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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2697BB it is the complementary color #D96844. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2697BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2697BB shade: #2B97B6, #3CA9C9, #4DBBDC, #5ECDEF and #6FDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2697BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2697BB shade: #2697BB, #1585A8, #047395, #006182 and #004F6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2697BB shade: #2696BA, #266FBA, #2647BA, #2E26BA and #5626BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2697BB shade: #2696BA, #266FBA, #2647BA and #2626BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2697BB shade matches the following richer shades: #2696BA, #14A0CC and #02A9DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2697BB shade: #2696BA, #388DA8, #4A8496, #5D7A84 and #6F7172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2697BB shade: #26BA8E, #26BAB5, #2698BA, #2670BA and #2649BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2697BB shade: #185F76, #1F7B98, #2696BA, #34AED5 and #56BCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2697BB shade: #2697BB, #6626BA and #BAA226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2697BB shade: #2697BB, #BA2698 and #98BA26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2697BB shade: #2697BB, #6626BA, #BA4926 and #7ABA26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2697BB shade: #2697BB, #9326BA, #BA4926 and #4EBA26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

Complementary color

CMYK 0 / 52 / 69 / 15

HEX #D96844

RGB 217 104 68

HSL 14.5, 0.66%, 0.56%

LAB 57.14, 41.77, 40.69

 

CMYK 76 / 17 / 0 / 29

HEX #2B97B6

RGB 43 151 182

HSL 193.38, 0.62%, 0.44%

LAB 58.06, -19.34, -24.73

 

CMYK 70 / 16 / 0 / 21

HEX #3CA9C9

RGB 60 169 201

HSL 193.62, 0.57%, 0.51%

LAB 64.61, -20.41, -25.29

 

CMYK 65 / 15 / 0 / 14

HEX #4DBBDC

RGB 77 187 220

HSL 193.85, 0.67%, 0.58%

LAB 71.07, -21.23, -25.8

 

CMYK 61 / 14 / 0 / 6

HEX #5ECDEF

RGB 94 205 239

HSL 194.07, 0.82%, 0.65%

LAB 77.44, -21.86, -26.26

 

CMYK 56 / 13 / 0 / 0

HEX #6FDFFF

RGB 111 223 255

HSL 193.33, 1%, 0.72%

LAB 83.64, -23.2, -25.27

 

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

CMYK 88 / 21 / 0 / 34

HEX #1585A8

RGB 21 133 168

HSL 194.29, 0.78%, 0.37%

LAB 51.57, -16.52, -26.78

 

CMYK 97 / 23 / 0 / 42

HEX #047395

RGB 4 115 149

HSL 194.07, 0.95%, 0.3%

LAB 44.88, -14.37, -26.05

 

CMYK 100 / 25 / 0 / 49

HEX #006182

RGB 0 97 130

HSL 195.23, 1%, 0.25%

LAB 38.13, -11.46, -25.16

HEX #006182

CMYK 100 / 29 / 0 / 56

HEX #004F6F

RGB 0 79 111

HSL 197.3, 1%, 0.22%

LAB 31.21, -8.17, -24.24

HEX #004F6F

CMYK 80 / 19 / 0 / 27

HEX #2696BA

RGB 38 150 186

HSL 194.59, 0.66%, 0.44%

LAB 57.82, -17.99, -27.38

 

CMYK 80 / 40 / 0 / 27

HEX #266FBA

RGB 38 111 186

HSL 210.41, 0.66%, 0.44%

LAB 46.08, 4.69, -45.82

 

CMYK 80 / 62 / 0 / 27

HEX #2647BA

RGB 38 71 186

HSL 226.62, 0.66%, 0.44%

LAB 34.93, 30.71, -63.83

 

CMYK 75 / 80 / 0 / 27

HEX #2E26BA

RGB 46 38 186

HSL 243.24, 0.66%, 0.44%

LAB 28.15, 51.01, -74.99

 

CMYK 54 / 80 / 0 / 27

HEX #5626BA

RGB 86 38 186

HSL 259.46, 0.66%, 0.44%

LAB 31.6, 55.02, -69.17

 

CMYK 80 / 19 / 0 / 27

HEX #2696BA

RGB 38 150 186

HSL 194.59, 0.66%, 0.44%

LAB 57.82, -17.99, -27.38

 

CMYK 80 / 40 / 0 / 27

HEX #266FBA

RGB 38 111 186

HSL 210.41, 0.66%, 0.44%

LAB 46.08, 4.69, -45.82

 

CMYK 80 / 62 / 0 / 27

HEX #2647BA

RGB 38 71 186

HSL 226.62, 0.66%, 0.44%

LAB 34.93, 30.71, -63.83

 

CMYK 80 / 80 / 0 / 27

HEX #2626BA

RGB 38 38 186

HSL 240, 0.66%, 0.44%

LAB 27.69, 50.48, -75.76

 

CMYK 80 / 19 / 0 / 27

HEX #2696BA

RGB 38 150 186

HSL 194.59, 0.66%, 0.44%

LAB 57.82, -17.99, -27.38

 

CMYK 90 / 22 / 0 / 20

HEX #14A0CC

RGB 20 160 204

HSL 194.35, 0.82%, 0.44%

LAB 61.35, -18.44, -32.05

 

CMYK 99 / 24 / 0 / 13

HEX #02A9DF

RGB 2 169 223

HSL 194.66, 0.98%, 0.44%

LAB 64.74, -17.17, -37.33

 

CMYK 80 / 19 / 0 / 27

HEX #2696BA

RGB 38 150 186

HSL 194.59, 0.66%, 0.44%

LAB 57.82, -17.99, -27.38

 

CMYK 67 / 16 / 0 / 34

HEX #388DA8

RGB 56 141 168

HSL 194.46, 0.5%, 0.44%

LAB 54.78, -16.77, -21.76

 

CMYK 51 / 12 / 0 / 41

HEX #4A8496

RGB 74 132 150

HSL 194.21, 0.34%, 0.44%

LAB 52.02, -13.81, -15.52

 

CMYK 30 / 8 / 0 / 48

HEX #5D7A84

RGB 93 122 132

HSL 195.38, 0.17%, 0.44%

LAB 49.39, -7.87, -8.84

 

CMYK 3 / 1 / 0 / 55

HEX #6F7172

RGB 111 113 114

HSL 200, 0.01%, 0.44%

LAB 47.5, -0.55, -0.83

 

CMYK 80 / 0 / 24 / 27

HEX #26BA8E

RGB 38 186 142

HSL 162.16, 0.66%, 0.44%

LAB 67.64, -47.85, 11.79

 

CMYK 80 / 0 / 3 / 27

HEX #26BAB5

RGB 38 186 181

HSL 177.97, 0.66%, 0.44%

LAB 68.65, -37.43, -8.15

 

CMYK 80 / 18 / 0 / 27

HEX #2698BA

RGB 38 152 186

HSL 193.78, 0.66%, 0.44%

LAB 58.43, -19.06, -26.44

 

CMYK 80 / 40 / 0 / 27

HEX #2670BA

RGB 38 112 186

HSL 210, 0.66%, 0.44%

LAB 46.37, 4.07, -45.35

 

CMYK 80 / 61 / 0 / 27

HEX #2649BA

RGB 38 73 186

HSL 225.81, 0.66%, 0.44%

LAB 35.44, 29.4, -62.99

 

CMYK 80 / 19 / 0 / 54

HEX #185F76

RGB 24 95 118

HSL 194.68, 0.66%, 0.28%

LAB 37.27, -12.92, -19.12

 

CMYK 80 / 19 / 0 / 40

HEX #1F7B98

RGB 31 123 152

HSL 194.38, 0.66%, 0.36%

LAB 47.91, -15.79, -23.1

 

CMYK 80 / 19 / 0 / 27

HEX #2696BA

RGB 38 150 186

HSL 194.59, 0.66%, 0.44%

LAB 57.82, -17.99, -27.38

 

CMYK 76 / 18 / 0 / 16

HEX #34AED5

RGB 52 174 213

HSL 194.53, 0.66%, 0.52%

LAB 66.37, -20.14, -29.23

 

CMYK 61 / 15 / 0 / 14

HEX #56BCDC

RGB 86 188 220

HSL 194.33, 0.66%, 0.6%

LAB 71.63, -20.23, -24.91

 

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

CMYK 45 / 80 / 0 / 27

HEX #6626BA

RGB 102 38 186

HSL 265.95, 0.66%, 0.44%

LAB 33.47, 57.18, -66.03

 

CMYK 0 / 13 / 80 / 27

HEX #BAA226

RGB 186 162 38

HSL 50.27, 0.66%, 0.44%

LAB 66.84, -3.81, 62.34

 

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

CMYK 0 / 80 / 18 / 27

HEX #BA2698

RGB 186 38 152

HSL 313.78, 0.66%, 0.44%

LAB 44.37, 66.9, -27.53

 

CMYK 18 / 0 / 80 / 27

HEX #98BA26

RGB 152 186 38

HSL 73.78, 0.66%, 0.44%

LAB 70.82, -30.6, 64.89

 

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

CMYK 45 / 80 / 0 / 27

HEX #6626BA

RGB 102 38 186

HSL 265.95, 0.66%, 0.44%

LAB 33.47, 57.18, -66.03

 

CMYK 0 / 61 / 80 / 27

HEX #BA4926

RGB 186 73 38

HSL 14.19, 0.66%, 0.44%

LAB 46.1, 43.82, 42.98

 

CMYK 34 / 0 / 80 / 27

HEX #7ABA26

RGB 122 186 38

HSL 85.95, 0.66%, 0.44%

LAB 69.04, -42.23, 62.6

 

CMYK 80 / 19 / 0 / 27

HEX #2697BB

RGB 38 151 187

HSL 194.5, 0.66%, 0.44%

LAB 58.16, -18.19, -27.41

 

CMYK 21 / 80 / 0 / 27

HEX #9326BA

RGB 147 38 186

HSL 284.19, 0.66%, 0.44%

LAB 39.81, 64.53, -55.43

 

CMYK 0 / 61 / 80 / 27

HEX #BA4926

RGB 186 73 38

HSL 14.19, 0.66%, 0.44%

LAB 46.1, 43.82, 42.98

 

CMYK 58 / 0 / 80 / 27

HEX #4EBA26

RGB 78 186 38

HSL 103.78, 0.66%, 0.44%

LAB 67.18, -56.04, 60.21

 

Description

Color code: HEX #2697BB | qconv.com Color code: HEX #2697BB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 151 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 151 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 19 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 19% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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