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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F8AEB it is the complementary color #B07514. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F8AEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F8AEB shade: #548AE6, #659CF9, #76AEFF, #87C0FF and #98D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F8AEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F8AEB shade: #4F8AEB, #3E78D8, #2D66C5, #1C54B2 and #0B429F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F8AEB shade: #518BEC, #5161EC, #6A51EC, #9351EC and #BD51EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F8AEB shade: #518BEC, #5161EC and #5151EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F8AEB shade matches the following richer shades: #518BEC and #4187FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F8AEB shade: #518BEC, #608FDC, #7093CC, #8097BD and #8F9AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F8AEB shade: #51DFEC, #51B5EC, #518CEC, #5163EC and #6851EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F8AEB shade: #175ED2, #2B73E7, #518BEC, #76A4F0 and #9BBDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F8AEB shade: #4F8AEB, #CF51EC and #CAEC51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F8AEB shade: #4F8AEB, #EC518C and #8CEC51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F8AEB shade: #4F8AEB, #CF51EC, #ECB051 and #6DEC51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F8AEB shade: #4F8AEB, #EC51DA, #ECB051 and #51EC63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

Complementary color

CMYK 0 / 34 / 89 / 31

HEX #B07514

RGB 176 117 20

HSL 37.31, 0.8%, 0.38%

LAB 54.03, 15.89, 56.41

 

CMYK 63 / 40 / 0 / 10

HEX #548AE6

RGB 84 138 230

HSL 217.81, 0.74%, 0.62%

LAB 57.82, 10.59, -51.99

 

CMYK 59 / 37 / 0 / 2

HEX #659CF9

RGB 101 156 249

HSL 217.7, 0.93%, 0.69%

LAB 64.47, 9.31, -51.87

 

CMYK 54 / 32 / 0 / 0

HEX #76AEFF

RGB 118 174 255

HSL 215.47, 1%, 0.73%

LAB 70.42, 4.25, -45.7

 

CMYK 47 / 25 / 0 / 0

HEX #87C0FF

RGB 135 192 255

HSL 211.5, 1%, 0.76%

LAB 76.11, -1.95, -36.75

 

CMYK 40 / 18 / 0 / 0

HEX #98D2FF

RGB 152 210 255

HSL 206.21, 1%, 0.8%

LAB 81.83, -7.46, -27.87

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 71 / 44 / 0 / 15

HEX #3E78D8

RGB 62 120 216

HSL 217.4, 0.66%, 0.55%

LAB 51.17, 13.22, -54.81

 

CMYK 77 / 48 / 0 / 23

HEX #2D66C5

RGB 45 102 197

HSL 217.5, 0.63%, 0.47%

LAB 44.36, 15.38, -54.92

 

CMYK 84 / 53 / 0 / 30

HEX #1C54B2

RGB 28 84 178

HSL 217.6, 0.73%, 0.4%

LAB 37.48, 18.08, -54.97

 

CMYK 93 / 58 / 0 / 38

HEX #0B429F

RGB 11 66 159

HSL 217.7, 0.87%, 0.33%

LAB 30.57, 21.49, -54.87

 

CMYK 66 / 41 / 0 / 7

HEX #518BEC

RGB 81 139 236

HSL 217.55, 0.8%, 0.62%

LAB 58.29, 11.54, -54.58

 

CMYK 66 / 59 / 0 / 7

HEX #5161EC

RGB 81 97 236

HSL 233.81, 0.8%, 0.62%

LAB 47.44, 37.28, -72.08

 

CMYK 55 / 66 / 0 / 7

HEX #6A51EC

RGB 106 81 236

HSL 249.68, 0.8%, 0.62%

LAB 45.64, 50.45, -74.93

 

CMYK 38 / 66 / 0 / 7

HEX #9351EC

RGB 147 81 236

HSL 265.55, 0.8%, 0.62%

LAB 49.67, 57.81, -68.2

 

CMYK 20 / 66 / 0 / 7

HEX #BD51EC

RGB 189 81 236

HSL 281.81, 0.8%, 0.62%

LAB 54.82, 66.49, -59.62

 

CMYK 66 / 41 / 0 / 7

HEX #518BEC

RGB 81 139 236

HSL 217.55, 0.8%, 0.62%

LAB 58.29, 11.54, -54.58

 

CMYK 66 / 59 / 0 / 7

HEX #5161EC

RGB 81 97 236

HSL 233.81, 0.8%, 0.62%

LAB 47.44, 37.28, -72.08

 

CMYK 66 / 66 / 0 / 7

HEX #5151EC

RGB 81 81 236

HSL 240, 0.8%, 0.62%

LAB 43.79, 46.84, -78.04

 

CMYK 66 / 41 / 0 / 7

HEX #518BEC

RGB 81 139 236

HSL 217.55, 0.8%, 0.62%

LAB 58.29, 11.54, -54.58

 

CMYK 74 / 46 / 0 / 2

HEX #4187FB

RGB 65 135 251

HSL 217.42, 0.96%, 0.62%

LAB 57.48, 16.98, -64.21

 

CMYK 66 / 41 / 0 / 7

HEX #518BEC

RGB 81 139 236

HSL 217.55, 0.8%, 0.62%

LAB 58.29, 11.54, -54.58

 

CMYK 56 / 35 / 0 / 14

HEX #608FDC

RGB 96 143 220

HSL 217.26, 0.64%, 0.62%

LAB 59.25, 6.61, -44.12

 

CMYK 45 / 28 / 0 / 20

HEX #7093CC

RGB 112 147 204

HSL 217.17, 0.47%, 0.62%

LAB 60.49, 3.05, -33.16

 

CMYK 32 / 20 / 0 / 26

HEX #8097BD

RGB 128 151 189

HSL 217.38, 0.32%, 0.62%

LAB 61.99, 1.02, -22.33

 

CMYK 17 / 11 / 0 / 32

HEX #8F9AAD

RGB 143 154 173

HSL 218, 0.15%, 0.62%

LAB 63.32, 0.16, -11.23

 

CMYK 66 / 6 / 0 / 7

HEX #51DFEC

RGB 81 223 236

HSL 185.03, 0.8%, 0.62%

LAB 82.15, -33.6, -17.55

 

CMYK 66 / 23 / 0 / 7

HEX #51B5EC

RGB 81 181 236

HSL 201.29, 0.8%, 0.62%

LAB 70.07, -12.43, -36.04

 

CMYK 66 / 41 / 0 / 7

HEX #518CEC

RGB 81 140 236

HSL 217.16, 0.8%, 0.62%

LAB 58.57, 10.94, -54.15

 

CMYK 66 / 58 / 0 / 7

HEX #5163EC

RGB 81 99 236

HSL 233.03, 0.8%, 0.62%

LAB 47.92, 36.05, -71.3

 

CMYK 56 / 66 / 0 / 7

HEX #6851EC

RGB 104 81 236

HSL 248.9, 0.8%, 0.62%

LAB 45.47, 50.13, -75.21

 

CMYK 89 / 55 / 0 / 18

HEX #175ED2

RGB 23 94 210

HSL 217.22, 0.8%, 0.46%

LAB 42.52, 23.76, -65.41

 

CMYK 81 / 50 / 0 / 9

HEX #2B73E7

RGB 43 115 231

HSL 217.02, 0.8%, 0.54%

LAB 50.15, 19.76, -64.94

 

CMYK 66 / 41 / 0 / 7

HEX #518BEC

RGB 81 139 236

HSL 217.55, 0.8%, 0.62%

LAB 58.29, 11.54, -54.58

 

CMYK 51 / 32 / 0 / 6

HEX #76A4F0

RGB 118 164 240

HSL 217.38, 0.8%, 0.7%

LAB 67.05, 5.39, -42.83

 

CMYK 36 / 23 / 0 / 4

HEX #9BBDF4

RGB 155 189 244

HSL 217.08, 0.8%, 0.78%

LAB 76.01, 1.72, -30.92

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 12 / 66 / 0 / 7

HEX #CF51EC

RGB 207 81 236

HSL 288.77, 0.8%, 0.62%

LAB 57.28, 70.4, -55.56

 

CMYK 14 / 0 / 66 / 7

HEX #CAEC51

RGB 202 236 81

HSL 73.16, 0.8%, 0.62%

LAB 88.52, -31.74, 68.52

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 0 / 66 / 41 / 7

HEX #EC518C

RGB 236 81 140

HSL 337.16, 0.8%, 0.62%

LAB 57.67, 64.12, 0.55

 

CMYK 41 / 0 / 66 / 7

HEX #8CEC51

RGB 140 236 81

HSL 97.16, 0.8%, 0.62%

LAB 85.08, -53.95, 63.85

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 12 / 66 / 0 / 7

HEX #CF51EC

RGB 207 81 236

HSL 288.77, 0.8%, 0.62%

LAB 57.28, 70.4, -55.56

 

CMYK 0 / 25 / 66 / 7

HEX #ECB051

RGB 236 176 81

HSL 36.77, 0.8%, 0.62%

LAB 75.75, 12.43, 55.78

 

CMYK 54 / 0 / 66 / 7

HEX #6DEC51

RGB 109 236 81

HSL 109.16, 0.8%, 0.62%

LAB 83.88, -62.87, 62.21

 

CMYK 66 / 41 / 0 / 8

HEX #4F8AEB

RGB 79 138 235

HSL 217.31, 0.8%, 0.62%

LAB 57.88, 11.47, -54.69

 

CMYK 0 / 66 / 8 / 7

HEX #EC51DA

RGB 236 81 218

HSL 306.97, 0.8%, 0.62%

LAB 60.59, 74.02, -39.94

 

CMYK 0 / 25 / 66 / 7

HEX #ECB051

RGB 236 176 81

HSL 36.77, 0.8%, 0.62%

LAB 75.75, 12.43, 55.78

 

CMYK 66 / 0 / 58 / 7

HEX #51EC63

RGB 81 236 99

HSL 126.97, 0.8%, 0.62%

LAB 83.25, -67.26, 53.74

 

Description

Color code: HEX #4F8AEB | qconv.com Color code: HEX #4F8AEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 138 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 138 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 41 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 41% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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