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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275D94 it is the complementary color #D8A26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #275D94: #2C5D8F, #3D6FA2, #4E81B5, #5F93C8 and #70A5DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #275D94: #275D94, #164B81, #05396E, #00275B and #001548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

Complementary color

CMYK 0 / 25 / 50 / 15

HEX #D8A26B

RGB 216 162 107

HSL 30.28, 0.58%, 0.63%

LAB 70.53, 13.52, 36.24

 

CMYK 69 / 35 / 0 / 44

HEX #2C5D8F

RGB 44 93 143

HSL 210.3, 0.53%, 0.37%

LAB 38.46, 0.6, -32.47

 

CMYK 62 / 31 / 0 / 36

HEX #3D6FA2

RGB 61 111 162

HSL 210.3, 0.45%, 0.44%

LAB 45.59, -0.61, -32.52

 

CMYK 57 / 29 / 0 / 29

HEX #4E81B5

RGB 78 129 181

HSL 210.29, 0.41%, 0.51%

LAB 52.57, -1.52, -32.58

 

CMYK 53 / 27 / 0 / 22

HEX #5F93C8

RGB 95 147 200

HSL 210.29, 0.49%, 0.58%

LAB 59.41, -2.22, -32.67

 

CMYK 49 / 25 / 0 / 14

HEX #70A5DB

RGB 112 165 219

HSL 210.28, 0.6%, 0.65%

LAB 66.11, -2.78, -32.77

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 83 / 42 / 0 / 49

HEX #164B81

RGB 22 75 129

HSL 210.28, 0.71%, 0.3%

LAB 31.32, 3.7, -35.28

 

CMYK 95 / 48 / 0 / 57

HEX #05396E

RGB 5 57 110

HSL 210.29, 0.91%, 0.23%

LAB 23.95, 6.52, -35.13

 

CMYK 100 / 57 / 0 / 64

HEX #00275B

RGB 0 39 91

HSL 214.29, 1%, 0.18%

LAB 16.53, 10.68, -34.7

 

CMYK 100 / 71 / 0 / 72

HEX #001548

RGB 0 21 72

HSL 222.5, 1%, 0.14%

LAB 9.03, 15.79, -34

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 74 / 49 / 0 / 42

HEX #274C95

RGB 39 76 149

HSL 219.82, 0.59%, 0.37%

LAB 33.5, 13.23, -44.02

 

CMYK 74 / 62 / 0 / 42

HEX #273995

RGB 39 57 149

HSL 230.18, 0.59%, 0.37%

LAB 28.19, 26.11, -52.63

 

CMYK 74 / 74 / 0 / 42

HEX #272795

RGB 39 39 149

HSL 240, 0.59%, 0.37%

LAB 23.84, 37.71, -59.76

 

CMYK 62 / 74 / 0 / 42

HEX #392795

RGB 57 39 149

HSL 249.82, 0.59%, 0.37%

LAB 25.23, 39.91, -57.42

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 74 / 37 / 0 / 22

HEX #347DC7

RGB 52 125 199

HSL 210.2, 0.59%, 0.49%

LAB 51.29, 2.61, -44.98

 

CMYK 74 / 37 / 0 / 2

HEX #429DFA

RGB 66 157 250

HSL 210.33, 0.95%, 0.62%

LAB 63.49, 3.62, -54.06

 

CMYK 74 / 37 / 0 / 82

HEX #0C1D2E

RGB 12 29 46

HSL 210, 0.59%, 0.11%

LAB 10.21, -0.44, -13.48

 

CMYK 73 / 37 / 0 / 62

HEX #1A3D61

RGB 26 61 97

HSL 210.42, 0.58%, 0.24%

LAB 25.01, 0.71, -25.01

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 22 / 74 / 0 / 42

HEX #742795

RGB 116 39 149

HSL 282, 0.59%, 0.37%

LAB 32.56, 50.63, -45.18

 

CMYK 7 / 0 / 74 / 42

HEX #8A9527

RGB 138 149 39

HSL 66, 0.59%, 0.37%

LAB 59.02, -18.24, 53.22

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 0 / 74 / 37 / 42

HEX #95275E

RGB 149 39 94

HSL 330, 0.59%, 0.37%

LAB 35.3, 49.92, -5.99

 

CMYK 37 / 0 / 74 / 42

HEX #5E9527

RGB 94 149 39

HSL 90, 0.59%, 0.37%

LAB 56.11, -36.3, 49.39

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 22 / 74 / 0 / 42

HEX #742795

RGB 116 39 149

HSL 282, 0.59%, 0.37%

LAB 32.56, 50.63, -45.18

 

CMYK 0 / 37 / 74 / 42

HEX #955E27

RGB 149 94 39

HSL 30, 0.59%, 0.37%

LAB 45, 17.47, 39.57

 

CMYK 52 / 0 / 74 / 42

HEX #489527

RGB 72 149 39

HSL 102, 0.59%, 0.37%

LAB 55.09, -43.72, 48.04

 

CMYK 74 / 37 / 0 / 42

HEX #275D94

RGB 39 93 148

HSL 210.28, 0.58%, 0.37%

LAB 38.55, 1.68, -35.36

 

CMYK 0 / 74 / 0 / 42

HEX #952795

RGB 149 39 149

HSL 300, 0.59%, 0.37%

LAB 37.86, 57.84, -36.39

 

CMYK 0 / 37 / 74 / 42

HEX #955E27

RGB 149 94 39

HSL 30, 0.59%, 0.37%

LAB 45, 17.47, 39.57

 

CMYK 74 / 0 / 74 / 42

HEX #279527

RGB 39 149 39

HSL 120, 0.59%, 0.37%

LAB 54.1, -51.69, 46.71

 

Description

Color code: HEX #275D94 | qconv.com Color code: HEX #275D94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 93 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 93 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 37 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 37% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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