / 38 / 27

HEX #4FB973

RGB 79 185 115

HSL 140.38, 0.43%, 0.52%

LAB 67.72, -46.31, 26.58

 

CMYK 53 / 0 / 34 / 20

HEX #60CB86

RGB 96 203 134

HSL 141.31, 0.51%, 0.59%

LAB 74.14, -46.28, 25.26

 

CMYK 49 / 0 / 31 / 13

HEX #71DD99

RGB 113 221 153

HSL 142.22, 0.61%, 0.65%

LAB 80.47, -46.15, 24.04

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 82 / 0 / 52 / 49

HEX #17833F

RGB 23 131 63

HSL 142.22, 0.7%, 0.3%

LAB 47.97, -44.8, 28.51

 

CMYK 95 / 0 / 61 / 56

HEX #06712C

RGB 6 113 44

HSL 141.31, 0.9%, 0.23%

LAB 41.27, -43.05, 30.28

 

CMYK 100 / 0 / 74 / 63

HEX #005F19

RGB 0 95 25

HSL 135.79, 1%, 0.19%

LAB 34.51, -39.99, 31.89

 

CMYK 100 / 0 / 92 / 70

HEX #004D06

RGB 0 77 6

HSL 124.68, 1%, 0.15%

LAB 27.63, -35.75, 32.55

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 74 / 0 / 34 / 42

HEX #279563

RGB 39 149 99

HSL 152.73, 0.59%, 0.37%

LAB 54.89, -42.55, 17.84

 

CMYK 74 / 0 / 21 / 42

HEX #279576

RGB 39 149 118

HSL 163.09, 0.59%, 0.37%

LAB 55.31, -38.06, 7.69

 

CMYK 74 / 0 / 9 / 42

HEX #279588

RGB 39 149 136

HSL 172.91, 0.59%, 0.37%

LAB 55.79, -33.2, -1.91

 

CMYK 74 / 4 / 0 / 42

HEX #278F95

RGB 39 143 149

HSL 183.27, 0.59%, 0.37%

LAB 54.29, -26.4, -11.62

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 73 / 0 / 45 / 22

HEX #36C86E

RGB 54 200 110

HSL 143.01, 0.57%, 0.5%

LAB 71.7, -57.71, 34.25

 

CMYK 73 / 0 / 45 / 2

HEX #43FB8A

RGB 67 251 138

HSL 143.15, 0.96%, 0.62%

LAB 87.98, -69.17, 41.28

 

CMYK 72 / 0 / 45 / 82

HEX #0D2F1A

RGB 13 47 26

HSL 142.94, 0.57%, 0.12%

LAB 16.47, -18.3, 9.94

 

CMYK 73 / 0 / 45 / 62

HEX #1A6236

RGB 26 98 54

HSL 143.33, 0.58%, 0.24%

LAB 36.41, -32.97, 18.82

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 74 / 43 / 0 / 42

HEX #275595

RGB 39 85 149

HSL 214.91, 0.59%, 0.37%

LAB 36.17, 7.24, -39.74

 

CMYK 0 / 74 / 72 / 42

HEX #952729

RGB 149 39 41

HSL 358.91, 0.59%, 0.37%

LAB 33.98, 45.56, 26.25

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 46 / 74 / 0 / 42

HEX #512795

RGB 81 39 149

HSL 262.91, 0.59%, 0.37%

LAB 27.76, 43.76, -53.17

 

CMYK 0 / 46 / 74 / 42

HEX #955127

RGB 149 81 39

HSL 22.91, 0.59%, 0.37%

LAB 41.88, 24.89, 36.26

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 74 / 43 / 0 / 42

HEX #275595

RGB 39 85 149

HSL 214.91, 0.59%, 0.37%

LAB 36.17, 7.24, -39.74

 

CMYK 0 / 74 / 28 / 42

HEX #95276B

RGB 149 39 107

HSL 322.91, 0.59%, 0.37%

LAB 35.8, 51.51, -13.52

 

CMYK 0 / 31 / 74 / 42

HEX #956727

RGB 149 103 39

HSL 34.91, 0.59%, 0.37%

LAB 47.28, 12.27, 41.94

 

CMYK 73 / 0 / 45 / 42

HEX #289552

RGB 40 149 82

HSL 143.12, 0.58%, 0.37%

LAB 54.61, -45.79, 26.81

 

CMYK 74 / 65 / 0 / 42

HEX #273495

RGB 39 52 149

HSL 232.91, 0.59%, 0.37%

LAB 26.9, 29.46, -54.74

 

CMYK 0 / 74 / 28 / 42

HEX #95276B

RGB 149 39 107

HSL 322.91, 0.59%, 0.37%

LAB 35.8, 51.51, -13.52

 

CMYK 0 / 9 / 74 / 42

HEX #958827

RGB 149 136 39

HSL 52.91, 0.59%, 0.37%

LAB 56.23, -6.39, 50.86

 

Description

Color code: HEX #289552 | qconv.com Color code: HEX #289552 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 149 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 149 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 45 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 45% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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