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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #277A6E it is the complementary color #D88591. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #277A6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #277A6E: #2C7A69, #3D8C7C, #4E9E8F, #5FB0A2 and #70C2B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #277A6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #277A6E: #277A6E, #16685B, #055648, #004435 and #003222

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

Complementary color

CMYK 0 / 38 / 33 / 15

HEX #D88591

RGB 216 133 145

HSL 351.33, 0.52%, 0.68%

LAB 64.5, 33.31, 7.17

 

CMYK 64 / 0 / 14 / 52

HEX #2C7A69

RGB 44 122 105

HSL 166.92, 0.47%, 0.33%

LAB 46.28, -28.16, 2.29

 

CMYK 56 / 0 / 11 / 45

HEX #3D8C7C

RGB 61 140 124

HSL 167.85, 0.39%, 0.39%

LAB 53.17, -28.31, 1.24

 

CMYK 51 / 0 / 9 / 38

HEX #4E9E8F

RGB 78 158 143

HSL 168.75, 0.34%, 0.46%

LAB 59.94, -28.32, 0.31

 

CMYK 46 / 0 / 8 / 31

HEX #5FB0A2

RGB 95 176 162

HSL 169.63, 0.34%, 0.53%

LAB 66.59, -28.26, -0.53

 

CMYK 42 / 0 / 7 / 24

HEX #70C2B5

RGB 112 194 181

HSL 170.49, 0.4%, 0.6%

LAB 73.13, -28.16, -1.31

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 79 / 0 / 13 / 59

HEX #16685B

RGB 22 104 91

HSL 170.49, 0.65%, 0.25%

LAB 39.29, -27.04, 0.48

 

CMYK 94 / 0 / 16 / 66

HEX #055648

RGB 5 86 72

HSL 169.63, 0.89%, 0.18%

LAB 32.16, -25.9, 1.89

 

CMYK 100 / 0 / 22 / 73

HEX #004435

RGB 0 68 53

HSL 166.76, 1%, 0.13%

LAB 24.92, -23.66, 3.67

 

CMYK 100 / 0 / 32 / 80

HEX #003222

RGB 0 50 34

HSL 160.8, 1%, 0.1%

LAB 17.44, -20.74, 5.78

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 69 / 2 / 0 / 51

HEX #277A7C

RGB 39 122 124

HSL 181.41, 0.52%, 0.32%

LAB 46.72, -23.51, -8.36

 

CMYK 69 / 13 / 0 / 51

HEX #276C7C

RGB 39 108 124

HSL 191.29, 0.52%, 0.32%

LAB 42.17, -15.99, -15.23

 

CMYK 69 / 24 / 0 / 51

HEX #275E7C

RGB 39 94 124

HSL 201.18, 0.52%, 0.32%

LAB 37.65, -7.84, -22.19

 

CMYK 69 / 35 / 0 / 51

HEX #27507C

RGB 39 80 124

HSL 211.06, 0.52%, 0.32%

LAB 33.19, 0.94, -29.17

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 68 / 0 / 10 / 32

HEX #37AD9C

RGB 55 173 156

HSL 171.36, 0.52%, 0.45%

LAB 64.24, -36.47, -0.78

 

CMYK 68 / 0 / 10 / 12

HEX #48E0CA

RGB 72 224 202

HSL 171.32, 0.71%, 0.58%

LAB 81.27, -44.59, -0.83

 

CMYK 70 / 0 / 10 / 92

HEX #061412

RGB 6 20 18

HSL 171.43, 0.54%, 0.05%

LAB 5.26, -4.89, -0.39

 

CMYK 68 / 0 / 10 / 72

HEX #174740

RGB 23 71 64

HSL 171.25, 0.51%, 0.18%

LAB 26.9, -18.07, -0.59

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 65 / 69 / 0 / 51

HEX #2B277C

RGB 43 39 124

HSL 242.82, 0.52%, 0.32%

LAB 21.65, 29.44, -47.71

 

CMYK 0 / 38 / 69 / 51

HEX #7C4D27

RGB 124 77 39

HSL 26.82, 0.52%, 0.32%

LAB 37.37, 16.05, 30.28

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 10 / 69 / 0 / 51

HEX #6F277C

RGB 111 39 124

HSL 290.82, 0.52%, 0.32%

LAB 30.12, 44.26, -33.61

 

CMYK 0 / 10 / 69 / 51

HEX #7C6F27

RGB 124 111 39

HSL 50.82, 0.52%, 0.32%

LAB 46.71, -3.99, 40.48

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 65 / 69 / 0 / 51

HEX #2B277C

RGB 43 39 124

HSL 242.82, 0.52%, 0.32%

LAB 21.65, 29.44, -47.71

 

CMYK 0 / 69 / 59 / 51

HEX #7C2733

RGB 124 39 51

HSL 351.53, 0.52%, 0.32%

LAB 29.35, 37.66, 12.96

 

CMYK 4 / 0 / 69 / 51

HEX #777C27

RGB 119 124 39

HSL 63.53, 0.52%, 0.32%

LAB 50.08, -13.53, 43.83

 

CMYK 68 / 0 / 10 / 52

HEX #277A6E

RGB 39 122 110

HSL 171.33, 0.52%, 0.32%

LAB 46.28, -27.69, -0.69

 

CMYK 45 / 69 / 0 / 51

HEX #44277C

RGB 68 39 124

HSL 260.47, 0.52%, 0.32%

LAB 24.11, 34.13, -43.59

 

CMYK 0 / 69 / 59 / 51

HEX #7C2733

RGB 124 39 51

HSL 351.53, 0.52%, 0.32%

LAB 29.35, 37.66, 12.96

 

CMYK 24 / 0 / 69 / 51

HEX #5E7C27

RGB 94 124 39

HSL 81.18, 0.52%, 0.32%

LAB 48.19, -24.52, 41.28

 

Description

Color code: HEX #277A6E | qconv.com Color code: HEX #277A6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 122 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 122 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 10 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 10% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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