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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #265FD7 it is the complementary color #D9A028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #265FD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #265FD7 shade: #2B5FD2, #3C71E5, #4D83F8, #5E95FF and #6FA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #265FD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #265FD7 shade: #265FD7, #154DC4, #043BB1, #00299E and #00178B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #265FD7 shade: #2660D9, #2630D9, #4D26D9, #7D26D9 and #AD26D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #265FD7 shade: #2660D9, #2630D9 and #2626D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #265FD7 shade matches the following richer shades: #2660D9 and #1258ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #265FD7 shade: #2660D9, #3B67C4, #506EAF, #64769B and #797D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #265FD7 shade: #26C1D9, #2691D9, #2662D9, #2632D9 and #4A26D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #265FD7 shade: #1A4193, #2050B6, #2660D9, #4979DF and #6C93E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #265FD7 shade: #265FD7, #C126D9 and #A9D926

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #265FD7 shade: #265FD7, #D92662 and #62D926

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #265FD7 shade: #265FD7, #C126D9, #D99D26 and #3ED926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #265FD7 shade: #265FD7, #D926BB, #D99D26 and #26D944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

Complementary color

CMYK 0 / 26 / 82 / 15

HEX #D9A028

RGB 217 160 40

HSL 40.68, 0.7%, 0.5%

LAB 69.5, 10.99, 65.27

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 74 / 51 / 0 / 10

HEX #3C71E5

RGB 60 113 229

HSL 221.18, 0.76%, 0.57%

LAB 50.01, 22.05, -64.01

 

CMYK 69 / 47 / 0 / 3

HEX #4D83F8

RGB 77 131 248

HSL 221.05, 0.92%, 0.64%

LAB 56.67, 19.93, -63.83

 

CMYK 63 / 42 / 0 / 0

HEX #5E95FF

RGB 94 149 255

HSL 219.5, 1%, 0.68%

LAB 62.59, 14.14, -58.16

 

CMYK 56 / 35 / 0 / 0

HEX #6FA7FF

RGB 111 167 255

HSL 216.67, 1%, 0.72%

LAB 68.19, 6.8, -49.22

 

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

CMYK 89 / 61 / 0 / 23

HEX #154DC4

RGB 21 77 196

HSL 220.8, 0.81%, 0.43%

LAB 36.84, 29.37, -66.58

 

CMYK 98 / 67 / 0 / 31

HEX #043BB1

RGB 4 59 177

HSL 220.92, 0.96%, 0.35%

LAB 30.23, 33.2, -66.25

 

CMYK 100 / 74 / 0 / 38

HEX #00299E

RGB 0 41 158

HSL 224.43, 1%, 0.31%

LAB 23.85, 37.46, -65.31

 

CMYK 100 / 83 / 0 / 45

HEX #00178B

RGB 0 23 139

HSL 230.07, 1%, 0.27%

LAB 17.81, 41.18, -63.58

 

CMYK 82 / 56 / 0 / 15

HEX #2660D9

RGB 38 96 217

HSL 220.56, 0.7%, 0.5%

LAB 43.93, 26.18, -67.11

 

CMYK 82 / 78 / 0 / 15

HEX #2630D9

RGB 38 48 217

HSL 236.65, 0.7%, 0.5%

LAB 33, 55.24, -85.08

 

CMYK 65 / 82 / 0 / 15

HEX #4D26D9

RGB 77 38 217

HSL 253.07, 0.7%, 0.5%

LAB 33.93, 62.46, -83.46

 

CMYK 42 / 82 / 0 / 15

HEX #7D26D9

RGB 125 38 217

HSL 269.16, 0.7%, 0.5%

LAB 39.17, 67.69, -74.64

 

CMYK 20 / 82 / 0 / 15

HEX #AD26D9

RGB 173 38 217

HSL 285.25, 0.7%, 0.5%

LAB 46.02, 74.82, -63.18

 

CMYK 82 / 56 / 0 / 15

HEX #2660D9

RGB 38 96 217

HSL 220.56, 0.7%, 0.5%

LAB 43.93, 26.18, -67.11

 

CMYK 82 / 78 / 0 / 15

HEX #2630D9

RGB 38 48 217

HSL 236.65, 0.7%, 0.5%

LAB 33, 55.24, -85.08

 

CMYK 82 / 82 / 0 / 15

HEX #2626D9

RGB 38 38 217

HSL 240, 0.7%, 0.5%

LAB 31.37, 60, -87.78

 

CMYK 82 / 56 / 0 / 15

HEX #2660D9

RGB 38 96 217

HSL 220.56, 0.7%, 0.5%

LAB 43.93, 26.18, -67.11

 

CMYK 92 / 63 / 0 / 7

HEX #1258ED

RGB 18 88 237

HSL 220.82, 0.86%, 0.5%

LAB 43.1, 37.76, -79.83

 

CMYK 82 / 56 / 0 / 15

HEX #2660D9

RGB 38 96 217

HSL 220.56, 0.7%, 0.5%

LAB 43.93, 26.18, -67.11

 

CMYK 70 / 47 / 0 / 23

HEX #3B67C4

RGB 59 103 196

HSL 220.73, 0.54%, 0.5%

LAB 45.1, 16.21, -53.12

 

CMYK 54 / 37 / 0 / 31

HEX #506EAF

RGB 80 110 175

HSL 221.05, 0.37%, 0.5%

LAB 46.91, 8.44, -37.99

 

CMYK 35 / 24 / 0 / 39

HEX #64769B

RGB 100 118 155

HSL 220.36, 0.22%, 0.5%

LAB 49.54, 2.78, -22.11

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 82 / 11 / 0 / 15

HEX #26C1D9

RGB 38 193 217

HSL 188.04, 0.7%, 0.5%

LAB 71.93, -29.77, -22.91

 

CMYK 82 / 33 / 0 / 15

HEX #2691D9

RGB 38 145 217

HSL 204.13, 0.7%, 0.5%

LAB 57.72, -4.19, -44.98

 

CMYK 82 / 55 / 0 / 15

HEX #2662D9

RGB 38 98 217

HSL 219.89, 0.7%, 0.5%

LAB 44.46, 24.89, -66.25

 

CMYK 82 / 77 / 0 / 15

HEX #2632D9

RGB 38 50 217

HSL 235.98, 0.7%, 0.5%

LAB 33.36, 54.2, -84.48

 

CMYK 66 / 82 / 0 / 15

HEX #4A26D9

RGB 74 38 217

HSL 252.07, 0.7%, 0.5%

LAB 33.67, 62.21, -83.89

 

CMYK 82 / 56 / 0 / 42

HEX #1A4193

RGB 26 65 147

HSL 220.66, 0.7%, 0.34%

LAB 29.68, 18.35, -49

 

CMYK 82 / 56 / 0 / 29

HEX #2050B6

RGB 32 80 182

HSL 220.8, 0.7%, 0.42%

LAB 36.78, 22.67, -58.46

 

CMYK 82 / 56 / 0 / 15

HEX #2660D9

RGB 38 96 217

HSL 220.56, 0.7%, 0.5%

LAB 43.93, 26.18, -67.11

 

CMYK 67 / 46 / 0 / 13

HEX #4979DF

RGB 73 121 223

HSL 220.8, 0.7%, 0.58%

LAB 52.31, 16.72, -56.91

 

CMYK 53 / 36 / 0 / 10

HEX #6C93E5

RGB 108 147 229

HSL 220.66, 0.7%, 0.66%

LAB 61.41, 9.64, -45.68

 

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

CMYK 11 / 82 / 0 / 15

HEX #C126D9

RGB 193 38 217

HSL 291.96, 0.7%, 0.5%

LAB 49.17, 78.19, -57.93

 

CMYK 22 / 0 / 82 / 15

HEX #A9D926

RGB 169 217 38

HSL 76.09, 0.7%, 0.5%

LAB 80.85, -38.06, 74.18

 

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

CMYK 0 / 82 / 55 / 15

HEX #D92662

RGB 217 38 98

HSL 339.89, 0.7%, 0.5%

LAB 48.28, 68.97, 11.9

 

CMYK 55 / 0 / 82 / 15

HEX #62D926

RGB 98 217 38

HSL 99.89, 0.7%, 0.5%

LAB 77.5, -61.82, 69.93

 

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

CMYK 11 / 82 / 0 / 15

HEX #C126D9

RGB 193 38 217

HSL 291.96, 0.7%, 0.5%

LAB 49.17, 78.19, -57.93

 

CMYK 0 / 28 / 82 / 15

HEX #D99D26

RGB 217 157 38

HSL 39.89, 0.7%, 0.5%

LAB 68.76, 12.53, 65.25

 

CMYK 71 / 0 / 82 / 15

HEX #3ED926

RGB 62 217 38

HSL 111.96, 0.7%, 0.5%

LAB 76.55, -69.64, 68.72

 

CMYK 82 / 56 / 0 / 16

HEX #265FD7

RGB 38 95 215

HSL 220.68, 0.7%, 0.5%

LAB 43.51, 26.07, -66.65

 

CMYK 0 / 82 / 14 / 15

HEX #D926BB

RGB 217 38 187

HSL 310.06, 0.7%, 0.5%

LAB 51.53, 78.18, -36.64

 

CMYK 0 / 28 / 82 / 15

HEX #D99D26

RGB 217 157 38

HSL 39.89, 0.7%, 0.5%

LAB 68.76, 12.53, 65.25

 

CMYK 82 / 0 / 69 / 15

HEX #26D944

RGB 38 217 68

HSL 130.06, 0.7%, 0.5%

LAB 76.35, -70.77, 58.75

 

Description

Color code: HEX #265FD7 | qconv.com Color code: HEX #265FD7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 95 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 95 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 56 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 56% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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