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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2841FF it is the complementary color #D7BE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2841FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2841FF: #2D41FA, #3E53FF, #4F65FF, #6077FF and #7189FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2841FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2841FF: #2841FF, #172FEC, #061DD9, #000BC6 and #0000B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

Complementary color

CMYK 0 / 12 / 100 / 16

HEX #D7BE00

RGB 215 190 0

HSL 53.02, 1%, 0.42%

LAB 76.84, -6.39, 78.28

 

CMYK 82 / 74 / 0 / 2

HEX #2D41FA

RGB 45 65 250

HSL 234.15, 0.95%, 0.58%

LAB 39.98, 57.21, -92.24

 

CMYK 76 / 67 / 0 / 0

HEX #3E53FF

RGB 62 83 255

HSL 233.47, 1%, 0.62%

LAB 44.84, 49.9, -86.99

 

CMYK 69 / 60 / 0 / 0

HEX #4F65FF

RGB 79 101 255

HSL 232.5, 1%, 0.65%

LAB 49.73, 40.98, -78.96

 

CMYK 62 / 53 / 0 / 0

HEX #6077FF

RGB 96 119 255

HSL 231.32, 1%, 0.69%

LAB 54.97, 32.51, -70.39

 

CMYK 56 / 46 / 0 / 0

HEX #7189FF

RGB 113 137 255

HSL 229.86, 1%, 0.72%

LAB 60.45, 24.75, -61.53

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 90 / 80 / 0 / 7

HEX #172FEC

RGB 23 47 236

HSL 233.24, 0.85%, 0.51%

LAB 34.54, 61.13, -93.39

 

CMYK 97 / 87 / 0 / 15

HEX #061DD9

RGB 6 29 217

HSL 233.46, 0.95%, 0.44%

LAB 29.23, 62.92, -91.37

 

CMYK 100 / 94 / 0 / 22

HEX #000BC6

RGB 0 11 198

HSL 236.67, 1%, 0.39%

LAB 24.69, 63.08, -87.87

 

CMYK 100 / 100 / 0 / 30

HEX #0000B3

RGB 0 0 179

HSL 240, 1%, 0.35%

LAB 21.04, 60.72, -82.71

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 80 / 84 / 0 / 0

HEX #3328FF

RGB 51 40 255

HSL 243.07, 1%, 0.58%

LAB 36.82, 70.58, -100.29

 

CMYK 66 / 84 / 0 / 0

HEX #5728FF

RGB 87 40 255

HSL 253.12, 1%, 0.58%

LAB 39.18, 72.55, -96.3

 

CMYK 52 / 84 / 0 / 0

HEX #7A28FF

RGB 122 40 255

HSL 262.88, 1%, 0.58%

LAB 42.57, 75.54, -90.57

 

CMYK 38 / 84 / 0 / 0

HEX #9E28FF

RGB 158 40 255

HSL 272.93, 1%, 0.58%

LAB 46.98, 79.62, -83.16

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 84 / 75 / 0 / 80

HEX #080D33

RGB 8 13 51

HSL 233.02, 0.73%, 0.12%

LAB 5.23, 11.95, -25.12

 

CMYK 84 / 75 / 0 / 60

HEX #101A66

RGB 16 26 102

HSL 233.02, 0.73%, 0.23%

LAB 14.45, 26.45, -45.38

 

CMYK 84 / 75 / 0 / 40

HEX #182799

RGB 24 39 153

HSL 233.02, 0.73%, 0.35%

LAB 23.49, 37.88, -62.83

 

CMYK 84 / 75 / 0 / 20

HEX #2034CC

RGB 32 52 204

HSL 233.02, 0.73%, 0.46%

LAB 32.08, 48.51, -79.06

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 0 / 84 / 7 / 0

HEX #FF28ED

RGB 255 40 237

HSL 305.02, 1%, 0.58%

LAB 60.69, 91.8, -50.24

 

CMYK 41 / 0 / 84 / 0

HEX #97FF28

RGB 151 255 40

HSL 89.02, 1%, 0.58%

LAB 90.9, -60.09, 82.09

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 0 / 84 / 75 / 0

HEX #FF2841

RGB 255 40 65

HSL 353.02, 1%, 0.58%

LAB 55.24, 76.65, 41.92

 

CMYK 75 / 0 / 84 / 0

HEX #41FF28

RGB 65 255 40

HSL 113.02, 1%, 0.58%

LAB 88.35, -80.4, 78.88

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 0 / 84 / 7 / 0

HEX #FF28ED

RGB 255 40 237

HSL 305.02, 1%, 0.58%

LAB 60.69, 91.8, -50.24

 

CMYK 0 / 10 / 84 / 0

HEX #FFE628

RGB 255 230 40

HSL 53.02, 1%, 0.58%

LAB 90.78, -8.91, 84.68

 

CMYK 84 / 0 / 77 / 0

HEX #28FF3A

RGB 40 255 58

HSL 125.02, 1%, 0.58%

LAB 88.1, -82.32, 73.98

 

CMYK 84 / 75 / 0 / 0

HEX #2841FF

RGB 40 65 255

HSL 233.02, 1%, 0.58%

LAB 40.33, 58.58, -94.47

 

CMYK 0 / 84 / 33 / 0

HEX #FF28AC

RGB 255 40 172

HSL 323.16, 1%, 0.58%

LAB 57.8, 84, -17.64

 

CMYK 0 / 10 / 84 / 0

HEX #FFE628

RGB 255 230 40

HSL 53.02, 1%, 0.58%

LAB 90.78, -8.91, 84.68

 

CMYK 84 / 0 / 52 / 0

HEX #28FF7A

RGB 40 255 122

HSL 142.88, 1%, 0.58%

LAB 88.63, -75.82, 49.59

 

Description

Color code: HEX #2841FF | qconv.com Color code: HEX #2841FF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 65 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 65 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 75 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 75% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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