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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E628 it is the complementary color #6B19D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E628 shade: #99E623, #AAF836, #BBFF49, #CCFF5C and #DDFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E628 shade: #94E628, #83D415, #72C202, #61B000 and #509E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E628 shade: #94E628, #C7E628, #E6D128, #E69E28 and #E66B28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E628 shade: #94E628, #61E628, #2EE628, #28E656 and #28E689

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E628 shade matches the following richer shades: #94E628 and #97F915

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E628 shade: #94E628, #91D23C, #8FBF4F, #8CAC63 and #899876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E628 shade: #E6D028, #C9E628, #97E628, #64E628 and #32E628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E628 shade: #68A814, #7FCD18, #94E628, #A7EA4D and #B9EE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E628 shade: #94E628, #28E69D and #E628E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E628 shade: #94E628, #2897E6 and #E62897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E628 shade: #94E628, #28E69D, #7728E6 and #E62871

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E628 shade: #94E628, #28E6D6, #7728E6 and #E62838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

Complementary color

CMYK 50 / 88 / 0 / 16

HEX #6B19D7

RGB 107 25 215

HSL 265.89, 0.79%, 0.47%

LAB 35.45, 68.9, -79.68

 

CMYK 33 / 0 / 85 / 10

HEX #99E623

RGB 153 230 35

HSL 83.69, 0.8%, 0.52%

LAB 83.7, -49.69, 76.96

 

CMYK 31 / 0 / 78 / 3

HEX #AAF836

RGB 170 248 54

HSL 84.12, 0.93%, 0.59%

LAB 89.83, -50.39, 78.11

 

CMYK 27 / 0 / 71 / 0

HEX #BBFF49

RGB 187 255 73

HSL 82.42, 1%, 0.64%

LAB 92.82, -46.3, 75.45

 

CMYK 20 / 0 / 64 / 0

HEX #CCFF5C

RGB 204 255 92

HSL 78.77, 1%, 0.68%

LAB 93.94, -38.86, 70

 

CMYK 13 / 0 / 56 / 0

HEX #DDFF6F

RGB 221 255 111

HSL 74.17, 1%, 0.72%

LAB 95.18, -31.04, 63.86

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 38 / 0 / 90 / 17

HEX #83D415

RGB 131 212 21

HSL 85.45, 0.82%, 0.46%

LAB 77.26, -50.43, 73.68

 

CMYK 41 / 0 / 99 / 24

HEX #72C202

RGB 114 194 2

HSL 85, 0.98%, 0.38%

LAB 70.98, -49.35, 70.57

 

CMYK 45 / 0 / 100 / 31

HEX #61B000

RGB 97 176 0

HSL 86.93, 1%, 0.35%

LAB 64.64, -47.94, 65.52

 

CMYK 49 / 0 / 100 / 38

HEX #509E00

RGB 80 158 0

HSL 89.62, 1%, 0.31%

LAB 58.19, -46.4, 60.17

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 13 / 0 / 83 / 10

HEX #C7E628

RGB 199 230 40

HSL 69.79, 0.79%, 0.53%

LAB 86.45, -32.04, 79.3

 

CMYK 0 / 9 / 83 / 10

HEX #E6D128

RGB 230 209 40

HSL 53.37, 0.79%, 0.53%

LAB 83.22, -8.96, 77.51

 

CMYK 0 / 31 / 83 / 10

HEX #E69E28

RGB 230 158 40

HSL 37.26, 0.79%, 0.53%

LAB 70.48, 17.66, 66.68

 

CMYK 0 / 53 / 83 / 10

HEX #E66B28

RGB 230 107 40

HSL 21.16, 0.79%, 0.53%

LAB 59.43, 44.11, 57.04

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 58 / 0 / 83 / 10

HEX #61E628

RGB 97 230 40

HSL 102, 0.79%, 0.53%

LAB 81.45, -66.47, 72.99

 

CMYK 80 / 0 / 83 / 10

HEX #2EE628

RGB 46 230 40

HSL 118.11, 0.79%, 0.53%

LAB 80.36, -75.66, 71.6

 

CMYK 83 / 0 / 63 / 10

HEX #28E656

RGB 40 230 86

HSL 134.53, 0.79%, 0.53%

LAB 80.58, -72.67, 56.11

 

CMYK 83 / 0 / 40 / 10

HEX #28E689

RGB 40 230 137

HSL 150.63, 0.79%, 0.53%

LAB 81.21, -65.16, 32.92

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 39 / 0 / 92 / 2

HEX #97F915

RGB 151 249 21

HSL 85.79, 0.95%, 0.53%

LAB 89.1, -58.28, 83.75

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 31 / 0 / 71 / 18

HEX #91D23C

RGB 145 210 60

HSL 86, 0.63%, 0.53%

LAB 77.54, -42.99, 64.02

 

CMYK 25 / 0 / 59 / 25

HEX #8FBF4F

RGB 143 191 79

HSL 85.71, 0.47%, 0.53%

LAB 72, -33.79, 50.37

 

CMYK 19 / 0 / 42 / 33

HEX #8CAC63

RGB 140 172 99

HSL 86.3, 0.31%, 0.53%

LAB 66.51, -23.65, 33.96

 

CMYK 10 / 0 / 22 / 40

HEX #899876

RGB 137 152 118

HSL 86.47, 0.14%, 0.53%

LAB 60.85, -11.7, 16.14

 

CMYK 0 / 10 / 83 / 10

HEX #E6D028

RGB 230 208 40

HSL 53.05, 0.79%, 0.53%

LAB 82.96, -8.46, 77.3

 

CMYK 13 / 0 / 83 / 10

HEX #C9E628

RGB 201 230 40

HSL 69.16, 0.79%, 0.53%

LAB 86.59, -31.24, 79.47

 

CMYK 34 / 0 / 83 / 10

HEX #97E628

RGB 151 230 40

HSL 84.95, 0.79%, 0.53%

LAB 83.61, -50.22, 75.73

 

CMYK 57 / 0 / 83 / 10

HEX #64E628

RGB 100 230 40

HSL 101.05, 0.79%, 0.53%

LAB 81.54, -65.73, 73.11

 

CMYK 78 / 0 / 83 / 10

HEX #32E628

RGB 50 230 40

HSL 116.84, 0.79%, 0.53%

LAB 80.42, -75.18, 71.67

 

CMYK 38 / 0 / 88 / 34

HEX #68A814

RGB 104 168 20

HSL 85.95, 0.79%, 0.37%

LAB 62.51, -41.8, 60.98

 

CMYK 38 / 0 / 88 / 20

HEX #7FCD18

RGB 127 205 24

HSL 85.86, 0.79%, 0.45%

LAB 74.98, -48.9, 71.2

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 29 / 0 / 67 / 8

HEX #A7EA4D

RGB 167 234 77

HSL 85.61, 0.79%, 0.61%

LAB 85.8, -44.27, 66.56

 

CMYK 22 / 0 / 52 / 7

HEX #B9EE72

RGB 185 238 114

HSL 85.65, 0.78%, 0.69%

LAB 88.29, -36.4, 53.98

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 83 / 0 / 32 / 10

HEX #28E69D

RGB 40 230 157

HSL 156.95, 0.79%, 0.53%

LAB 81.55, -61.23, 23.16

 

CMYK 0 / 83 / 1 / 10

HEX #E628E3

RGB 230 40 227

HSL 300.95, 0.79%, 0.53%

LAB 55.97, 85.87, -52.37

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 83 / 34 / 0 / 10

HEX #2897E6

RGB 40 151 230

HSL 204.95, 0.79%, 0.53%

LAB 60.16, -2.75, -48.37

 

CMYK 0 / 83 / 34 / 10

HEX #E62897

RGB 230 40 151

HSL 324.95, 0.79%, 0.53%

LAB 52.48, 76.3, -13.78

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 83 / 0 / 32 / 10

HEX #28E69D

RGB 40 230 157

HSL 156.95, 0.79%, 0.53%

LAB 81.55, -61.23, 23.16

 

CMYK 48 / 83 / 0 / 10

HEX #7728E6

RGB 119 40 230

HSL 264.95, 0.79%, 0.53%

LAB 39.84, 69.31, -81

 

CMYK 0 / 83 / 51 / 10

HEX #E62871

RGB 230 40 113

HSL 336.95, 0.79%, 0.53%

LAB 51.3, 72.9, 7.35

 

CMYK 36 / 0 / 83 / 10

HEX #94E628

RGB 148 230 40

HSL 85.89, 0.79%, 0.53%

LAB 83.46, -51.27, 75.55

 

CMYK 83 / 0 / 7 / 10

HEX #28E6D6

RGB 40 230 214

HSL 174.95, 0.79%, 0.53%

LAB 82.86, -47.38, -4.91

 

CMYK 48 / 83 / 0 / 10

HEX #7728E6

RGB 119 40 230

HSL 264.95, 0.79%, 0.53%

LAB 39.84, 69.31, -81

 

CMYK 0 / 83 / 76 / 10

HEX #E62838

RGB 230 40 56

HSL 354.95, 0.79%, 0.53%

LAB 50.25, 69.76, 40.11

 

Description

Color code: HEX #94E628 | qconv.com Color code: HEX #94E628 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 230 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 230 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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