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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287439 it is the complementary color #D78BC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #287439: #2D7434, #3E8647, #4F985A, #60AA6D and #71BC80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #287439: #287439, #176226, #065013, #003E00 and #002C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

Complementary color

CMYK 0 / 35 / 8 / 16

HEX #D78BC6

RGB 215 139 198

HSL 313.42, 0.49%, 0.69%

LAB 67.27, 37.73, -18.62

 

CMYK 61 / 0 / 55 / 55

HEX #2D7434

RGB 45 116 52

HSL 125.92, 0.44%, 0.32%

LAB 43.21, -36.56, 28.62

 

CMYK 54 / 0 / 47 / 47

HEX #3E8647

RGB 62 134 71

HSL 127.5, 0.37%, 0.38%

LAB 50.13, -36.69, 27.15

 

CMYK 48 / 0 / 41 / 40

HEX #4F985A

RGB 79 152 90

HSL 129.04, 0.32%, 0.45%

LAB 56.94, -36.6, 25.75

 

CMYK 44 / 0 / 36 / 33

HEX #60AA6D

RGB 96 170 109

HSL 130.54, 0.3%, 0.52%

LAB 63.62, -36.4, 24.45

 

CMYK 40 / 0 / 32 / 26

HEX #71BC80

RGB 113 188 128

HSL 132, 0.36%, 0.59%

LAB 70.2, -36.15, 23.23

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 77 / 0 / 61 / 62

HEX #176226

RGB 23 98 38

HSL 132, 0.62%, 0.24%

LAB 36.09, -36.32, 27.37

 

CMYK 93 / 0 / 76 / 69

HEX #065013

RGB 6 80 19

HSL 130.54, 0.86%, 0.17%

LAB 28.96, -34.72, 28.75

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 66 / 0 / 40 / 54

HEX #287546

RGB 40 117 70

HSL 143.38, 0.49%, 0.31%

LAB 43.68, -35.03, 19.18

 

CMYK 66 / 0 / 30 / 54

HEX #287552

RGB 40 117 82

HSL 152.73, 0.49%, 0.31%

LAB 43.92, -32.43, 12.53

 

CMYK 66 / 0 / 19 / 54

HEX #28755F

RGB 40 117 95

HSL 162.86, 0.49%, 0.31%

LAB 44.23, -29.21, 5.27

 

CMYK 66 / 0 / 8 / 54

HEX #28756C

RGB 40 117 108

HSL 172.99, 0.49%, 0.31%

LAB 44.6, -25.61, -1.96

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 65 / 0 / 51 / 35

HEX #3AA752

RGB 58 167 82

HSL 133.21, 0.48%, 0.44%

LAB 60.91, -49.32, 34.87

 

CMYK 66 / 0 / 51 / 15

HEX #4BDA6B

RGB 75 218 107

HSL 133.43, 0.66%, 0.57%

LAB 77.7, -61.08, 43.36

 

CMYK 64 / 0 / 50 / 95

HEX #050E07

RGB 5 14 7

HSL 133.33, 0.47%, 0.04%

LAB 3.27, -3.51, 1.95

 

CMYK 66 / 0 / 51 / 75

HEX #164120

RGB 22 65 32

HSL 133.95, 0.49%, 0.17%

LAB 23.85, -23.45, 15.78

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 66 / 27 / 0 / 54

HEX #285575

RGB 40 85 117

HSL 204.94, 0.49%, 0.31%

LAB 34.46, -4.64, -22.83

 

CMYK 0 / 66 / 54 / 54

HEX #752836

RGB 117 40 54

HSL 349.09, 0.49%, 0.31%

LAB 28.29, 34.96, 9.31

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 51 / 66 / 0 / 54

HEX #392875

RGB 57 40 117

HSL 253.25, 0.49%, 0.31%

LAB 22.56, 29.03, -41.72

 

CMYK 0 / 51 / 66 / 54

HEX #753928

RGB 117 57 40

HSL 13.25, 0.49%, 0.31%

LAB 31.49, 24.73, 22.51

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 66 / 27 / 0 / 54

HEX #285575

RGB 40 85 117

HSL 204.94, 0.49%, 0.31%

LAB 34.46, -4.64, -22.83

 

CMYK 0 / 66 / 15 / 54

HEX #752864

RGB 117 40 100

HSL 313.25, 0.49%, 0.31%

LAB 29.96, 41.01, -18.5

 

CMYK 0 / 38 / 66 / 54

HEX #754828

RGB 117 72 40

HSL 24.94, 0.49%, 0.31%

LAB 35.14, 15.89, 26.89

 

CMYK 66 / 0 / 51 / 55

HEX #287439

RGB 40 116 57

HSL 133.42, 0.49%, 0.31%

LAB 43.12, -36.99, 25.77

 

CMYK 66 / 47 / 0 / 54

HEX #283E75

RGB 40 62 117

HSL 222.86, 0.49%, 0.31%

LAB 27.24, 10.55, -34.23

 

CMYK 0 / 66 / 15 / 54

HEX #752864

RGB 117 40 100

HSL 313.25, 0.49%, 0.31%

LAB 29.96, 41.01, -18.5

 

CMYK 0 / 19 / 66 / 54

HEX #755F28

RGB 117 95 40

HSL 42.86, 0.49%, 0.31%

LAB 41.41, 2.07, 34.05

 

Description

Color code: HEX #287439 | qconv.com Color code: HEX #287439 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 116 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 116 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 51 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 51% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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