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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A8C3 it is the complementary color #D8573C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A8C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #27A8C3: #2CA8BE, #3DBAD1, #4ECCE4, #5FDEF7 and #70F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A8C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #27A8C3: #27A8C3, #1696B0, #05849D, #00728A and #006077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

Complementary color

CMYK 0 / 60 / 72 / 15

HEX #D8573C

RGB 216 87 60

HSL 10.38, 0.67%, 0.54%

LAB 53.75, 49.14, 41.08

 

CMYK 77 / 12 / 0 / 25

HEX #2CA8BE

RGB 44 168 190

HSL 189.04, 0.62%, 0.46%

LAB 63.56, -25.42, -20.81

 

CMYK 71 / 11 / 0 / 18

HEX #3DBAD1

RGB 61 186 209

HSL 189.32, 0.62%, 0.53%

LAB 69.97, -26.44, -21.5

 

CMYK 66 / 11 / 0 / 11

HEX #4ECCE4

RGB 78 204 228

HSL 189.6, 0.74%, 0.6%

LAB 76.32, -27.21, -22.11

 

CMYK 62 / 10 / 0 / 3

HEX #5FDEF7

RGB 95 222 247

HSL 189.87, 0.9%, 0.67%

LAB 82.59, -27.81, -22.68

 

CMYK 56 / 6 / 0 / 0

HEX #70F0FF

RGB 112 240 255

HSL 186.29, 1%, 0.72%

LAB 88.44, -31.28, -17.99

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 88 / 15 / 0 / 31

HEX #1696B0

RGB 22 150 176

HSL 190.13, 0.78%, 0.39%

LAB 57.19, -22.74, -22.69

 

CMYK 97 / 16 / 0 / 38

HEX #05849D

RGB 5 132 157

HSL 189.87, 0.94%, 0.32%

LAB 50.65, -20.74, -21.83

 

CMYK 100 / 17 / 0 / 46

HEX #00728A

RGB 0 114 138

HSL 190.43, 1%, 0.27%

LAB 44.05, -18.11, -20.81

NCS® S3060-B10G

CMYK 100 / 19 / 0 / 53

HEX #006077

RGB 0 96 119

HSL 191.6, 1%, 0.23%

LAB 37.29, -15.14, -19.74

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 81 / 27 / 0 / 24

HEX #268FC3

RGB 38 143 195

HSL 199.87, 0.67%, 0.46%

LAB 56.08, -10.99, -35.17

 

CMYK 81 / 40 / 0 / 24

HEX #2675C3

RGB 38 117 195

HSL 209.81, 0.67%, 0.46%

LAB 48.35, 4.38, -47.38

 

CMYK 81 / 53 / 0 / 24

HEX #265BC3

RGB 38 91 195

HSL 219.75, 0.67%, 0.46%

LAB 40.95, 21.01, -59.29

 

CMYK 81 / 67 / 0 / 24

HEX #2640C3

RGB 38 64 195

HSL 230.06, 0.67%, 0.46%

LAB 34.02, 38.54, -70.6

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 80 / 14 / 0 / 4

HEX #31D4F6

RGB 49 212 246

HSL 190.36, 0.92%, 0.58%

LAB 78.69, -29, -28.19

 

CMYK 81 / 14 / 0 / 84

HEX #08242A

RGB 8 36 42

HSL 190.59, 0.68%, 0.1%

LAB 12.48, -8.02, -7.09

 

CMYK 80 / 14 / 0 / 64

HEX #13505D

RGB 19 80 93

HSL 190.54, 0.66%, 0.22%

LAB 31.03, -13.99, -13.1

 

CMYK 80 / 14 / 0 / 44

HEX #1D7C90

RGB 29 124 144

HSL 190.43, 0.66%, 0.34%

LAB 47.87, -19.35, -18.47

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 51 / 81 / 0 / 24

HEX #6026C3

RGB 96 38 195

HSL 262.17, 0.67%, 0.46%

LAB 33.59, 58.64, -71.16

 

CMYK 0 / 18 / 81 / 24

HEX #C39F26

RGB 195 159 38

HSL 46.24, 0.67%, 0.46%

LAB 66.93, 1.79, 62.75

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 0 / 81 / 13 / 24

HEX #C326A9

RGB 195 38 169

HSL 309.94, 0.67%, 0.46%

LAB 46.78, 71.18, -33.79

 

CMYK 13 / 0 / 81 / 24

HEX #A9C326

RGB 169 195 38

HSL 69.94, 0.67%, 0.46%

LAB 74.58, -27.89, 68.68

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 51 / 81 / 0 / 24

HEX #6026C3

RGB 96 38 195

HSL 262.17, 0.67%, 0.46%

LAB 33.59, 58.64, -71.16

 

CMYK 0 / 67 / 81 / 24

HEX #C34026

RGB 195 64 38

HSL 9.94, 0.67%, 0.46%

LAB 46.19, 50.97, 43.59

 

CMYK 29 / 0 / 81 / 24

HEX #8AC326

RGB 138 195 38

HSL 81.78, 0.67%, 0.46%

LAB 72.61, -40.2, 66.18

 

CMYK 80 / 14 / 0 / 24

HEX #27A8C3

RGB 39 168 195

HSL 190.38, 0.67%, 0.46%

LAB 63.65, -24.3, -23.46

 

CMYK 27 / 81 / 0 / 24

HEX #8F26C3

RGB 143 38 195

HSL 280.13, 0.67%, 0.46%

LAB 39.86, 65.62, -60.65

 

CMYK 0 / 67 / 81 / 24

HEX #C34026

RGB 195 64 38

HSL 9.94, 0.67%, 0.46%

LAB 46.19, 50.97, 43.59

 

CMYK 53 / 0 / 81 / 24

HEX #5BC326

RGB 91 195 38

HSL 99.75, 0.67%, 0.46%

LAB 70.45, -55.82, 63.41

 

Description

Color code: HEX #27A8C3 | qconv.com Color code: HEX #27A8C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 168 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 168 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 14 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 14% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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