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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2569CE it is the complementary color #DA9631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2569CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2569CE shade: #2A69C9, #3B7BDC, #4C8DEF, #5D9FFF and #6EB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2569CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2569CE shade: #2569CE, #1457BB, #0345A8, #003395 and #002182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2569CE shade: #2469D0, #243BD0, #3C24D0, #6A24D0 and #9824D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2569CE shade: #2469D0, #243BD0 and #2424D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2569CE shade matches the following richer shades: #2469D0 and #1065E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2569CE shade: #2469D0, #386DBC, #4C71A8, #607594 and #737980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2569CE shade: #24C7D0, #2499D0, #246CD0, #243ED0 and #3824D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2569CE shade: #184689, #1E57AD, #2469D0, #407FDD and #6397E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2569CE shade: #2569CE, #AA24D0 and #B0D024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2569CE shade: #2569CE, #D0246C and #6CD024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2569CE shade: #2569CE, #AA24D0, #D08824 and #49D024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2569CE shade: #2569CE, #D024C1, #D08824 and #24D033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

Complementary color

CMYK 0 / 31 / 78 / 15

HEX #DA9631

RGB 218 150 49

HSL 35.86, 0.7%, 0.52%

LAB 67.23, 17.1, 60.06

 

CMYK 79 / 48 / 0 / 21

HEX #2A69C9

RGB 42 105 201

HSL 216.23, 0.65%, 0.48%

LAB 45.38, 14.65, -55.6

 

CMYK 73 / 44 / 0 / 14

HEX #3B7BDC

RGB 59 123 220

HSL 216.15, 0.7%, 0.55%

LAB 52.13, 12.41, -55.53

 

CMYK 68 / 41 / 0 / 6

HEX #4C8DEF

RGB 76 141 239

HSL 216.07, 0.84%, 0.62%

LAB 58.81, 10.59, -55.44

 

CMYK 64 / 38 / 0 / 0

HEX #5D9FFF

RGB 93 159 255

HSL 215.56, 1%, 0.68%

LAB 65.23, 8.11, -53.95

 

CMYK 57 / 31 / 0 / 0

HEX #6EB1FF

RGB 110 177 255

HSL 212.28, 1%, 0.72%

LAB 70.86, 0.94, -45.04

 

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

CMYK 89 / 53 / 0 / 27

HEX #1457BB

RGB 20 87 187

HSL 215.93, 0.81%, 0.41%

LAB 38.82, 19.11, -58.11

 

CMYK 98 / 59 / 0 / 34

HEX #0345A8

RGB 3 69 168

HSL 216, 0.96%, 0.34%

LAB 32.04, 22.78, -57.9

 

CMYK 100 / 66 / 0 / 42

HEX #003395

RGB 0 51 149

HSL 219.46, 1%, 0.29%

LAB 25.37, 27.26, -57.29

 

CMYK 100 / 75 / 0 / 49

HEX #002182

RGB 0 33 130

HSL 224.77, 1%, 0.25%

LAB 18.8, 31.87, -56.29

 

CMYK 83 / 50 / 0 / 18

HEX #2469D0

RGB 36 105 208

HSL 215.93, 0.7%, 0.48%

LAB 45.68, 16.76, -59.14

 

CMYK 83 / 72 / 0 / 18

HEX #243BD0

RGB 36 59 208

HSL 231.98, 0.7%, 0.48%

LAB 34.1, 46.06, -78.05

 

CMYK 71 / 83 / 0 / 18

HEX #3C24D0

RGB 60 36 208

HSL 248.37, 0.7%, 0.48%

LAB 31.29, 59.45, -82.66

 

CMYK 49 / 83 / 0 / 18

HEX #6A24D0

RGB 106 36 208

HSL 264.42, 0.7%, 0.48%

LAB 35.75, 63.85, -75.14

 

CMYK 27 / 83 / 0 / 18

HEX #9824D0

RGB 152 36 208

HSL 280.47, 0.7%, 0.48%

LAB 41.99, 70.27, -64.69

 

CMYK 83 / 50 / 0 / 18

HEX #2469D0

RGB 36 105 208

HSL 215.93, 0.7%, 0.48%

LAB 45.68, 16.76, -59.14

 

CMYK 83 / 72 / 0 / 18

HEX #243BD0

RGB 36 59 208

HSL 231.98, 0.7%, 0.48%

LAB 34.1, 46.06, -78.05

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 83 / 50 / 0 / 18

HEX #2469D0

RGB 36 105 208

HSL 215.93, 0.7%, 0.48%

LAB 45.68, 16.76, -59.14

 

CMYK 93 / 56 / 0 / 11

HEX #1065E3

RGB 16 101 227

HSL 215.83, 0.87%, 0.48%

LAB 45.58, 25.53, -70.11

 

CMYK 83 / 50 / 0 / 18

HEX #2469D0

RGB 36 105 208

HSL 215.93, 0.7%, 0.48%

LAB 45.68, 16.76, -59.14

 

CMYK 70 / 42 / 0 / 26

HEX #386DBC

RGB 56 109 188

HSL 215.91, 0.54%, 0.48%

LAB 46.19, 9.03, -46.77

 

CMYK 55 / 33 / 0 / 34

HEX #4C71A8

RGB 76 113 168

HSL 215.87, 0.38%, 0.48%

LAB 47.2, 3.39, -33.46

 

CMYK 35 / 21 / 0 / 42

HEX #607594

RGB 96 117 148

HSL 215.77, 0.21%, 0.48%

LAB 48.69, 0.24, -19.31

 

CMYK 10 / 5 / 0 / 50

HEX #737980

RGB 115 121 128

HSL 212.31, 0.05%, 0.48%

LAB 50.54, -0.74, -4.6

 

CMYK 83 / 4 / 0 / 18

HEX #24C7D0

RGB 36 199 208

HSL 183.14, 0.7%, 0.48%

LAB 73.4, -35.58, -15.8

 

CMYK 83 / 26 / 0 / 18

HEX #2499D0

RGB 36 153 208

HSL 199.19, 0.7%, 0.48%

LAB 59.63, -12.14, -36.95

 

CMYK 83 / 48 / 0 / 18

HEX #246CD0

RGB 36 108 208

HSL 214.88, 0.7%, 0.48%

LAB 46.52, 14.84, -57.78

 

CMYK 83 / 70 / 0 / 18

HEX #243ED0

RGB 36 62 208

HSL 230.93, 0.7%, 0.48%

LAB 34.75, 44.27, -76.98

 

CMYK 73 / 83 / 0 / 18

HEX #3824D0

RGB 56 36 208

HSL 246.98, 0.7%, 0.48%

LAB 31.01, 59.18, -83.13

 

CMYK 82 / 49 / 0 / 46

HEX #184689

RGB 24 70 137

HSL 215.58, 0.7%, 0.32%

LAB 30.35, 10.6, -41.77

 

CMYK 83 / 50 / 0 / 32

HEX #1E57AD

RGB 30 87 173

HSL 216.08, 0.7%, 0.4%

LAB 38.04, 14.28, -51.11

 

CMYK 83 / 50 / 0 / 18

HEX #2469D0

RGB 36 105 208

HSL 215.93, 0.7%, 0.48%

LAB 45.68, 16.76, -59.14

 

CMYK 71 / 43 / 0 / 13

HEX #407FDD

RGB 64 127 221

HSL 215.92, 0.7%, 0.56%

LAB 53.48, 10.98, -53.93

 

CMYK 56 / 33 / 0 / 11

HEX #6397E3

RGB 99 151 227

HSL 215.63, 0.7%, 0.64%

LAB 61.94, 4.78, -43.76

 

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

CMYK 18 / 83 / 0 / 18

HEX #AA24D0

RGB 170 36 208

HSL 286.74, 0.7%, 0.48%

LAB 44.75, 73.18, -60.08

 

CMYK 15 / 0 / 83 / 18

HEX #B0D024

RGB 176 208 36

HSL 71.16, 0.7%, 0.48%

LAB 78.73, -31.23, 73

 

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

CMYK 0 / 83 / 48 / 18

HEX #D0246C

RGB 208 36 108

HSL 334.88, 0.7%, 0.48%

LAB 46.65, 67.91, 3.18

 

CMYK 48 / 0 / 83 / 18

HEX #6CD024

RGB 108 208 36

HSL 94.88, 0.7%, 0.48%

LAB 75.09, -55.81, 68.4

 

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

CMYK 18 / 83 / 0 / 18

HEX #AA24D0

RGB 170 36 208

HSL 286.74, 0.7%, 0.48%

LAB 44.75, 73.18, -60.08

 

CMYK 0 / 35 / 83 / 18

HEX #D08824

RGB 208 136 36

HSL 34.88, 0.7%, 0.48%

LAB 62.63, 19.92, 60.19

 

CMYK 65 / 0 / 83 / 18

HEX #49D024

RGB 73 208 36

HSL 107.09, 0.7%, 0.48%

LAB 73.97, -64.8, 66.96

 

CMYK 82 / 49 / 0 / 19

HEX #2569CE

RGB 37 105 206

HSL 215.86, 0.7%, 0.48%

LAB 45.57, 16.08, -58.16

 

CMYK 0 / 83 / 7 / 18

HEX #D024C1

RGB 208 36 193

HSL 305.23, 0.7%, 0.48%

LAB 50.12, 77.65, -42.44

 

CMYK 0 / 35 / 83 / 18

HEX #D08824

RGB 208 136 36

HSL 34.88, 0.7%, 0.48%

LAB 62.63, 19.92, 60.19

 

CMYK 83 / 0 / 75 / 18

HEX #24D033

RGB 36 208 51

HSL 125.23, 0.7%, 0.48%

LAB 73.37, -69.7, 61.79

 

Description

Color code: HEX #2569CE | qconv.com Color code: HEX #2569CE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 105 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 105 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 49 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 49% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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