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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27A231 it is the complementary color #D85DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27A231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27A231 shade: #2CA22C, #3DB43F, #4EC652, #5FD865 and #70EA78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27A231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27A231 shade: #27A231, #16901E, #057E0B, #006C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27A231 shade: #27A031, #3EA027, #5EA027, #7FA027 and #A0A027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27A231 shade: #27A031, #27A051, #27A072, #27A093 and #278DA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27A231 shade matches the following richer shades: #27A031, #17B023 and #07C016

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27A231 shade: #27A031, #37903E, #47804C, #577059 and #676067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27A231 shade: #5FA027, #3FA027, #27A02F, #27A04F and #27A070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27A231 shade: #175E1C, #1F7F27, #27A031, #2FC13B and #47D252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27A231 shade: #27A231, #2780A0 and #A0274F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27A231 shade: #27A231, #2F27A0 and #A02F27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27A231 shade: #27A231, #2780A0, #A02798 and #A04727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27A231 shade: #27A231, #275BA0, #A02798 and #A06C27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

Complementary color

CMYK 0 / 57 / 5 / 15

HEX #D85DCE

RGB 216 93 206

HSL 304.88, 0.61%, 0.61%

LAB 58.87, 62.24, -36.06

 

CMYK 73 / 0 / 73 / 36

HEX #2CA22C

RGB 44 162 44

HSL 120, 0.57%, 0.4%

LAB 58.56, -54.76, 49.4

 

CMYK 66 / 0 / 65 / 29

HEX #3DB43F

RGB 61 180 63

HSL 121.01, 0.49%, 0.47%

LAB 64.96, -55.87, 48.59

 

CMYK 61 / 0 / 59 / 22

HEX #4EC652

RGB 78 198 82

HSL 122, 0.51%, 0.54%

LAB 71.29, -56.51, 47.45

 

CMYK 56 / 0 / 53 / 15

HEX #5FD865

RGB 95 216 101

HSL 122.98, 0.61%, 0.61%

LAB 77.57, -56.85, 46.19

 

CMYK 52 / 0 / 49 / 8

HEX #70EA78

RGB 112 234 120

HSL 123.93, 0.74%, 0.68%

LAB 83.78, -56.98, 44.9

 

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

CMYK 85 / 0 / 79 / 44

HEX #16901E

RGB 22 144 30

HSL 123.93, 0.73%, 0.33%

LAB 52.07, -53.22, 47.85

 

CMYK 96 / 0 / 91 / 51

HEX #057E0B

RGB 5 126 11

HSL 122.98, 0.92%, 0.26%

LAB 45.6, -50.28, 47.13

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 61 / 0 / 76 / 37

HEX #3EA027

RGB 62 160 39

HSL 108.6, 0.61%, 0.39%

LAB 58.33, -50.66, 51.17

 

CMYK 41 / 0 / 76 / 37

HEX #5EA027

RGB 94 160 39

HSL 92.73, 0.61%, 0.39%

LAB 59.59, -41.07, 52.83

 

CMYK 21 / 0 / 76 / 37

HEX #7FA027

RGB 127 160 39

HSL 76.36, 0.61%, 0.39%

LAB 61.48, -28.43, 55.31

 

CMYK 0 / 0 / 76 / 37

HEX #A0A027

RGB 160 160 39

HSL 60, 0.61%, 0.39%

LAB 63.97, -14.25, 58.54

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 76 / 0 / 49 / 37

HEX #27A051

RGB 39 160 81

HSL 140.83, 0.61%, 0.39%

LAB 58.2, -50.25, 31.9

 

CMYK 76 / 0 / 29 / 37

HEX #27A072

RGB 39 160 114

HSL 157.19, 0.61%, 0.39%

LAB 58.78, -43.7, 14.82

 

CMYK 76 / 0 / 8 / 37

HEX #27A093

RGB 39 160 147

HSL 173.55, 0.61%, 0.39%

LAB 59.6, -35.18, -2.58

 

CMYK 76 / 12 / 0 / 37

HEX #278DA0

RGB 39 141 160

HSL 189.42, 0.61%, 0.39%

LAB 54.05, -21.84, -18.32

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 87 / 0 / 80 / 31

HEX #17B023

RGB 23 176 35

HSL 124.71, 0.77%, 0.39%

LAB 62.81, -62.56, 56.56

 

CMYK 96 / 0 / 89 / 25

HEX #07C016

RGB 7 192 22

HSL 124.86, 0.93%, 0.39%

LAB 67.87, -68.75, 64.3

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 62 / 0 / 57 / 44

HEX #37903E

RGB 55 144 62

HSL 124.72, 0.45%, 0.39%

LAB 53.07, -43.98, 35.39

 

CMYK 45 / 0 / 41 / 50

HEX #47804C

RGB 71 128 76

HSL 125.26, 0.29%, 0.39%

LAB 48.64, -30.43, 22.54

 

CMYK 22 / 0 / 21 / 56

HEX #577059

RGB 87 112 89

HSL 124.8, 0.13%, 0.39%

LAB 44.71, -14.19, 9.83

 

CMYK 0 / 7 / 0 / 60

HEX #676067

RGB 103 96 103

HSL 300, 0.04%, 0.39%

LAB 41.58, 4.21, -2.97

 

CMYK 41 / 0 / 76 / 37

HEX #5FA027

RGB 95 160 39

HSL 92.23, 0.61%, 0.39%

LAB 59.64, -40.72, 52.89

 

CMYK 61 / 0 / 76 / 37

HEX #3FA027

RGB 63 160 39

HSL 108.1, 0.61%, 0.39%

LAB 58.36, -50.41, 51.21

 

CMYK 76 / 0 / 71 / 37

HEX #27A02F

RGB 39 160 47

HSL 123.97, 0.61%, 0.39%

LAB 57.83, -54.66, 47.43

 

CMYK 76 / 0 / 51 / 37

HEX #27A04F

RGB 39 160 79

HSL 139.83, 0.61%, 0.39%

LAB 58.17, -50.58, 32.9

 

CMYK 76 / 0 / 30 / 37

HEX #27A070

RGB 39 160 112

HSL 156.2, 0.61%, 0.39%

LAB 58.74, -44.16, 15.87

 

CMYK 76 / 0 / 70 / 63

HEX #175E1C

RGB 23 94 28

HSL 124.23, 0.61%, 0.23%

LAB 34.54, -36.1, 30.64

 

CMYK 76 / 0 / 69 / 50

HEX #1F7F27

RGB 31 127 39

HSL 125, 0.61%, 0.31%

LAB 46.47, -45.48, 38.63

 

CMYK 76 / 0 / 69 / 37

HEX #27A031

RGB 39 160 49

HSL 124.96, 0.61%, 0.39%

LAB 57.84, -54.46, 46.63

 

CMYK 76 / 0 / 69 / 24

HEX #2FC13B

RGB 47 193 59

HSL 124.93, 0.61%, 0.47%

LAB 68.79, -63.07, 54.28

 

CMYK 66 / 0 / 61 / 18

HEX #47D252

RGB 71 210 82

HSL 124.75, 0.61%, 0.55%

LAB 74.85, -62.24, 51.49

 

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

CMYK 76 / 20 / 0 / 37

HEX #2780A0

RGB 39 128 160

HSL 195.87, 0.61%, 0.39%

LAB 49.99, -14.82, -24.56

 

CMYK 0 / 76 / 51 / 37

HEX #A0274F

RGB 160 39 79

HSL 340.17, 0.61%, 0.39%

LAB 36.91, 51.62, 6.25

 

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

CMYK 71 / 76 / 0 / 37

HEX #2F27A0

RGB 47 39 160

HSL 243.97, 0.61%, 0.39%

LAB 25.54, 42.25, -63.67

 

CMYK 0 / 71 / 76 / 37

HEX #A02F27

RGB 160 47 39

HSL 3.97, 0.61%, 0.39%

LAB 37.21, 46.02, 31.71

 

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

CMYK 76 / 20 / 0 / 37

HEX #2780A0

RGB 39 128 160

HSL 195.87, 0.61%, 0.39%

LAB 49.99, -14.82, -24.56

 

CMYK 0 / 76 / 5 / 37

HEX #A02798

RGB 160 39 152

HSL 303.97, 0.61%, 0.39%

LAB 39.9, 60.79, -34.86

 

CMYK 0 / 56 / 76 / 37

HEX #A04727

RGB 160 71 39

HSL 15.87, 0.61%, 0.39%

LAB 41.42, 34.87, 36.27

 

CMYK 76 / 0 / 70 / 36

HEX #27A231

RGB 39 162 49

HSL 124.88, 0.61%, 0.39%

LAB 58.5, -55.13, 47.33

 

CMYK 76 / 43 / 0 / 37

HEX #275BA0

RGB 39 91 160

HSL 214.21, 0.61%, 0.39%

LAB 38.64, 7.57, -42.4

 

CMYK 0 / 76 / 5 / 37

HEX #A02798

RGB 160 39 152

HSL 303.97, 0.61%, 0.39%

LAB 39.9, 60.79, -34.86

 

CMYK 0 / 33 / 76 / 37

HEX #A06C27

RGB 160 108 39

HSL 34.21, 0.61%, 0.39%

LAB 49.91, 14.41, 45.04

 

Description

Color code: HEX #27A231 | qconv.com Color code: HEX #27A231 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 162 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 162 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 70 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 70% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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