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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26DAB1 it is the complementary color #D9254E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26DAB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #26DAB1: #2BDAAC, #3CECBF, #4DFED2, #5EFFE5 and #6FFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26DAB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #26DAB1: #26DAB1, #15C89E, #04B68B, #00A478 and #009265

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

Complementary color

CMYK 0 / 83 / 64 / 15

HEX #D9254E

RGB 217 37 78

HSL 346.33, 0.71%, 0.5%

LAB 47.78, 67.95, 23.5

 

CMYK 80 / 0 / 21 / 15

HEX #2BDAAC

RGB 43 218 172

HSL 164.23, 0.7%, 0.51%

LAB 78.25, -53.01, 10.69

 

CMYK 75 / 0 / 19 / 7

HEX #3CECBF

RGB 60 236 191

HSL 164.66, 0.82%, 0.58%

LAB 84.34, -53.88, 9.38

 

CMYK 70 / 0 / 17 / 0

HEX #4DFED2

RGB 77 254 210

HSL 165.08, 0.99%, 0.65%

LAB 90.37, -54.52, 8.19

 

CMYK 63 / 0 / 10 / 0

HEX #5EFFE5

RGB 94 255 229

HSL 170.31, 1%, 0.68%

LAB 91.49, -47.86, 0.01

 

CMYK 56 / 0 / 3 / 0

HEX #6FFFF8

RGB 111 255 248

HSL 177.08, 1%, 0.72%

LAB 92.43, -40.23, -8.39

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 90 / 0 / 21 / 22

HEX #15C89E

RGB 21 200 158

HSL 165.92, 0.81%, 0.43%

LAB 72.19, -50.88, 9.53

 

CMYK 98 / 0 / 24 / 29

HEX #04B68B

RGB 4 182 139

HSL 165.51, 0.96%, 0.36%

LAB 66.02, -49.16, 11.1

 

CMYK 100 / 0 / 27 / 36

HEX #00A478

RGB 0 164 120

HSL 163.9, 1%, 0.32%

LAB 59.8, -46.89, 12.85

 

CMYK 100 / 0 / 31 / 43

HEX #009265

RGB 0 146 101

HSL 161.51, 1%, 0.29%

LAB 53.49, -44.39, 14.72

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 83 / 0 / 6 / 15

HEX #24DACD

RGB 36 218 205

HSL 175.71, 0.72%, 0.5%

LAB 79, -44.99, -5.83

 

CMYK 83 / 9 / 0 / 15

HEX #24C7DA

RGB 36 199 218

HSL 186.26, 0.72%, 0.5%

LAB 73.73, -32.51, -20.72

 

CMYK 83 / 22 / 0 / 15

HEX #24A9DA

RGB 36 169 218

HSL 196.15, 0.72%, 0.5%

LAB 64.81, -17.35, -34.43

 

CMYK 83 / 36 / 0 / 15

HEX #248BDA

RGB 36 139 218

HSL 206.04, 0.72%, 0.5%

LAB 55.99, -0.47, -48.29

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 86 / 0 / 21 / 95

HEX #020E0B

RGB 2 14 11

HSL 165, 0.75%, 0.03%

LAB 3.17, -3.74, 0.15

 

CMYK 83 / 0 / 18 / 75

HEX #0B4135

RGB 11 65 53

HSL 166.67, 0.71%, 0.15%

LAB 24.03, -20.52, 2.41

 

CMYK 83 / 0 / 19 / 55

HEX #14745E

RGB 20 116 94

HSL 166.25, 0.71%, 0.27%

LAB 43.43, -32.09, 4.66

 

CMYK 83 / 0 / 19 / 35

HEX #1DA788

RGB 29 167 136

HSL 166.52, 0.7%, 0.38%

LAB 61.37, -42.34, 6.17

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 83 / 80 / 0 / 15

HEX #242BDA

RGB 36 43 218

HSL 237.69, 0.72%, 0.5%

LAB 32.18, 57.93, -87.01

 

CMYK 0 / 53 / 83 / 15

HEX #DA6724

RGB 218 103 36

HSL 22.09, 0.72%, 0.5%

LAB 56.81, 41.37, 55.65

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 20 / 83 / 15

HEX #DAAF24

RGB 218 175 36

HSL 45.82, 0.72%, 0.5%

LAB 73.35, 3.32, 69.79

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 83 / 80 / 0 / 15

HEX #242BDA

RGB 36 43 218

HSL 237.69, 0.72%, 0.5%

LAB 32.18, 57.93, -87.01

 

CMYK 0 / 83 / 64 / 15

HEX #DA244F

RGB 218 36 79

HSL 345.82, 0.72%, 0.5%

LAB 47.92, 68.49, 23.1

 

CMYK 0 / 3 / 83 / 15

HEX #DAD324

RGB 218 211 36

HSL 57.69, 0.72%, 0.5%

LAB 82.71, -15.17, 77.63

 

CMYK 83 / 0 / 19 / 15

HEX #26DAB1

RGB 38 218 177

HSL 166.33, 0.71%, 0.5%

LAB 78.3, -52.22, 8.1

 

CMYK 61 / 83 / 0 / 15

HEX #5524DA

RGB 85 36 218

HSL 256.15, 0.72%, 0.5%

LAB 34.51, 64.18, -83.05

 

CMYK 0 / 83 / 64 / 15

HEX #DA244F

RGB 218 36 79

HSL 345.82, 0.72%, 0.5%

LAB 47.92, 68.49, 23.1

 

CMYK 22 / 0 / 83 / 15

HEX #A9DA24

RGB 169 218 36

HSL 76.15, 0.72%, 0.5%

LAB 81.13, -38.57, 74.88

 

Description

Color code: HEX #26DAB1 | qconv.com Color code: HEX #26DAB1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 218 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 218 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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