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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2866CA it is the complementary color #D79935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2866CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2866CA shade: #2D66C5, #3E78D8, #4F8AEB, #609CFE and #71AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2866CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2866CA shade: #2866CA, #1754B7, #0642A4, #003091 and #001E7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2866CA shade: #2865C8, #283AC8, #4128C8, #6C28C8 and #9728C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2866CA shade: #2865C8, #283AC8 and #2828C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2866CA shade matches the following richer shades: #2865C8, #1460DC and #015CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2866CA shade: #2865C8, #3B6AB5, #4E6EA1, #62738E and #75777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2866CA shade: #28BBC8, #2890C8, #2865C8, #283AC8 and #4028C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2866CA shade: #1A4283, #2154A6, #2865C8, #407AD9 and #6292E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2866CA shade: #2866CA, #AB28C8 and #A5C828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2866CA shade: #2866CA, #C82865 and #65C828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2866CA shade: #2866CA, #AB28C8, #C88B28 and #45C828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2866CA shade: #2866CA, #C828B5, #C88B28 and #28C83A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

Complementary color

CMYK 0 / 29 / 75 / 16

HEX #D79935

RGB 215 153 53

HSL 37.04, 0.67%, 0.53%

LAB 67.64, 14.36, 58.76

 

CMYK 77 / 48 / 0 / 23

HEX #2D66C5

RGB 45 102 197

HSL 217.5, 0.63%, 0.47%

LAB 44.36, 15.38, -54.92

 

CMYK 71 / 44 / 0 / 15

HEX #3E78D8

RGB 62 120 216

HSL 217.4, 0.66%, 0.55%

LAB 51.17, 13.22, -54.81

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 62 / 39 / 0 / 0

HEX #609CFE

RGB 96 156 254

HSL 217.22, 0.99%, 0.69%

LAB 64.5, 10.04, -54.57

 

CMYK 56 / 32 / 0 / 0

HEX #71AEFF

RGB 113 174 255

HSL 214.23, 1%, 0.72%

LAB 70.18, 3.23, -46.09

 

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

CMYK 87 / 54 / 0 / 28

HEX #1754B7

RGB 23 84 183

HSL 217.13, 0.78%, 0.4%

LAB 37.74, 19.7, -57.51

 

CMYK 96 / 60 / 0 / 36

HEX #0642A4

RGB 6 66 164

HSL 217.22, 0.93%, 0.33%

LAB 30.92, 23.32, -57.33

 

CMYK 100 / 67 / 0 / 43

HEX #003091

RGB 0 48 145

HSL 220.14, 1%, 0.28%

LAB 24.19, 27.7, -56.77

 

CMYK 100 / 76 / 0 / 51

HEX #001E7E

RGB 0 30 126

HSL 225.71, 1%, 0.25%

LAB 17.62, 32.27, -55.69

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 80 / 71 / 0 / 22

HEX #283AC8

RGB 40 58 200

HSL 233.25, 0.67%, 0.47%

LAB 33.24, 44.15, -74.82

 

CMYK 68 / 80 / 0 / 22

HEX #4128C8

RGB 65 40 200

HSL 249.38, 0.67%, 0.47%

LAB 31.37, 55.8, -77.85

 

CMYK 46 / 80 / 0 / 22

HEX #6C28C8

RGB 108 40 200

HSL 265.5, 0.67%, 0.47%

LAB 35.74, 60.7, -70.49

 

CMYK 25 / 80 / 0 / 22

HEX #9728C8

RGB 151 40 200

HSL 281.63, 0.67%, 0.47%

LAB 41.64, 67.36, -60.63

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 80 / 71 / 0 / 22

HEX #283AC8

RGB 40 58 200

HSL 233.25, 0.67%, 0.47%

LAB 33.24, 44.15, -74.82

 

CMYK 80 / 80 / 0 / 22

HEX #2828C8

RGB 40 40 200

HSL 240, 0.67%, 0.47%

LAB 29.76, 54, -80.57

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 91 / 56 / 0 / 14

HEX #1460DC

RGB 20 96 220

HSL 217.2, 0.83%, 0.47%

LAB 43.77, 26.21, -69.09

 

CMYK 100 / 62 / 0 / 6

HEX #015CEF

RGB 1 92 239

HSL 217.06, 0.99%, 0.47%

LAB 44.08, 35.53, -79.35

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 67 / 41 / 0 / 29

HEX #3B6AB5

RGB 59 106 181

HSL 216.89, 0.51%, 0.47%

LAB 45.05, 8.85, -44.52

 

CMYK 52 / 32 / 0 / 37

HEX #4E6EA1

RGB 78 110 161

HSL 216.87, 0.35%, 0.47%

LAB 46.1, 3.42, -31.07

 

CMYK 31 / 19 / 0 / 44

HEX #62738E

RGB 98 115 142

HSL 216.82, 0.18%, 0.47%

LAB 48.02, 0.41, -16.79

 

CMYK 5 / 3 / 0 / 52

HEX #75777B

RGB 117 119 123

HSL 220, 0.03%, 0.47%

LAB 49.98, 0.08, -2.46

 

CMYK 80 / 7 / 0 / 22

HEX #28BBC8

RGB 40 187 200

HSL 184.88, 0.67%, 0.47%

LAB 69.58, -32.02, -17.19

 

CMYK 80 / 28 / 0 / 22

HEX #2890C8

RGB 40 144 200

HSL 201, 0.67%, 0.47%

LAB 56.65, -9.58, -37.11

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 80 / 71 / 0 / 22

HEX #283AC8

RGB 40 58 200

HSL 233.25, 0.67%, 0.47%

LAB 33.24, 44.15, -74.82

 

CMYK 68 / 80 / 0 / 22

HEX #4028C8

RGB 64 40 200

HSL 249, 0.67%, 0.47%

LAB 31.3, 55.71, -77.98

 

CMYK 80 / 50 / 0 / 49

HEX #1A4283

RGB 26 66 131

HSL 217.14, 0.67%, 0.31%

LAB 28.79, 11.13, -40.57

 

CMYK 80 / 49 / 0 / 35

HEX #2154A6

RGB 33 84 166

HSL 216.99, 0.67%, 0.39%

LAB 36.78, 13.8, -48.99

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 71 / 44 / 0 / 15

HEX #407AD9

RGB 64 122 217

HSL 217.25, 0.67%, 0.55%

LAB 51.86, 12.62, -54.27

 

CMYK 56 / 35 / 0 / 12

HEX #6292E0

RGB 98 146 224

HSL 217.14, 0.67%, 0.63%

LAB 60.37, 6.53, -44.57

 

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

CMYK 15 / 80 / 0 / 22

HEX #AB28C8

RGB 171 40 200

HSL 289.13, 0.67%, 0.47%

LAB 44.72, 70.86, -55.48

 

CMYK 18 / 0 / 80 / 22

HEX #A5C828

RGB 165 200 40

HSL 73.13, 0.67%, 0.47%

LAB 75.74, -31.81, 69.07

 

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

CMYK 0 / 80 / 50 / 22

HEX #C82865

RGB 200 40 101

HSL 337.13, 0.67%, 0.47%

LAB 45.27, 64.29, 5.33

 

CMYK 50 / 0 / 80 / 22

HEX #65C828

RGB 101 200 40

HSL 97.13, 0.67%, 0.47%

LAB 72.38, -54.7, 64.77

 

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

CMYK 15 / 80 / 0 / 22

HEX #AB28C8

RGB 171 40 200

HSL 289.13, 0.67%, 0.47%

LAB 44.72, 70.86, -55.48

 

CMYK 0 / 31 / 80 / 22

HEX #C88B28

RGB 200 139 40

HSL 37.13, 0.67%, 0.47%

LAB 62.42, 14.94, 58.23

 

CMYK 66 / 0 / 80 / 22

HEX #45C828

RGB 69 200 40

HSL 109.13, 0.67%, 0.47%

LAB 71.37, -62.81, 63.46

 

CMYK 80 / 50 / 0 / 21

HEX #2866CA

RGB 40 102 202

HSL 217.04, 0.67%, 0.47%

LAB 44.54, 16.75, -57.52

 

CMYK 0 / 80 / 10 / 22

HEX #C828B5

RGB 200 40 181

HSL 307.13, 0.67%, 0.47%

LAB 48.43, 73.43, -38.21

 

CMYK 0 / 31 / 80 / 22

HEX #C88B28

RGB 200 139 40

HSL 37.13, 0.67%, 0.47%

LAB 62.42, 14.94, 58.23

 

CMYK 80 / 0 / 71 / 22

HEX #28C83A

RGB 40 200 58

HSL 126.75, 0.67%, 0.47%

LAB 70.92, -66.28, 56.86

 

Description

Color code: HEX #2866CA | qconv.com Color code: HEX #2866CA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 102 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 102 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 50 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 50% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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