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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269278 it is the complementary color #D96D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #269278: #2B9273, #3CA486, #4DB699, #5EC8AC and #6FDABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #269278: #269278, #158065, #046E52, #005C3F and #004A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

Complementary color

CMYK 0 / 50 / 38 / 15

HEX #D96D87

RGB 217 109 135

HSL 345.56, 0.59%, 0.64%

LAB 59.38, 44.91, 5.58

 

CMYK 71 / 0 / 21 / 43

HEX #2B9273

RGB 43 146 115

HSL 161.94, 0.54%, 0.37%

LAB 54.35, -36.89, 8.05

 

CMYK 63 / 0 / 18 / 36

HEX #3CA486

RGB 60 164 134

HSL 162.69, 0.46%, 0.44%

LAB 60.99, -37.24, 6.82

 

CMYK 58 / 0 / 16 / 29

HEX #4DB699

RGB 77 182 153

HSL 163.43, 0.42%, 0.51%

LAB 67.53, -37.39, 5.72

 

CMYK 53 / 0 / 14 / 22

HEX #5EC8AC

RGB 94 200 172

HSL 164.15, 0.49%, 0.58%

LAB 73.98, -37.41, 4.72

 

CMYK 49 / 0 / 12 / 15

HEX #6FDABF

RGB 111 218 191

HSL 164.86, 0.59%, 0.65%

LAB 80.34, -37.37, 3.8

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 84 / 0 / 21 / 50

HEX #158065

RGB 21 128 101

HSL 164.86, 0.72%, 0.29%

LAB 47.67, -35.47, 6.58

 

CMYK 96 / 0 / 25 / 57

HEX #046E52

RGB 4 110 82

HSL 164.15, 0.93%, 0.22%

LAB 40.88, -34.09, 8.19

 

CMYK 100 / 0 / 32 / 64

HEX #005C3F

RGB 0 92 63

HSL 161.09, 1%, 0.18%

LAB 34.01, -31.72, 10.12

 

CMYK 100 / 0 / 41 / 71

HEX #004A2C

RGB 0 74 44

HSL 155.68, 1%, 0.15%

LAB 26.96, -28.87, 12.28

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 74 / 0 / 6 / 43

HEX #259188

RGB 37 145 136

HSL 175, 0.59%, 0.36%

LAB 54.47, -31.57, -3.86

 

CMYK 74 / 6 / 0 / 43

HEX #258891

RGB 37 136 145

HSL 185, 0.59%, 0.36%

LAB 51.89, -24.37, -12.92

 

CMYK 74 / 19 / 0 / 43

HEX #257691

RGB 37 118 145

HSL 195, 0.59%, 0.36%

LAB 46.17, -14.71, -21.65

 

CMYK 74 / 31 / 0 / 43

HEX #256491

RGB 37 100 145

HSL 205, 0.59%, 0.36%

LAB 40.5, -4.13, -30.48

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 74 / 0 / 18 / 23

HEX #33C5A2

RGB 51 197 162

HSL 165.62, 0.59%, 0.49%

LAB 71.72, -46, 6.75

 

CMYK 74 / 0 / 18 / 3

HEX #41F8CC

RGB 65 248 204

HSL 165.57, 0.93%, 0.61%

LAB 88.27, -55.03, 8.24

 

CMYK 75 / 0 / 18 / 83

HEX #0B2C24

RGB 11 44 36

HSL 165.45, 0.6%, 0.11%

LAB 15.49, -14.42, 1.66

 

CMYK 74 / 0 / 18 / 63

HEX #195F4E

RGB 25 95 78

HSL 165.43, 0.58%, 0.24%

LAB 35.87, -25.96, 3.54

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 74 / 70 / 0 / 43

HEX #252B91

RGB 37 43 145

HSL 236.67, 0.59%, 0.36%

LAB 24.21, 33.61, -56.69

 

CMYK 0 / 48 / 74 / 43

HEX #914B25

RGB 145 75 37

HSL 21.11, 0.59%, 0.36%

LAB 39.89, 26.42, 35.01

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 19 / 74 / 0 / 43

HEX #762591

RGB 118 37 145

HSL 285, 0.59%, 0.36%

LAB 32.3, 51.02, -43.12

 

CMYK 0 / 19 / 74 / 43

HEX #917625

RGB 145 118 37

HSL 45, 0.59%, 0.36%

LAB 50.82, 1.71, 46.23

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 74 / 70 / 0 / 43

HEX #252B91

RGB 37 43 145

HSL 236.67, 0.59%, 0.36%

LAB 24.21, 33.61, -56.69

 

CMYK 0 / 74 / 56 / 43

HEX #912540

RGB 145 37 64

HSL 345, 0.59%, 0.36%

LAB 33.38, 46.51, 10.58

 

CMYK 0 / 3 / 74 / 43

HEX #918C25

RGB 145 140 37

HSL 57.22, 0.59%, 0.36%

LAB 56.99, -10.47, 52.22

 

CMYK 74 / 0 / 18 / 43

HEX #269278

RGB 38 146 120

HSL 165.56, 0.59%, 0.36%

LAB 54.37, -36.35, 5.2

 

CMYK 56 / 74 / 0 / 43

HEX #402591

RGB 64 37 145

HSL 255, 0.59%, 0.36%

LAB 25.13, 40.8, -55.1

 

CMYK 0 / 74 / 56 / 43

HEX #912540

RGB 145 37 64

HSL 345, 0.59%, 0.36%

LAB 33.38, 46.51, 10.58

 

CMYK 19 / 0 / 74 / 43

HEX #769125

RGB 118 145 37

HSL 75, 0.59%, 0.36%

LAB 56.32, -24.98, 50.84

 

Description

Color code: HEX #269278 | qconv.com Color code: HEX #269278 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 146 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 146 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 18 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 18% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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