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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264E50 it is the complementary color #D9B1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264E50 shade: #2B4E4B, #3C605E, #4D7271, #5E8484 and #6F9697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264E50 shade: #264E50, #153C3D, #042A2A, #001817 and #000604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264E50 shade: #264E50, #264250, #263750, #262C50 and #2B2650

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264E50 shade: #264E50, #264250, #263750, #262C50 and #262650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264E50 shade matches the following richer shades: #264E50, #1C5659, #135F63 and #09686C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264E50 shade: #264E50, #2F4546, #393D3D, #423433 and #4B2B2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264E50 shade: #26503B, #265046, #264E50, #264350 and #263850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264E50 shade: #0B1718, #183234, #264E50, #33696C and #408488

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264E50 shade: #264E50, #2F2650 and #504026

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264E50 shade: #264E50, #50264E and #4E5026

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264E50 shade: #264E50, #2F2650, #502726 and #465026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264E50 shade: #264E50, #3C2650, #502726 and #395026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

Complementary color

CMYK 0 / 18 / 19 / 15

HEX #D9B1AF

RGB 217 177 175

HSL 2.86, 0.36%, 0.77%

LAB 75.63, 14.17, 6.49

 

CMYK 45 / 0 / 4 / 69

HEX #2B4E4B

RGB 43 78 75

HSL 174.86, 0.29%, 0.24%

LAB 30.57, -13.5, -2.21

 

CMYK 38 / 0 / 2 / 62

HEX #3C605E

RGB 60 96 94

HSL 176.67, 0.23%, 0.31%

LAB 38.08, -13.39, -2.96

 

CMYK 32 / 0 / 1 / 55

HEX #4D7271

RGB 77 114 113

HSL 178.38, 0.19%, 0.37%

LAB 45.37, -13.27, -3.65

 

CMYK 29 / 0 / 0 / 48

HEX #5E8484

RGB 94 132 132

HSL 180, 0.17%, 0.44%

LAB 52.45, -13.16, -4.28

 

CMYK 26 / 1 / 0 / 41

HEX #6F9697

RGB 111 150 151

HSL 181.5, 0.16%, 0.51%

LAB 59.37, -13.06, -4.88

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 66 / 2 / 0 / 76

HEX #153C3D

RGB 21 60 61

HSL 181.5, 0.49%, 0.16%

LAB 22.75, -13.21, -4.75

 

CMYK 90 / 0 / 0 / 84

HEX #042A2A

RGB 4 42 42

HSL 180, 0.83%, 0.09%

LAB 14.67, -12.76, -3.8

 

CMYK 100 / 0 / 4 / 91

HEX #001817

RGB 0 24 23

HSL 177.5, 1%, 0.05%

LAB 6.46, -8.13, -2.07

 

CMYK 100 / 0 / 33 / 98

HEX #000604

RGB 0 6 4

HSL 160, 1%, 0.01%

LAB 1.26, -1.85, 0.2

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 53 / 18 / 0 / 69

HEX #264250

RGB 38 66 80

HSL 200, 0.36%, 0.23%

LAB 26.41, -6.11, -11.72

 

CMYK 53 / 31 / 0 / 69

HEX #263750

RGB 38 55 80

HSL 215.71, 0.36%, 0.23%

LAB 22.74, 1.16, -17.39

 

CMYK 53 / 45 / 0 / 69

HEX #262C50

RGB 38 44 80

HSL 231.43, 0.36%, 0.23%

LAB 19.19, 8.88, -22.96

 

CMYK 46 / 53 / 0 / 69

HEX #2B2650

RGB 43 38 80

HSL 247.14, 0.36%, 0.23%

LAB 17.82, 14.6, -25.11

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 53 / 18 / 0 / 69

HEX #264250

RGB 38 66 80

HSL 200, 0.36%, 0.23%

LAB 26.41, -6.11, -11.72

 

CMYK 53 / 31 / 0 / 69

HEX #263750

RGB 38 55 80

HSL 215.71, 0.36%, 0.23%

LAB 22.74, 1.16, -17.39

 

CMYK 53 / 45 / 0 / 69

HEX #262C50

RGB 38 44 80

HSL 231.43, 0.36%, 0.23%

LAB 19.19, 8.88, -22.96

 

CMYK 53 / 53 / 0 / 69

HEX #262650

RGB 38 38 80

HSL 240, 0.36%, 0.23%

LAB 17.36, 13.19, -25.88

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 69 / 3 / 0 / 65

HEX #1C5659

RGB 28 86 89

HSL 182.95, 0.52%, 0.23%

LAB 33.19, -17.34, -7.28

 

CMYK 81 / 4 / 0 / 61

HEX #135F63

RGB 19 95 99

HSL 183, 0.68%, 0.23%

LAB 36.41, -20.27, -8.71

 

CMYK 92 / 4 / 0 / 58

HEX #09686C

RGB 9 104 108

HSL 182.42, 0.85%, 0.23%

LAB 39.65, -22.87, -9.39

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 33 / 1 / 0 / 73

HEX #2F4546

RGB 47 69 70

HSL 182.61, 0.2%, 0.23%

LAB 27.58, -8.24, -3.37

 

CMYK 7 / 0 / 0 / 76

HEX #393D3D

RGB 57 61 61

HSL 180, 0.03%, 0.23%

LAB 25.39, -1.68, -0.59

 

CMYK 0 / 21 / 23 / 74

HEX #423433

RGB 66 52 51

HSL 4, 0.13%, 0.23%

LAB 23.18, 6.08, 3

 

CMYK 0 / 43 / 44 / 71

HEX #4B2B2A

RGB 75 43 42

HSL 1.82, 0.28%, 0.23%

LAB 21.55, 14.7, 6.96

 

CMYK 53 / 0 / 26 / 69

HEX #26503B

RGB 38 80 59

HSL 150, 0.36%, 0.23%

LAB 30.56, -20.37, 7.94

 

CMYK 53 / 0 / 13 / 69

HEX #265046

RGB 38 80 70

HSL 165.71, 0.36%, 0.23%

LAB 30.86, -17.5, 1.38

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 53 / 16 / 0 / 69

HEX #264350

RGB 38 67 80

HSL 198.57, 0.36%, 0.23%

LAB 26.75, -6.74, -11.2

 

CMYK 53 / 30 / 0 / 69

HEX #263850

RGB 38 56 80

HSL 214.29, 0.36%, 0.23%

LAB 23.07, 0.48, -16.88

 

CMYK 54 / 4 / 0 / 91

HEX #0B1718

RGB 11 23 24

HSL 184.62, 0.37%, 0.07%

LAB 6.77, -4.24, -2.29

 

CMYK 54 / 4 / 0 / 80

HEX #183234

RGB 24 50 52

HSL 184.29, 0.37%, 0.15%

LAB 18.9, -9.31, -4.38

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 53 / 3 / 0 / 58

HEX #33696C

RGB 51 105 108

HSL 183.16, 0.36%, 0.31%

LAB 41.04, -16.93, -7.2

 

CMYK 53 / 3 / 0 / 47

HEX #408488

RGB 64 132 136

HSL 183.33, 0.36%, 0.39%

LAB 51.12, -20.25, -8.76

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 41 / 53 / 0 / 69

HEX #2F2650

RGB 47 38 80

HSL 252.86, 0.36%, 0.23%

LAB 18.23, 15.79, -24.44

 

CMYK 0 / 20 / 53 / 69

HEX #504026

RGB 80 64 38

HSL 37.14, 0.36%, 0.23%

LAB 28.15, 3.01, 18.46

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 0 / 53 / 2 / 69

HEX #50264E

RGB 80 38 78

HSL 302.86, 0.36%, 0.23%

LAB 22.45, 26.2, -16.15

 

CMYK 2 / 0 / 53 / 69

HEX #4E5026

RGB 78 80 38

HSL 62.86, 0.36%, 0.23%

LAB 32.91, -7.83, 24.29

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 41 / 53 / 0 / 69

HEX #2F2650

RGB 47 38 80

HSL 252.86, 0.36%, 0.23%

LAB 18.23, 15.79, -24.44

 

CMYK 0 / 51 / 53 / 69

HEX #502726

RGB 80 39 38

HSL 1.43, 0.36%, 0.23%

LAB 21.19, 18.99, 9.33

 

CMYK 13 / 0 / 53 / 69

HEX #465026

RGB 70 80 38

HSL 74.29, 0.36%, 0.23%

LAB 32.21, -11.59, 23.28

 

CMYK 53 / 2 / 0 / 69

HEX #264E50

RGB 38 78 80

HSL 182.86, 0.36%, 0.23%

LAB 30.5, -13.42, -5.55

 

CMYK 25 / 53 / 0 / 69

HEX #3C2650

RGB 60 38 80

HSL 271.43, 0.36%, 0.23%

LAB 19.75, 19.91, -21.94

 

CMYK 0 / 51 / 53 / 69

HEX #502726

RGB 80 39 38

HSL 1.43, 0.36%, 0.23%

LAB 21.19, 18.99, 9.33

 

CMYK 29 / 0 / 53 / 69

HEX #395026

RGB 57 80 38

HSL 92.86, 0.36%, 0.23%

LAB 31.22, -17.39, 21.85

 

Description

Color code: HEX #264E50 | qconv.com Color code: HEX #264E50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 78 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 78 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 2 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 2% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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