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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5FD2 it is the complementary color #D4A02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5FD2 shade: #305FCD, #4171E0, #5283F3, #6395FF and #74A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5FD2 shade: #2B5FD2, #1A4DBF, #093BAC, #002999 and #001786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5FD2 shade: #2B5FD3, #2B32D3, #512BD3, #7F2BD3 and #AC2BD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5FD2 shade: #2B5FD3, #2B32D3 and #2B2BD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5FD2 shade matches the following richer shades: #2B5FD3, #1657E8 and #0250FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5FD2 shade: #2B5FD3, #3F67BF, #546FAA, #697795 and #7D7E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5FD2 shade: #2BBAD3, #2B8DD3, #2B60D3, #2B33D3 and #4F2BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5FD2 shade: #1D408F, #2450B1, #2B5FD3, #4D79DA and #6F93E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5FD2 shade: #2B5FD2, #C02BD3 and #A3D32B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5FD2 shade: #2B5FD2, #D32B60 and #60D32B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5FD2 shade: #2B5FD2, #C02BD3, #D39E2B and #3ED32B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5FD2 shade: #2B5FD2, #D32BB4, #D39E2B and #2BD34A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

Complementary color

CMYK 0 / 25 / 79 / 17

HEX #D4A02D

RGB 212 160 45

HSL 41.32, 0.66%, 0.5%

LAB 68.99, 8.98, 62.92

 

CMYK 77 / 54 / 0 / 20

HEX #305FCD

RGB 48 95 205

HSL 222.04, 0.62%, 0.5%

LAB 43.09, 23.25, -61.58

 

CMYK 71 / 50 / 0 / 12

HEX #4171E0

RGB 65 113 224

HSL 221.89, 0.72%, 0.57%

LAB 49.88, 20.89, -61.4

 

CMYK 66 / 46 / 0 / 5

HEX #5283F3

RGB 82 131 243

HSL 221.74, 0.87%, 0.64%

LAB 56.58, 18.94, -61.2

 

CMYK 61 / 42 / 0 / 0

HEX #6395FF

RGB 99 149 255

HSL 220.77, 1%, 0.69%

LAB 62.82, 15.01, -57.78

 

CMYK 55 / 35 / 0 / 0

HEX #74A7FF

RGB 116 167 255

HSL 217.99, 1%, 0.73%

LAB 68.44, 7.81, -48.82

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 86 / 60 / 0 / 25

HEX #1A4DBF

RGB 26 77 191

HSL 221.45, 0.76%, 0.43%

LAB 36.53, 27.72, -64.16

 

CMYK 95 / 66 / 0 / 33

HEX #093BAC

RGB 9 59 172

HSL 221.6, 0.9%, 0.35%

LAB 29.82, 31.41, -63.92

 

CMYK 100 / 73 / 0 / 40

HEX #002999

RGB 0 41 153

HSL 223.92, 1%, 0.3%

LAB 23.29, 35.56, -63.18

 

CMYK 100 / 83 / 0 / 47

HEX #001786

RGB 0 23 134

HSL 229.7, 1%, 0.26%

LAB 17.15, 39.45, -61.54

 

CMYK 80 / 55 / 0 / 17

HEX #2B5FD3

RGB 43 95 211

HSL 221.43, 0.66%, 0.5%

LAB 43.36, 24.99, -64.6

 

CMYK 80 / 76 / 0 / 17

HEX #2B32D3

RGB 43 50 211

HSL 237.5, 0.66%, 0.5%

LAB 32.91, 52.56, -81.74

 

CMYK 62 / 80 / 0 / 17

HEX #512BD3

RGB 81 43 211

HSL 253.57, 0.66%, 0.5%

LAB 34.36, 59.11, -79.27

 

CMYK 40 / 80 / 0 / 17

HEX #7F2BD3

RGB 127 43 211

HSL 270, 0.66%, 0.5%

LAB 39.48, 64.9, -70.65

 

CMYK 18 / 80 / 0 / 17

HEX #AC2BD3

RGB 172 43 211

HSL 286.07, 0.66%, 0.5%

LAB 45.91, 72.2, -59.92

 

CMYK 80 / 55 / 0 / 17

HEX #2B5FD3

RGB 43 95 211

HSL 221.43, 0.66%, 0.5%

LAB 43.36, 24.99, -64.6

 

CMYK 80 / 76 / 0 / 17

HEX #2B32D3

RGB 43 50 211

HSL 237.5, 0.66%, 0.5%

LAB 32.91, 52.56, -81.74

 

CMYK 80 / 80 / 0 / 17

HEX #2B2BD3

RGB 43 43 211

HSL 240, 0.66%, 0.5%

LAB 31.68, 56.12, -83.79

 

CMYK 80 / 55 / 0 / 17

HEX #2B5FD3

RGB 43 95 211

HSL 221.43, 0.66%, 0.5%

LAB 43.36, 24.99, -64.6

 

CMYK 91 / 63 / 0 / 9

HEX #1657E8

RGB 22 87 232

HSL 221.43, 0.83%, 0.5%

LAB 42.48, 36.67, -78.01

 

CMYK 99 / 68 / 0 / 1

HEX #0250FC

RGB 2 80 252

HSL 221.28, 0.98%, 0.5%

LAB 42.43, 47.84, -89.35

 

CMYK 80 / 55 / 0 / 17

HEX #2B5FD3

RGB 43 95 211

HSL 221.43, 0.66%, 0.5%

LAB 43.36, 24.99, -64.6

 

CMYK 67 / 46 / 0 / 25

HEX #3F67BF

RGB 63 103 191

HSL 221.25, 0.5%, 0.5%

LAB 44.97, 15.02, -50.44

 

CMYK 51 / 35 / 0 / 33

HEX #546FAA

RGB 84 111 170

HSL 221.16, 0.34%, 0.5%

LAB 47.18, 7.14, -34.64

 

CMYK 30 / 20 / 0 / 42

HEX #697795

RGB 105 119 149

HSL 220.91, 0.17%, 0.5%

LAB 49.94, 2.1, -17.94

 

CMYK 3 / 2 / 0 / 49

HEX #7D7E81

RGB 125 126 129

HSL 225, 0.02%, 0.5%

LAB 52.8, 0.24, -1.76

 

CMYK 80 / 12 / 0 / 17

HEX #2BBAD3

RGB 43 186 211

HSL 188.93, 0.66%, 0.5%

LAB 69.71, -27.81, -23.03

 

CMYK 80 / 33 / 0 / 17

HEX #2B8DD3

RGB 43 141 211

HSL 205, 0.66%, 0.5%

LAB 56.35, -3.58, -43.77

 

CMYK 80 / 55 / 0 / 17

HEX #2B60D3

RGB 43 96 211

HSL 221.07, 0.66%, 0.5%

LAB 43.63, 24.35, -64.16

 

CMYK 80 / 76 / 0 / 17

HEX #2B33D3

RGB 43 51 211

HSL 237.14, 0.66%, 0.5%

LAB 33.1, 52.02, -81.43

 

CMYK 63 / 80 / 0 / 17

HEX #4F2BD3

RGB 79 43 211

HSL 252.86, 0.66%, 0.5%

LAB 34.18, 58.91, -79.58

 

CMYK 80 / 55 / 0 / 44

HEX #1D408F

RGB 29 64 143

HSL 221.58, 0.66%, 0.34%

LAB 29.19, 17.74, -47.34

 

CMYK 80 / 55 / 0 / 31

HEX #2450B1

RGB 36 80 177

HSL 221.28, 0.66%, 0.42%

LAB 36.53, 21.1, -55.91

 

CMYK 80 / 55 / 0 / 17

HEX #2B5FD3

RGB 43 95 211

HSL 221.43, 0.66%, 0.5%

LAB 43.36, 24.99, -64.6

 

CMYK 65 / 44 / 0 / 15

HEX #4D79DA

RGB 77 121 218

HSL 221.28, 0.66%, 0.58%

LAB 52.19, 15.62, -54.27

 

CMYK 51 / 35 / 0 / 12

HEX #6F93E1

RGB 111 147 225

HSL 221.05, 0.66%, 0.66%

LAB 61.38, 9.08, -43.49

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 9 / 80 / 0 / 17

HEX #C02BD3

RGB 192 43 211

HSL 293.21, 0.66%, 0.5%

LAB 49.05, 75.78, -54.69

 

CMYK 23 / 0 / 80 / 17

HEX #A3D32B

RGB 163 211 43

HSL 77.14, 0.66%, 0.5%

LAB 78.78, -37.52, 70.93

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 0 / 80 / 55 / 17

HEX #D32B60

RGB 211 43 96

HSL 341.07, 0.66%, 0.5%

LAB 47.52, 66.02, 11.9

 

CMYK 55 / 0 / 80 / 17

HEX #60D32B

RGB 96 211 43

HSL 101.07, 0.66%, 0.5%

LAB 75.61, -59.98, 66.85

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 9 / 80 / 0 / 17

HEX #C02BD3

RGB 192 43 211

HSL 293.21, 0.66%, 0.5%

LAB 49.05, 75.78, -54.69

 

CMYK 0 / 25 / 80 / 17

HEX #D39E2B

RGB 211 158 43

HSL 41.07, 0.66%, 0.5%

LAB 68.37, 9.54, 63.02

 

CMYK 71 / 0 / 80 / 17

HEX #3ED32B

RGB 62 211 43

HSL 113.21, 0.66%, 0.5%

LAB 74.69, -67.51, 65.67

 

CMYK 80 / 55 / 0 / 18

HEX #2B5FD2

RGB 43 95 210

HSL 221.32, 0.66%, 0.5%

LAB 43.29, 24.61, -64.14

 

CMYK 0 / 80 / 15 / 17

HEX #D32BB4

RGB 211 43 180

HSL 311.07, 0.66%, 0.5%

LAB 50.54, 74.85, -34.18

 

CMYK 0 / 25 / 80 / 17

HEX #D39E2B

RGB 211 158 43

HSL 41.07, 0.66%, 0.5%

LAB 68.37, 9.54, 63.02

 

CMYK 80 / 0 / 65 / 17

HEX #2BD34A

RGB 43 211 74

HSL 131.07, 0.66%, 0.5%

LAB 74.57, -67.79, 54.45

 

Description

Color code: HEX #2B5FD2 | qconv.com Color code: HEX #2B5FD2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 95 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 95 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 55 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 55% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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