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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2791E6 it is the complementary color #D86E19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2791E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2791E6 shade: #2C91E1, #3DA3F4, #4EB5FF, #5FC7FF and #70D9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2791E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2791E6 shade: #2791E6, #167FD3, #056DC0, #005BAD and #00499A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2791E6 shade: #2892E6, #285FE6, #282BE6, #5928E6 and #8C28E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2791E6 shade: #2892E6, #285FE6, #282BE6 and #2828E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2791E6 shade matches the following richer shades: #2892E6 and #1594F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2791E6 shade: #2892E6, #3C8FD2, #4F8DBF, #638BAC and #768998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2791E6 shade: #28E6D3, #28C6E6, #2894E6, #2861E6 and #282FE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2791E6 shade: #1466A8, #187CCD, #2892E6, #4DA4EA and #72B7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2791E6 shade: #2791E6, #A028E6 and #E0E628

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2791E6 shade: #2791E6, #E62894 and #94E628

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2791E6 shade: #2791E6, #A028E6, #E67B28 and #6EE628

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2791E6 shade: #2791E6, #D928E6, #E67B28 and #35E628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

Complementary color

CMYK 0 / 49 / 88 / 15

HEX #D86E19

RGB 216 110 25

HSL 26.7, 0.79%, 0.47%

LAB 57.87, 36.79, 60.28

 

CMYK 80 / 36 / 0 / 12

HEX #2C91E1

RGB 44 145 225

HSL 206.52, 0.75%, 0.53%

LAB 58.25, -0.72, -48.61

 

CMYK 75 / 33 / 0 / 4

HEX #3DA3F4

RGB 61 163 244

HSL 206.56, 0.89%, 0.6%

LAB 64.74, -2.54, -48.8

 

CMYK 69 / 29 / 0 / 0

HEX #4EB5FF

RGB 78 181 255

HSL 205.08, 1%, 0.65%

LAB 70.79, -6.69, -45.22

 

CMYK 63 / 22 / 0 / 0

HEX #5FC7FF

RGB 95 199 255

HSL 201, 1%, 0.69%

LAB 76.37, -13.76, -36.48

 

CMYK 56 / 15 / 0 / 0

HEX #70D9FF

RGB 112 217 255

HSL 195.94, 1%, 0.72%

LAB 82, -20, -27.77

 

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

CMYK 90 / 40 / 0 / 17

HEX #167FD3

RGB 22 127 211

HSL 206.67, 0.81%, 0.46%

LAB 51.9, 3.13, -50.87

 

CMYK 97 / 43 / 0 / 25

HEX #056DC0

RGB 5 109 192

HSL 206.63, 0.95%, 0.39%

LAB 45.32, 6.14, -50.53

 

CMYK 100 / 47 / 0 / 32

HEX #005BAD

RGB 0 91 173

HSL 208.44, 1%, 0.34%

LAB 38.72, 9.86, -50.03

 

CMYK 100 / 53 / 0 / 40

HEX #00499A

RGB 0 73 154

HSL 211.56, 1%, 0.3%

LAB 32.03, 14.05, -49.48

 

CMYK 83 / 37 / 0 / 10

HEX #2892E6

RGB 40 146 230

HSL 206.53, 0.79%, 0.53%

LAB 58.72, 0.16, -50.65

 

CMYK 83 / 59 / 0 / 10

HEX #285FE6

RGB 40 95 230

HSL 222.63, 0.79%, 0.53%

LAB 44.73, 31.87, -73.19

 

CMYK 83 / 81 / 0 / 10

HEX #282BE6

RGB 40 43 230

HSL 239.05, 0.79%, 0.53%

LAB 33.76, 61.73, -91.27

 

CMYK 61 / 83 / 0 / 10

HEX #5928E6

RGB 89 40 230

HSL 255.47, 0.79%, 0.53%

LAB 36.66, 66.2, -86.36

 

CMYK 39 / 83 / 0 / 10

HEX #8C28E6

RGB 140 40 230

HSL 271.58, 0.79%, 0.53%

LAB 42.47, 71.95, -76.58

 

CMYK 83 / 37 / 0 / 10

HEX #2892E6

RGB 40 146 230

HSL 206.53, 0.79%, 0.53%

LAB 58.72, 0.16, -50.65

 

CMYK 83 / 59 / 0 / 10

HEX #285FE6

RGB 40 95 230

HSL 222.63, 0.79%, 0.53%

LAB 44.73, 31.87, -73.19

 

CMYK 83 / 81 / 0 / 10

HEX #282BE6

RGB 40 43 230

HSL 239.05, 0.79%, 0.53%

LAB 33.76, 61.73, -91.27

 

CMYK 83 / 83 / 0 / 10

HEX #2828E6

RGB 40 40 230

HSL 240, 0.79%, 0.53%

LAB 33.31, 63.05, -92.01

 

CMYK 83 / 37 / 0 / 10

HEX #2892E6

RGB 40 146 230

HSL 206.53, 0.79%, 0.53%

LAB 58.72, 0.16, -50.65

 

CMYK 92 / 41 / 0 / 2

HEX #1594F9

RGB 21 148 249

HSL 206.58, 0.95%, 0.53%

LAB 60.05, 4.88, -59.04

 

CMYK 83 / 37 / 0 / 10

HEX #2892E6

RGB 40 146 230

HSL 206.53, 0.79%, 0.53%

LAB 58.72, 0.16, -50.65

 

CMYK 71 / 32 / 0 / 18

HEX #3C8FD2

RGB 60 143 210

HSL 206.8, 0.63%, 0.53%

LAB 57.33, -3.05, -41.65

 

CMYK 59 / 26 / 0 / 25

HEX #4F8DBF

RGB 79 141 191

HSL 206.79, 0.47%, 0.53%

LAB 56.56, -5.05, -32.07

 

CMYK 42 / 19 / 0 / 33

HEX #638BAC

RGB 99 139 172

HSL 207.12, 0.31%, 0.53%

LAB 56.18, -4.96, -21.74

 

CMYK 22 / 10 / 0 / 40

HEX #768998

RGB 118 137 152

HSL 206.47, 0.14%, 0.53%

LAB 56.1, -3.38, -10.28

 

CMYK 83 / 0 / 8 / 10

HEX #28E6D3

RGB 40 230 211

HSL 174, 0.79%, 0.53%

LAB 82.78, -48.2, -3.44

 

CMYK 83 / 14 / 0 / 10

HEX #28C6E6

RGB 40 198 230

HSL 190.11, 0.79%, 0.53%

LAB 73.9, -27.93, -26.95

 

CMYK 83 / 36 / 0 / 10

HEX #2894E6

RGB 40 148 230

HSL 205.89, 0.79%, 0.53%

LAB 59.29, -1.01, -49.74

 

CMYK 83 / 58 / 0 / 10

HEX #2861E6

RGB 40 97 230

HSL 222, 0.79%, 0.53%

LAB 45.24, 30.59, -72.35

 

CMYK 83 / 80 / 0 / 10

HEX #282FE6

RGB 40 47 230

HSL 237.79, 0.79%, 0.53%

LAB 34.39, 59.88, -90.21

 

CMYK 88 / 39 / 0 / 34

HEX #1466A8

RGB 20 102 168

HSL 206.76, 0.79%, 0.37%

LAB 41.97, 1.72, -41.87

 

CMYK 88 / 40 / 0 / 20

HEX #187CCD

RGB 24 124 205

HSL 206.85, 0.79%, 0.45%

LAB 50.71, 2.78, -49.36

 

CMYK 83 / 37 / 0 / 10

HEX #2892E6

RGB 40 146 230

HSL 206.53, 0.79%, 0.53%

LAB 58.72, 0.16, -50.65

 

CMYK 67 / 30 / 0 / 8

HEX #4DA4EA

RGB 77 164 234

HSL 206.75, 0.79%, 0.61%

LAB 65.02, -4.35, -42.85

 

CMYK 52 / 23 / 0 / 7

HEX #72B7EE

RGB 114 183 238

HSL 206.61, 0.78%, 0.69%

LAB 71.97, -6.68, -34.08

 

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

CMYK 30 / 83 / 0 / 10

HEX #A028E6

RGB 160 40 230

HSL 277.89, 0.79%, 0.53%

LAB 45.23, 74.77, -71.96

 

CMYK 3 / 0 / 83 / 10

HEX #E0E628

RGB 224 230 40

HSL 61.89, 0.79%, 0.53%

LAB 88.25, -21.84, 81.55

 

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

CMYK 0 / 83 / 36 / 10

HEX #E62894

RGB 230 40 148

HSL 325.89, 0.79%, 0.53%

LAB 52.37, 75.99, -12.15

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

CMYK 30 / 83 / 0 / 10

HEX #A028E6

RGB 160 40 230

HSL 277.89, 0.79%, 0.53%

LAB 45.23, 74.77, -71.96

 

CMYK 0 / 47 / 83 / 10

HEX #E67B28

RGB 230 123 40

HSL 26.21, 0.79%, 0.53%

LAB 62.63, 36.09, 59.86

 

CMYK 52 / 0 / 83 / 10

HEX #6EE628

RGB 110 230 40

HSL 97.89, 0.79%, 0.53%

LAB 81.87, -63.1, 73.53

 

CMYK 83 / 37 / 0 / 10

HEX #2791E6

RGB 39 145 230

HSL 206.7, 0.79%, 0.53%

LAB 58.41, 0.67, -51.14

 

CMYK 6 / 83 / 0 / 10

HEX #D928E6

RGB 217 40 230

HSL 295.89, 0.79%, 0.53%

LAB 54.01, 84.02, -57.33

 

CMYK 0 / 47 / 83 / 10

HEX #E67B28

RGB 230 123 40

HSL 26.21, 0.79%, 0.53%

LAB 62.63, 36.09, 59.86

 

CMYK 77 / 0 / 83 / 10

HEX #35E628

RGB 53 230 40

HSL 115.89, 0.79%, 0.53%

LAB 80.46, -74.79, 71.73

 

Description

Color code: HEX #2791E6 | qconv.com Color code: HEX #2791E6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 145 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 145 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 37 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 37% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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